I am aware of other mistakes here in the Translations part, but they can
stand as they are for the moment - my methods will sooner or later correct
them if they are important. And not always will I comment upon the
corrections in the glyph dictionary. Instead we will move on to next page:
The 'cut off'
viri at Aa8-26 comes after the last glyph of
Akahanga, and there seems to be a strong connection
between not only Hua Reva and Akahanga but also
including Hatinga Te Kohe:
Hanga Te Pau
is not one of the kuhane stations, and the lunar
approximation of the solar year is calculated as 12 * 29.5 =
354. It ends with Hatinga Te Kohe.
|
It does not end with Hatinga Te Kohe, there is a 13th station
(equivalent to the 13th lost zodiacal sign, I guess), which covers the leap
between 354 and 13 * 29.5 = 383.5, but in the glyph dictionary that is not
yet know.
Next pages:
Instead we can
find two other interesting glyphs in the middle:
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8 |
|
|
8 |
|
Aa8-15 |
Aa8-24 |
Aa8-25 |
Aa8-34 |
20 |
It is hardly a coincidence that the first of them is turned head
down (as in Gb1-7 at Te Pei), while the second stands
straight with head up, when at the same time they both carry a
fish (the left great and the right smaller, with a black head).
Probably these two fishes represent the sun respectively the
moon.
Surely
Aa8-24 belongs to Akahanga (with sun head down) and
Aa8-25 to Hatinga Te Kohe (where moon is released from
the 'bamboo'). If this suggestion is correct, then we have
determined the beginning of the 59 glyph long sequence which
describes Hatinga Te Kohe:
The rule - we can see - is that twice the number at a kuhane
station in G determines the first of a pair of glyphs (e.g.
Aa8-82--83). Earlier we counted with a pair of glyphs where the
second of them corresponded to twice the number in G. The new
rule is in a way logical, because what is important should always
comes first.
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Maybe a better interpretation is to
say that there are 18 glyphs instead of 20:
8 |
|
|
8 |
Aa8-24 |
Aa8-25 |
18 |
18 is a number more characteristic for the sun than 20. These 18 glyphs can
be grouped as 9 pairs:
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|
Aa8-16 |
Aa8-17 |
|
|
Aa8-18 |
Aa8-19 |
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|
Aa8-20 |
Aa8-21 |
|
|
Aa8-22 |
Aa8-23 (649
= 11 * 59) |
|
|
Aa8-24 |
Aa8-25 |
|
|
Aa8-26 |
Aa8-27 |
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Aa8-28 |
Aa8-29 |
|
|
Aa8-30 |
Aa8-31 |
|
|
Aa8-32 |
Aa8-33 |
I have redmarked obvious pairs. The contrast between Aa8-32
and Aa8-33 can be expressed as that between standing straight (tu)
and bending in a curve (ta). Aa8-26 illustrates the sudden 'cut',
while Aa8-27 includes a new rising fish. Aa8-22 ought to be the
opposite of the death shown with ihe tau.
By the new rule Aa8-24 will be the 2nd of a pair with Aa8-23
as the first member. 9 of the 18 glyphs will belong to Akahanga and 9
to Hatinga Te Kohe:
Akahanga |
|
|
|
|
Aa8-16 |
Aa8-17 |
Aa8-18 |
Aa8-19 |
|
|
|
|
|
Aa8-20 |
Aa8-21 |
Aa8-22 |
Aa8-23 |
Aa8-24 |
Hatinga
Te Kohe |
|
|
|
|
|
Aa8-25 |
Aa8-26 |
Aa8-27 |
Aa8-28 |
Aa8-29 |
|
|
|
|
Aa8-30 |
Aa8-31 |
Aa8-32 |
Aa8-33 |