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Kai persons dominate the glyphs in Thursday: Hb9-39 Hb9-40 Hb9-41 Hb9-42 Hb9-43 Hb9-44 Hb9-45 Hb9-46 Hb9-47 In Thursday new fire is ignited, we can read from the kava signs (Hb9-43 and Hb9-45). It stands to reason because Thursday is the day of Jupiter, the wielder of thunder bolts. It is also the 5th ('fire') day of the week. Though with thunder comes rain.

The back to back twins appear also at the end of the moon calendar in Mamari: 8 Ca8-22 Ca8-23 Ca8-24 Ca8-25 Ca8-26 Ca8-27 Ca8-28 Ca8-29 Ca9-1 Ca9-2 At the end of the month a dark night comes (number 29), and a new month will be born (seen at the top in Ca8-29, emerging from the elbow joint and eager to 'eat'). In Ca8-28 the gesture of eating is reversed, together with the whole kai figure - the old month ends. Even during waning the moon receives light from the sun, but the end of her 'sucking' comes with night number 28.

The pair sitting back to back in Thursday presumably return standing up and looking at each other in the following glyph Hb9-42: Hb9-39 Hb9-40 Hb9-41 Hb9-42 Hb9-43 Hb9-44 Hb9-45 Hb9-46 Hb9-47 9 * 40 = 360 and a new year is beginning beyond that, we can read from the numbers. The Y-formed hand in Hb9-40 signifies the 'dry branches' of toa. The standing and united twins in Hb9-42 probably depicts the situation half a year later, when the 1st and 2nd cycles of the year stand face to face (at midsummer). 3 glyphs are used to tell about the solstices surrounding the spring half of the year, and the next 4 glyphs could depict what happens in the 2nd half. The hard wood of the oak (the tree of Thursday) was used for door posts, which explains the twins.

The united twins in Hb9-42 are in contrast to the preceding pair. It means, I think, that there is a gap between Hb9-40 and Hb9-41, a gap in time. 9 * 42 = 378 and 378 - 360 = 18 could be the number of days from the end of the regular solar year to the beginning of next such year. Or it could mean that Hb9-42 stands at 18 multiples of 10 days, halfway to 360.

If a new year is beginning at high summer, then it is firmly connected, it seems, with the previous one. The fingers in Hb9-41 are spreading out, a clear sign of spring. The fingers in Hb9-44 are somewhat wilting. The fingers in Hb9-46 are horizontal, indicating solstice. A time series beginning at winter solstice and ending at winter solstice could be the meaning. Maybe the glyphs should be grouped like this:

takurua				spring is beginning
	Hb9-39	Hb9-40	Hb9-41
2nd tertial				apex generates a fruit
	Hb9-42	Hb9-43	Hb9-44
3rd tertial				season of niu
	Hb9-45	Hb9-46	Hb9-47

Although a little ball fruit emerges at the front end (at the knee in kava) both in Hb9-43 and Hb9-45, the ghostly state has arrived in Hb9-45 (where 9 * 45 = 5 * 81). The niu sign (top of Hb9-45) is the latest growth, and earlier (in Hb9-43) the end was neatly cut off. The orientation of kava in Hb9-43 is reversed in Hb9-45, a trait which in H is correlated with the niu sign:

Ha2-43	Ha2-45	Ha7-115	Ha8-13	Ha9-132	Hb1-218
Hb7-3	Hb9-43	Hb9-45	Hb10-50	Hb11-3	Hb11-21
Hb11-22	Hb11-23	Hb11-24	Hb11-25	Hb11-27	Hb12-31
Hb12-48

Hb9-43 seems to be a later stage of Hb7-3:

Hb7-1	Hb7-2	Hb7-3	Hb7-4	Hb7-5	Hb7-6

The number of glyphs in H has been tentatively restored by me as twice 648 = twice 8 * 81 (cfr Hb9-45, where 9 * 45 = 5 * 81):

Inserting ordinal numbers we get:

takurua				spring is beginning
	Hb9-39 (451)	Hb9-40	Hb9-41
2nd tertial				apex generates a fruit
	Hb9-42	Hb9-43 (455)	Hb9-44
3rd tertial				season of niu
	Hb9-45	Hb9-46	Hb9-47 (459)

Manipulating the numbers we could arrive at e.g.:

	550		143
Ha8-13		Hb7-3		Hb9-43
408		648 + 311 = 959		648 + 455 = 1103
552 = 23 * 24			144 = 6 * 24
696 = 29 * 24

The united twins at Hb9-42 are at 1102 = 29 * 19 * 2 (and 551 = 29 * 19).

We should notice puo in Hb7-6, the only of its kind in H:

Ha4-14	Ha5-52	Ha5-53	Ha5-57	Ha6-1	Ha6-125
Ha7-120	Hb1-6	Hb2-46	Hb5-28	Hb5-30	Hb5-32
Hb5-43	Hb5-45	Hb5-54	Hb6-47	Hb7-6	Hb9-55

Hb7-6 seems to be the end and new beginning:

 

			957 = 29 * 33
Hb6-52	Hb6-53	Hb6-54
Hb7-1 (957)	Hb7-2	Hb7-3	Hb7-4 (960)	Hb7-5	Hb7-6
Hb7-7	Hb7-8	Hb7-9	Hb7-10	Hb7-11	Hb7-12

Tagata with a mea ke sign stands at 7 * 4 = 28, which indicates that Hb7-5 must be at the '29th position', where new fire is ignited. Then puo (the hot air balloon rising from hipu) will come.

Kai in Hb6-53 should be compared with those in Thursday:

	144
Hb6-53 (955)		Hb9-40 (1100)	Hb9-41	Hb9-44	Hb9-46 (1106)
	145 = 5 * 29		6
152 = 8 * 19

Hb6-53 is leaning forward, indicating - it seems - the future. The curved back in Hb9-46 suggests an elderly person.

In H there are 21 (redmarked below) uncomplicated kai glyphs according to my glyph catalogue:

Ha1-47	Ha2-17	Ha2-18	Ha2-33	Ha2-54	Ha3-44
Ha3-49	Ha6-115	Ha6-124	Ha6-126	Ha6-128	Ha6-133
Ha7-2	Ha7-115	Ha8-10	Ha9-109	Ha10-3	Ha10-7
Ha11-110	Ha12-6	Ha12-8	Hb1-5	Hb1-213	Hb1-214
Hb1-216	Hb2-18	Hb4-23	Hb4-32	Hb4-34	Hb5-4
Hb5-9	Hb5-46	Hb5-49	Hb5-57	Hb6-2	Hb6-17
Hb6-51	Hb6-53	Hb8-14	Hb8-127	Hb9-40	Hb9-41
Hb9-44	Hb9-46	Hb10-42	Hb10-45	Hb10-46	Hb10-48

14 are on side b and 7 on side a. A comparison between them is too much work for the present.