TRANSLATIONS
Why are there two small holes in each of these three honu
glyphs?
Most easy way to answer anything
meaningful is to count: 7 * (25 + 26 +
29) = 560 = 20 * 28. They represent the
final phase of the sun (20). 6
'feathers' at left in the 'bough' of
Ga7-25 and 6 at right = 12 confirms the
connection with sun, and furthermore
adds that the location is in the
'middle'. Or rather - the 'middle' is in
the past, which we can agree with.
If they truly stand 'in front' of the 'middle',
then they could each represent a
double-month beyond midsummer, and thereby
fulfil the prediction of 6
'feathers' to the right.
Two small eyes is what
the Jaguar
got as a substitue when he had lost his
real strong ones in a juggling contest
with an anteater.
The 'rainy' Pleiades the ancients said.
When the Pleiades reappear they bring
rain. In Polynesia they were regarded
as 6 stars,
Matariki ('small eyes').
The triplet of honu glyphs with
double holes could therefore represent
also the
Pleaides.
|
"M119.
Cayua. 'The jaguar's eyes'
The jaguar learned from
the grasshopper that the toad and the rabbit had stolen its fire
while it was out hunting, and that they had taken it across the
river. While the jaguar was weeping at
this, an anteater came along, and the jaguar suggested that they
should have an excretory competition. The anteater, however,
appropriated the excrement containing raw meat and made the jaguar
believe that its own excretions consisted entirely of ants.
In order to even
things out, the jaguar invited the anteater to a juggling contest,
using their eyes removed from the sockets: the anteater's eyes fell
back into place, but the jaguar's remained hanging at the top of a
tree, and so it became blind.
At the request of
the anteater, the macuco bird made the jaguar new eyes out of water,
and these allowed it to see in the dark. Since that time the jaguar
only goes out at night. Having lost fire, it eats meat raw. It never
attacks the macuco - in the Apapocuva version, the inhambu bird,
also one of the Tinamidae ..." (The Raw and the Cooked) |
According to
unanimous South American myth tellers the Jaguar was the keeper of fire
before man got hold of it. The tree in which his eye remained
hanging presumably is the cosmic tree (the Milky Way) standing high
and straight at midsummer.
The eyes of water refers to the initial phase of waning sun. But
the Jaguar wept already before that (a sign of
the coming disaster) because his fire had been stolen. Eyes are symbols
of fire.
|
"Savage tribes knew the Pleiades familiarly, as well as did the
people of ancient and modern civilization; and Ellis wrote of the
natives of the Society and Tonga Islands, who called these stars
Matarii, the Little Eyes:
The two seasons of the year were divided by the Pleiades; the first,
Matarii i nia, the Pleiades Above, commenced when, in the
evening, those stars appeared on the horizon, and continued while,
after sunset, they were above. The other season, Matarii i raro,
the Pleiades Below, began when, at sunset, they ceased to be
visible, and continued till, in the evening, they appeared again
above the horizon.
Gill gives a similar story from the Hervey group, where the Little
Eyes are Matariki, and at one time but a single star, so
bright that their god Tane in envy got hold of Aumea,
our Aldebaran, and, accompanied by Mere, our Sirius, chased
the offender, who took refuge in a stream. Mere, however,
drained off the water, and Tane hurled Aumea at the
fugitive, breaking him into the six pieces that we now see, whence
the native name for the fragments, Tauono, the Six, quoted by
Flammarion as Tau, both titles singularly like the Latin
Taurus. They were the favorite one of the various avelas, or
guides at sea in night voyages from one island to another; and, as
opening the year, objects of worship down to 1857, when Christianity
prevailed throughout these islands." (Allen) |
Once Matariki
was a single very bright star, who took refuge in a stream
(presumably the Milky Way). Its water
hid him.
Later there were 6
pieces of him in Tauono, and they defined the two halves of
the year. |
80 is the sum
of 25, 26, and 29. It could be a sign that Te Varu
Kainga lies here. If so, then there ought to be more
signs. For instance 8 glyphs in a sequence:
|
|
|
|
|
Ga7-18 |
Ga7-19 |
Ga7-20 |
Ga7-21 |
Ga7-22 (192) |
|
|
|
|
Ga7-23 |
Ga7-24 |
Ga7-25 |
Ga7-26 |
|
|
|
|
Ga7-27 |
Ga7-28 |
Ga7-29 |
Ga7-30 |
|
|
|
|
Ga7-31 |
Ga7-32 |
Ga7-33 |
Ga7-34 (204) |
Ga7-22 indicates, it seems, the end of
the cycle based on key number 7. Its
ordinal number agrees, because also the
text of K has 192 as its last glyph.
In Ga7-32 the sign at left has 7 feathers in the past
and 6 in front, and 7 * 32 = 224, maybe pointing at
Ga8-20:
|
43 |
|
Ga5-10 (121) |
Ga6-24 (165) |
45 |
54 |
|
|
|
|
|
|
Ga8-16 (220) |
Ga8-17 |
Ga8-18 |
Ga8-19 |
Ga8-20
(224) |
Ga8-21 |
59 |
45 + 59 = 104
= 4 * 26 is encouraging. There is a 'square' here,
connected with the cycle ending at 364:
|
50 |
|
|
50 |
|
Gb8-30 (1) |
Ga2-21 (52) |
Ga2-23 |
Ga4-20 (104) |
|
258 |
|
Ga4-21 (105) |
Gb5-10 (364) |
260 |
The distance from Ga4-20 to the same type
of glyph in Ga7-18 is 188 - 104 = 84, a number
incongruent with 26. Measuring from Ga4-20 to the
similarly numbered Ga8-20 is also negative in that
respect: 224 - 104 = 120. But 120 = 12 * 10 is
meaningful. A first season of the sun begins with Ga4-21
and ends with Ga8-20:
|
118 |
|
|
138 |
|
Ga4-21 (105) |
Ga8-20
(224) |
Ga8-21 |
Gb5-10 (364) |
120 |
140 |
We are here
receiving a message we recognize: sun rules only up to
midsummer, then moon takes over.
But the maitaki sign in Ga8-21 appears already earlier, at
Ga7-24, where it looks as if the new moon season is the
dangling great ball at right:
|
|
28 |
|
|
Ga7-24
(194) |
Ga7-25 |
Ga8-20
(224) |
Ga8-21 |
30 |
Therefore we
should adjust 120 into 90 + 30:
|
88 |
|
|
28 |
|
|
138 |
|
Ga4-21 (105) |
Ga7-24
(194) |
Ga7-25 |
Ga8-20
(224) |
Ga8-21 |
Gb5-10 (364) |
90 |
30 |
140 |
260 |
The spring sun
rising fish (manu kake) has a quarter, only,
before it ends. Then comes a month of interregnum, sun
has left and moon has not yet taken over.
7 * 25 (at Ga7-25) = 175, and twice that is 350. We
adjusted it to 300 by subtracting the first 50 glyphs in
the text. But it could indicate the reappearing
Pleiades, a season which possibly is beginning with
Ga7-15, where there are 6 balls at right, which in some
curious way develop into the great bud of the moon:
|
|
|
|
|
|
Ga7-15 (185) |
Ga7-16 |
Ga7-17 |
Ga7-18 |
Ga7-19 |
Ga7-20 |
|
|
|
Ga7-21 |
Ga7-22 (192) |
Ga7-23 |
|
|
|
|
Ga7-24 |
Ga7-25 |
Ga7-26 |
Ga7-27 |
|
|
|
Ga7-28 |
Ga7-29 |
Ga7-30 |
The Pleiades has a key role:
... Now the deluge was caused by the male waters from the sky meeting the
female waters which issued forth from the ground. The holes in the sky by which
the upper waters escaped were made by God when he removed stars out of the
constellation of the Pleiades; and in order to stop this torrent of rain, God
had afterwards to bung up the two holes with a couple of stars borrowed from the
constellation of the Bear. That is why the Bear runs after the Pleiades to this
day; she wants her children back, but she will never get them till after the
Last Day.
God removed
stars in the Pleiades and out poured the deluge through
two open holes. He did not remove all the stars, it
seems, presumably only two. Are these two holes what we
see in the triplet of honu glyphs? They are drawn
very alike, and they could be the same honu seen
thrice.
The crack in
the carapace, which explains why there are more glyphs
than necessary for the solar year, is a time when
neither spring nor autumn sun is present. The twins
should be represented by two holes. These two holes are
- if I am on the right track - drawn very small, they
represent two holes in the Pleiades, two stars have been
removed by God.
Why did he do
that? Presumably he wanted to plant them like seeds. Two
new half years must be created. It was smart to take the
stars from the Pleiades, because then he did not need to
bother with watering the new plants, it would be done
through the two holes.
|