TRANSLATIONS
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It seems clear
that vaero glyphs indeed can be imagined as illustrating
'tails'. Manu kake in Ga4-21 stands at the beginning of the
last part of the year:
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16 |
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Ab8-11 (1261) |
Ab8-12 |
Ab8-29 |
Ab8-30 (1280) |
64 + 1262 / 2 = 695 |
8 |
64 + 640 = 704 |
10 |
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Aa1-59 |
Aa1-60 |
Aa1-61 |
Aa1-62 |
Aa1-63 |
Aa1-64 |
day 67 |
day 68 |
day 69 |
Counted from the pair Ab8-29--30 day 59 will be at Aa1-63--64.
Keeping this pattern in mind - the need to imagine the day
numbers indicated below as possibly 5 or 10 too high - we move on:
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36 |
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Aa1-65 |
Aa1-66 |
Aa1-67 |
Aa1-68 |
Aa1-69 |
Aa1-70 |
Aa2-17 |
Aa2-18 |
day 70 |
day 71 |
day 72 |
18 |
108 / 2 + 37
= day 91 |
Day number 65 counted by the moon seems to fit
Aa1-65--66. Not only by cause of -65 but also because of the
glyph design in Aa1-66 (which looks like an illustration of day
366).
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Aa2-19 |
Aa2-20 |
Aa2-21 |
Aa2-22 |
Aa2-23 |
Aa2-24 |
Aa2-25 |
Aa2-26 |
day 92 |
day 93 |
day 94 |
day 95 |
Likewise seems day
90 to be preferable for Aa2-25--26 (where Metoro saw
Rogo). I will within parenthesis below
note the day numbers counted by the moon respectively from
Ab8-29--30:
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Aa2-27 |
Aa2-28 (118) |
Aa2-29 |
Aa2-30 |
Aa2-31 |
Aa2-32 |
day 96 (91,
86) |
day 97 (92,
87) |
day 98 (93,
88) |
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Aa2-33 |
Aa2-34 |
Aa2-35 |
Aa2-36 |
Aa2-37 |
Aa2-38 |
day
99 (94, 89) |
day 100 (95,
90) |
day 101 (96,
91) |
Nuku
in Aa2-30 is the first of a pair:
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Aa2-59 |
Aa2-60 |
Aa2-61 |
Aa2-62 |
Aa2-63 |
Aa2-64 |
139
(134, 129) |
140
(135, 130) |
141
(136, 131) |
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Aa2-65 |
Aa2-66 |
Aa2-67 |
Aa2-68 |
Aa2-69 |
Aa2-70 (160) |
142
(137, 132) |
143
(138, 133) |
160
/ 2 + 64 = 144 (139, 134) |
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Aa2-71 |
Aa2-72 |
Aa2-73 |
Aa2-74 |
Aa2-75 |
Aa2-76 |
145
(140, 135) |
146
(141, 136) |
147
(142, 137) |
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Aa2-77 |
Aa2-78 |
Aa2-79 |
Aa2-80 |
148
(143, 138) |
149
(144, 139) |
Maybe the
designs of the glyphs can tell us which kind of counting
to use in different places. Nuku in Aa2-70 first
of all must be thought of as 160, I think. Then we can
count 144 = 12 * 12 as a square of sun. Metoro
said i vai o rima at Aa2-69 and such is the
picture, the vai sign is the same entity as the
arm. If we regard the year as ending with day number
368, then something similar should happen 100 days
earlier, and such an important event should be alluded
to in the glyphs surrounding 2-68. Nuku can be
explained as what comes beyond the time when sun
disappears 'into the water'. 160 means there is 100
remaining to 260.
144 is the
day number counted by the sun. Counted by the moon this
day number arrives 5 days later. Here we once again encounter
160 (= 2 * 80). Although there is a gesture of eating (kai)
we cannot see any toes. A grand full stop point is half
hidden on its way into the open mouth. The preceding
glyph is unusual, because instead of ihe tau
(which normally is seen at left in this type of glyph)
there is a sign similar to a waning moon crescent.
Presumably it is not a waning moon crescent but a waning
sun crescent, because of its form and because it is the
same entity as manu rere. Though together with the right
wing of the bird it looks like two waning moon signs.
The bird has peculiar feet and the sign could symbolize the
trunk of a tree, the 'midsummer' tree.
In addition
to the three different types of day numbers we must also
count with line numbers and glyph number in the line.
Also these are supported by the glyph designs. In Aa2-75
(where 2 * 75 = 150, i.e. half 300) the path of the sun (haga
rave) has at right ('autumn') 3 feathers in the past and
4 in front. At left the path describes a kava
serpent
sign and indeed the time has come to ignite a new fire
(the old one perishes in the 'water').
The two
nuku glyphs are alike and 40 glyphs apart. Above I
have counted days by dividing the number of glyphs by 2
and then added 64 (what could be the normal way of
reading a rongorongo text). According to the structure earlier
used,
however, we should add 37 instead of 64:
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38 |
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Aa2-29 |
Aa2-30
(120) |
Aa2-69 |
Aa2-70 (160) |
day 97 |
19 |
37 +
160 / 2 = 117 |
Disregarding
day numbers and relying only on number of glyphs
counted from Aa1-1, on the line numbers, on the numbers in the
line, and on what the designs in the glyphs can tell us,
there is an obvious explanation of nuku in Aa2-30 - it
is the first glyph on the back side of the year
(according to the G text if we do not count Gb8-30 as
the first glyph of its front side). The two nuku glyphs are exactly alike and their
meaning should therefore also be
exactly the same. Let us move on:
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Aa2-39 |
Aa2-40 |
Aa2-41 |
Aa2-42 |
Aa2-43 |
Aa2-44 |
day 102 (97,
92) |
day 103 (98,
93) |
day 104 (99,
94) |
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Aa2-45 |
Aa2-46 (136) |
Aa2-47 |
Aa2-48 |
136 / 2 + 37 = 105
(100, 95) |
day 106
(101, 96) |
Counting
by the moon day number 100 illustrates a dramatic
change - Sky and Earth are separated (to let in light). Once again we can
imagine the 'cosmic tree',
here also as the base of the following tapa mea.
In
Aa2-48 we should count 2 * 48 = 96 which coincides with the day number counted
from the end of light in Ab8- 29--30, and 24 * 8 =
192 means a new season is dawning:
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Aa2-49 |
Aa2-50 |
Aa2-51 |
Aa2-52 |
Aa2-53 |
Aa2-54 |
Aa2-55 |
Aa2-56
(146) |
day 107
(102, 97) |
day 108
(103, 98) |
day 109
(104, 99) |
day 110
(= 37 + 73) |
Then let
us jump to day number 164, which comes in glyph line
a4:
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102 |
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Aa2-57 |
Aa2-58 |
Aa3-76 |
Aa4-1 (252) |
Aa4-2 |
Aa4-3 |
day 111
(106, 101) |
51 |
day 163
(158, 153) |
day 164
(159, 154) |
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Aa4-4 |
Aa4-5 |
Aa4-6 |
Aa4-7 (258) |
day 165
(160, 155) |
day 166
(161, 156) |
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Aa4-8 |
Aa4-9 |
Aa4-10 |
Aa4-11 (262) |
day 167
(162, 157) |
day 168
(163, 158) |
There is not much in common between A and G, but if the
complicated calendar structure was common knowledge
then only hints here and there would be enough:
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Ga4-16
(100) |
Ga4-17 |
Ga4-18 |
Ga4-19 |
Ga4-20
(104) |
day 164 |
day 165 |
day 166 |
day 167 |
day 168 |
There is a manu rere followed by a Rei glyph in
both texts. Instead of nuku+vae in day 166 (according to G) there is an
ariki (such have normally no hands) in Aa4-5. Possibly we
should understand his legs to represent the tips of a vaero
sign.
We should, however, also remember the common ground in manu kake
and the 'hidden fish':
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