TRANSLATIONS

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Next chapter in the glyph dictionary:

 

A few preliminary remarks and imaginations:

1. The head is hanging for the bird and his beak is very long, the image is expressing exhaustion.

Such a state is not necessarily connected with old age. It can also happen at the completion of hard work:

... In the beginning there was nothing but the sea, and above soared the Old-Spider. One day the Old-Spider found a giant clam, took it up, and tried to find if this object had any opening, but could find none. She tapped on it, and as it sounded hollow, she decided it was empty.

 

By repeating a charm, she opened the two shells and slipped inside. She could see nothing, because the sun and the moon did not then exist; and then, she could not stand up because there was not enough room in the shellfish. Constantly hunting about she at last found a snail. To endow it with power she placed it under her arm, lay down and slept for three days. Then she let it free, and still hunting about she found another snail bigger than the first one, and treated it in the same way. Then she said to the first snail: 'Can you open this room a little, so that we can sit down?' The snail said it could, and opened the shell a little. Old-Spider then took the snail, placed it in the west of the shell, and made it into the moon. Then there was a little light, which allowed Old-Spider to see a big worm.

 

At her request he opened the shell a little wider, and from the body of the worm flowed a salted sweat which collected in the lower half-shell and became the sea. Then he raised the upper half-shell very high, and it became the sky. Rigi, the worm, exhausted by this great effort, then died ...

The end of the journey is, it seems, possible to describe by other rongorongo glyphs, e.g.:

henua ora haú  pau

I hesitate at the pau sign. The main sign in the glyph is haga, as I have named it:

 

haga hoea haga rave Hanga Te Pau hipu hua tamaiti

The hanging 'fruit' in hoea is a hipu sign, like a great droplet. And the fruit contains the seed of next generation. The end of the journey is in a way nowhere to be found, life goes on forever. It describes cycles.

At the bottom of henua ora there is also, presumably, a seed. Only haú defines a kind of end.

I decide to change pau to a hipu sign instead:

henua ora haú  hipu

Next page:

2. In the text of Aruku Kurenga a curious fact should be noticed:

 

Bb5-14 Bb6-25
ko te manu mata e toru etoru mata oona

Metoro has interpreted the head of moe as an 'eye' (mata) - te manu mata e toru, 'the bird with three eyes'. He probably has seen the strange 'eyes' on the beak as a sign of maitaki, where normally there are three halfcircles at right.

The head of moe could therefore maybe refer to the noon sky.

Counting glyphs from Gb1-1 the ordinal number of the first manu mata e toru is 177 = 3 * 59, which possibly could explain etoru:

 

50
Bb5-14 (177) Bb6-25 (228)

The distance between the two 'three-eyed' birds measures 50, maybe to be understood as a third of 150, 6 * 25 = 150.

If the glyphs are counted from Ga1-1, then Bb6-25 will have ordinal number 421 + 228 = 649 = 22 * 29.5 and Gb5-14 will have number 421 + 177 = 598 = 23 * 26.

In Bb5-14 the basic sign is tagata, a fully grown 'person', and 177 = 6 * 29.5 also indicates that a midpoint has been reached.

In Bb6-25 the basic sign is vae kore, an expectation of new light (also hinted at by the beak which is formed like a reversed viri).

We should complete the cycle:

50 278 421 176
Bb5-14 (177) Bb6-25 (228) 875 = 7 * 125
927

6 * 125 = 750 and 125 + 52 = 177. I.e. 927 = 6 * 125 + 6 * 29.5 = 3 * 250 + 3 * 59.

I will add these result to the glyph dictionary page and change the text into:

... Counting glyphs from Gb1-1 the ordinal number of the first manu mata e toru is 177 = 3 * 59, which possibly could explain the first etoru:

 

176 50 699
Bb5-14 (177) Bb6-25 (228)
177 = 3 * 59 750
927

The second etoru could refer to 3 * 250.

177 we have in G associated with henua ora in Ga7-7, but maitaki comes as the next glyph:

Ga7-5 Ga7-6 Ga7-7 (177) Ga7-8 Ga7-9 Ga7-10 (180)

If the basic measure is 6 * 29.5 = 177 nights, only 5 glyphs need to be added in order to reach 182 (half 364):

Ga7-11 Ga7-12 (182) Ga7-13 Ga7-14

And this fact maybe explains why One Tea has only 5 glyphs:

Gb8-1 Gb8-2 Gb8-3 Gb8-4 Gb8-5

At Gb6-25--26 there seems to be a pair of maitaki:

Bb6-14 Bb6-15 Bb6-16 Bb6-17 Bb6-18 Bb6-19
ki te henua - i ruga o te tagata kua tu erua toga - kua rere ko te kurarega - kua rere i ruga o tona kona e tagata puhi i te ahi e kua rere te tagata - i ruga o to manu kua rere te manu
Bb6-20 Bb6-21 Bb6-24 Bb6-23 Bb6-24
ki haga o rave e rave ika ki te henua - ki haúa ki te ariki mai tae tupu te poporo e haga tere hia
Bb6-25 Bb6-26 Bb6-27 Bb6-28
etoru mata oona e te maitaki ihe vero hia koia ku akapava

The same pattern is obviously written around Bb5-14--15:

Bb5-5 Bb5-6 Bb5-7 Bb5-8
ki te mauga kua kake ko kahini kua kake o manava te kahini kua kake ko Reha - kua kake ko Apareha
Bb5-9 Bb5-10 Bb5-11 Bb5-12 Bb5-13
mai tae tuki to haga - mai tae oho te rima mai tae te vere ki te henua - ko te rima e oho ki to kava - eko te tagata kua hakahonui mai tupu ona poporo i haga o tere
Bb5-14 Bb5-15 Bb5-16 Bb5-17 Bb5-18
ko te manu mata e toru kua ui ki te maitaki kua vero hia ia ko te tagata ra -