TRANSLATIONS

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The first pages of kai:

 

A few preliminary remarks and imaginations:

1. The intake of nutrition is necessary for growth, be it a delicious meal prepared in the earth oven or the fertilizing dung spread out on the fields.

In the calendar of daylight the morning sun is growing in strength up to noon, and the kai hand gesture is therefore used:

a.m. noon
Ha5-52 Ha5-56 Ha6-1 Ha6-2

The nutrition sun is taking in may be far from obvious, but not so for the ancient mind:

"... The life-force of the earth is water. God moulded the earth with water. Blood too he made out of water. Even in a stone there is this force, for there is moisture in everything. But if Nummo is water, it also produces copper. When the sky is overcast, the sun's rays may be seen materializing on the misty horizon. These rays, excreted by the spirits, are of copper and are light. They are water too, because they uphold the earth's moisture as it rises. The Pair excrete light, because they are also light ...

'The sun's rays,' he went on, 'are fire and the Nummo's excrement. It is the rays which give the sun its strength. It is the Nummo who gives life to this star, for the sun is in some sort a star.' It was difficult to get him to explain what he meant by this obscure statement. The Nazarene made more than one fruitless effort to understand this part of the cosmogony; he could not discover any chink or crack through which to apprehend its meaning.

He was moreover confronted with identifications which no European, that is, no average rational European, could admit. He felt himself humiliated, though not disagreeably so, at finding that his informant regarded fire and water as complementary, and not as opposites. The rays of light and heat draw the water up, and also cause it to descend again in the form of rain. That is all to the good. The movement created by this coming and going is a good thing. By means of the rays the Nummo draws out, and gives back the life-force. This movement indeed makes life.

The old man realized that he was now at a critical point. If the Nazarene did not understand this business of coming and going, he would not understand anything else. He wanted to say that what made life was not so much force as the movement of forces. He reverted to the idea of a universal shuttle service. 'The rays drink up the little waters of the earth, the shallow pools, making them rise, and then descend again in rain.' Then, leaving aside the question of water, he summed up his argument: 'To draw up and then return what one had drawn - that is the life of the world' ..." (Ogotemmêli)

This central thermodynamical law of life (light and water in cooperation) explains why the kai person has his feet designed like his hands - to indentify his locus of output. There must be an output in order to balance the input. 3 fingers identify the daylight, and there must be 3 toes for its outlet.

In the calendar of the daylight, though, the output of the sun comes during p.m. in form of another type of hand gesture:

Ha6-12
2. The primary meaning obviously is a man sitting and eating, kai. Though kai may mean other things too, for instance an eclipse of the moon (by cause of it being 'eaten'). However, in the glyph for full moon in the Mamari month calendar (Ca7-24)

the figure sitting eating in the upper part of the oval certainly does not mean eclipse. On the contrary, the moon is here seen in full. Instead, possibly, we should think kai = feast.

Though there is also a meaning of negation in kai and by a salto mortale we will then arrive at the opposite of eating and feast. Eating somebody (preferably an enemy) is indeed the total annihilation of him, a time for feast. Breaking his bones to get at the marrow too:

"If the moral attitudes of primitive man are hard for the Western mind to grasp and translate into familiar terms, there can hardly be one more so than the Maori notion of cooked food as the lowest thing, the furthest opposite to the sacred, in fact filthy.

For us to divest our minds of Christian notions of good and evil and substitute the concept of simple payment, harm for harm (or 'revenge', as we commonly call it with a misleading moral overtone), is simple enough - perhaps because every schoolchild has at some time known the latter in his horrid heart. Even the Maori custom of weeping over friends when they arrive instead of when they depart has a certain logic that is not beyond our comprehension.

But to enter, against all conditioning, into the minds of a people for whom cooked food and the act of eating could carry the overtones of meaning that we in our greater wisdom attach to their physical opposites and to sex, is a good deal harder. One has somehow to throw the mind into a state of being that is radically unlike ours. Yet if the trick can be done, a light comes on." (Maori Myths)

A negation at full moon is expressed in the name of the full moon night, Omotohi. It means that the period of 'sucking' (omo) is over (tohi). The moon child has grown enough, now she must be weaned. Next step is waning. The cycle must move on.

3. A third possibility is to read a sense of seating, i.e. the time when a coming season is making itself felt; like a baby soon to be born is felt in the body of his mother.

"The Maya New Year started with 1 Pop, the next day being 2 Pop, etc. The final day of the month, however, carried not the coefficient 20, but a sign indicating the 'seating' of the month to follow, in line with the Maya philosophy that the influence of any particular span of time is felt before it actually begins and persists somewhat beyond its apparent termination." (The Maya)

The fully grown season, we know, is expressed by the figure of a standing man (tagata), and at the other extreme we can see a man at his lowest position, presumably illustrating the time of birth (hanau). In between there ought to be a man sitting down:

 

birth growth full
hanau kai tagata

At noon sun stands at his highest position, at dawn he is rising from the sea in the east. In between his stature must be in between.

Likewise moon is rising from the horizon (in the west), moving higher for each night, until she is reaching full moon.

Movement is the signature of life, and the energy needed comes by way of eating. At the end, e.g. a solstice, movement stops - the eating has stopped. At winter solstice a new baby sun will be born, hanau, and his mother will stop growing.

The sudden stop in Q at noon agrees with my description:

 

Qa5-51 Qa5-52 Qa5-53 Qa5-54 Qa5-55

5 * 52 = 260 = 10 * 26.

The cycle ends at noon. I ought to add this fact in the page above:

 

... Movement is the signature of life, and the energy needed comes by way of eating. At the end, e.g. a solstice, movement stops - the eating has stopped. At winter solstice a new baby sun will be born, hanau, and his mother will stop growing.

The Q calendar of daylight ends abruptbly at noon:

 

Qa5-51 Qa5-52 Qa5-53 Qa5-54 Qa5-55

5 * 52 = 260 = 10 * 26. The cycle is finished at noon, presumably alluding to summer solstice.

What happens with a cycle after it has stopped?
 
A cycle cannot stop, it goes on. The a.m. cycle ends at noon, but why couldn't it continue with its next turn, beginning at early morning next day?
 
We perceive a gap from noon to early morning next day. This gap is filled by other cycles, first the p.m. cycle and then by the double-cycle of night (before and after midnight).

When the rays of spring sun end at midsummer it is because they are needed on the other side of the equator. The cycle of spring sun does not stop, it just moves to another place. Instead of the spring sun cycle another cycle enters our stage, the Maya saw it as the season of rain:

 

5 Tzek 6 Xul 7 Yaxkin 8 Mol
9 Ch'en 10 Yax 11 Sac 12 Ceh
200
13 Mac 14 Kankin 15 Moan
16 Pax 17 Kayab 18 Cumhu 19 Vayeb
1 Pop 2 Uo 3 Zip 4 Zotz
 
The common sign in the months covering the season from day 180 to 240 (redmarked above) is a triangular pattern (3 + 2 + 1 = 6) which probably indicates rain clouds hanging above.
 
Sun has changed garment from his red spring hide to his raincoat. Fire and rain are complementary, as Ogotemmêli said.
 
In the daytime calendar of Q we should not read the end at noon 'literally', it is an allusion to midsummer, a play with glyphs.