TRANSLATIONS

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Next page - in the series attempting to 'take care' of the remaining 5 vaero glyphs (in lines a3 and b7):

 

 

The 3rd (toru) line on the front side ought to tell us about how the wheel of sun once again mysteriously emerges from the primary chaos:

398
Aa3-8 Aa3-9 (184) Aa3-10 Aa7-84 (584) Aa7-85 Aa8-1 (586)
92 400 / 2 = 200 days 293

Counting with 2 glyphs per day manu kake in Aa3-10 can be described as a.m. of day number 186 / 2 + 27 = 120 counted from manu rere in Ab8-31:

50
Ab8-29 Ab8-30 (1280) Ab8-31 Ab8-32 Ab8-83 Ab8-84
day 572 1 25 27
398
Aa3-8 Aa3-9 (184) Aa3-10 Aa7-84 Aa7-85 Aa8-1 (640)
92 + 27 = 119 400 / 2 = 200 days 293 + 27 = 320

Although manu kake here would seem to be an appropriate appellation (where we can imagine a new 'bird' ascending, kake), Metoro instead underlined that the bird has 2 faces - ko te manu ariga erua.

If a new 'year' is beginning not only in midwinter but also some 4 months later, then it would be reasonable to talk about the latter sun appearance as the 2nd 'face of the bird'. With 1 glyph per day manu ariga erua would be 240 days into the year, at a time when the 'face' of the sun disappears for a while, and in such a situation it would be more difficult to understand the words of Metoro.

 

 

Kai hand in front, then at the back, are followed by empty hands held high among the 16 first glyphs from manu kake ariga erua:

Aa3-10 (185) Aa3-11 Aa3-12
Aa3-13 Aa3-14 Aa3-15 Aa3-16
Aa3-17 (192) Aa3-18 Aa3-19 Aa3-20
Aa3-21 Aa3-22 Aa3-23 Aa3-24 Aa3-25 (200)

Then the no more fingers can be seen:

Aa3-26 Aa3-27 Aa3-28
Aa3-29 Aa3-30 Aa3-31 Aa3-32
Aa3-33 Aa3-34 Aa3-35 (210)

Significantly a new sun is emerging and held up high in Aa3-35. A period of birth (maybe 26 / 2 = 13 days long) seems to be over:

24
Aa3-10 (185) Aa3-35 (210)
26 / 2 = 13

Tagata (or rather honui) says that a season has ended. His mata ear at left is inclining upwards while his mata at right is of another sort - it is being released like an egg. The form of this 'egg' coincides with the form of the open hole in his abdomen. Aa3-35 must depict midsummer.

From a central position at the top in manu kake ariga erua Sun has descended to his lowest position, central and below the bottom of honui. It looks as if Sun is sinking down between two mountains. His arm in front is making a conspicious bend as if to say that Sun (or rather the closed 'fist' containing his 'fire') is now making a turn upwards.

The high summer reversal entails a sudden change from very hot to cool and pleasant:

"As for the rebirth of the world, another 'Twilight' comes to mind. It is the Kumulipo, a Polynesian cosmogonic myth from Hawaii. 'Although we have the source of all things from chaos, it is a chaos which is simply the wreck and ruin of an earlier world.'

Now turns the swinging of time over on the burnt-out world // Back goes the great turning of things upwards again // As yet sunless the time of shrouded lights; // Unsteady, as in dim moon-shimmer, // From out Makalii's night-dark veil of cloud // Thrills, shadow-like, the prefiguration of the world to be." (Hamlet's Mill)

The 'burnt-out world' possibly refers to the final of 'fire', the end of a solar year. Another interpretation, more in harmony with the rongorongo texts, is the final of 'spring fire'. The latter alternative would pinpoint the time to coincide with midwinter in Hawaii.

The night sky will at winter solstice make a return upwards. Sun, who has only 1 'face', will be reborn then. And he will grow during spring to reach his full stature at summer solstice. Suddenly he then disappears behind rain clouds and this veil (shroud) hides what is happening. He must have gone down.

A star in the night is being born from Mother Earth in the east and ca 180 degrees later on will disappear suddenly as if swallowed by the horizon in the west. This rule has no exception. Therefore it is rational to think that Spring Sun after 180 days must go down. He will make a rendezvous with Mother Earth, a conjunction which results in an 'egg' to be hatched in midwinter.

The 2 + 5 Rei signs probably underline the important regenerative process during these days of 'thrill'.

 

 

Reiga is a 'spirit leaping place', and we should look for these places in time, not in space. Manu rere is the rongorongo sign for a spirit leaving, and we can count to 8 such 'birds:

Aa3-17 Aa3-18 Aa3-19 Aa3-20
Aa3-21 Aa3-22 Aa3-23 Aa3-24 Aa3-25 (200)
Aa3-26 Aa3-27 Aa3-28
Aa3-29 Aa3-30 Aa3-31 Aa3-32
Aa3-33 Aa3-34 Aa3-35 (210)

Also the G text has several Rei glyphs beyond the sign of turnover in Ga7-30 (where 7 * 30 = 210 = 420 / 2):

Ga7-30 (200) Ga7-31 Ga7-32 Ga7-33 Ga7-34
Ga8-1 Ga8-2 Ga8-3
Ga8-4 Ga8-5 Ga8-6 (210)
Ga8-7 Ga8-8 Ga8-9 Ga8-10 Ga8-11 (215)
Ga8-12 Ga8-13 Ga8-14 Ga8-15

 

Next page:

 

Can we coordinate the very clear signs of midsummer in Aa3-35 with a calendar based on 2 glyphs per day?

50
Ab8-29 Ab8-30 Ab8-31 Ab8-32 Ab8-83 Ab8-84
day 572 1 25 27
118
Aa1-1 Aa1-2 Aa2-31 Aa2-32
28 59 88
10
Aa2-33 (123) Aa2-34 Aa2-45 Aa2-46
89 5 95
46
Aa2-47 Aa2-48 (138) Aa3-10 (185) Aa3-11
96 23 120 = (186 + 54) / 2

 

8
Aa3-12 Aa3-13 Aa3-14 Aa3-15 Aa3-24 Aa3-25 (200)
121 122 4 127 = 200 / 2 + 27
6 154
Aa3-26 Aa3-27 Aa3-34 Aa3-35 (210) Aa5-32 Aa5-33 (366)
128 = 2 * 64 3 264 / 2 = 132 77 420 / 2 = 210

The fat kahi in Aa3-27 (202) seems to measure out 3 * 27 = 3 * 3 * 3 * 3, a quartet of toru, presumably indicating that the 'square of spring sun' has ended. The lean kahi in Aa3-13 (188) possibly refers to the 'spring fish' and the fat one (Aa3-27) to the 'autumn fish'. From Aa3-12 (where 3 * 12 = 36) up to and including the fat kahi there are 16 glyphs.

The measure 3 * 3 * 3 * 3 should remind us of the distance in glyphs from kara etahi to Aa5-33:

10 229
Aa2-33 (123) Aa2-34 Aa2-45 Aa2-46 Aa5-33 (366)
243 = 3 * 3 * 3 * 3 * 3 244

244 / 2 = 122, which becomes 61 + 122 = 3 * 61 = 183 days if counted from Aa1-1. Counted from manu rere in Ab8-31 it becomes 183 + 27 = day 210.

Honui in Aa3-35 is glyph number 210, apparently not day 210. If we wish to identify Aa3-35 with p.m. of day 210 we must increase the day number at Aa5-33 (366) from 210 to 210 + 78 = 288.

In the text of G glyph number 210 is maitaki in Ga8-6:

Ga7-30 (1) Ga7-31 Ga7-32 Ga7-33 Ga7-34
Ga8-1 Ga8-2 Ga8-3
Ga8-4 Ga8-5 Ga8-6
Ga8-7 Ga8-8 Ga8-9 Ga8-10 Ga8-11 (16)

Significantly its ordinal number counted from Ga7-30 (200) is 11 ('one more' than 10).

Adding 64, to reach the day number, maitaki will be at day 210 + 64 = 274 (10 more than 264).

In A number 210 is indicated both by the glyph number at honui and by the day number of glyph number 366 (to which will be added 54):

 
Aa3-35 (210) Aa5-32 Aa5-33 (366)
420 / 2 = 210

3-35 is reflected in 5-33. Both numbers indicate 165, possibly to be understood as 16 * 5 = 80. A more probable intention, though, is to put 'fire' (5) in position 33 (1 more than 32). This idea is supported by 210 which can be read as 1 more than 20 (times 10). Mars does not appear in day number 21. Instead comes Mercury, the planet which never can be seen except close to the horizon.

 

The last page before going back up to the top level (though we still have not considered the 2 vaero glyphs in line b7):

 

The glyphs do not lie, and the end of spring sun is depicted in Aa3-35, of that I am sure. This does not necessarily disturb counting by 2 glyphs per day according to our earlier structure. Because the following 16 glyphs apparently belong in a kind of 'local' calendar (presumably stretching from manu kake (ariga erua) in Aa3-10 and ending 25 glyphs later with honui in Aa3-35):

Aa3-13 Aa3-14 Aa3-15 Aa3-16 Aa3-17 (192)
Aa3-18 Aa3-19 Aa3-20 Aa3-21 (196)
Aa3-22 Aa3-23 (198)
Aa3-24 Aa3-25 Aa3-26 Aa3-27 Aa3-28

It would not be strange to have a 26 glyph long local calendar covering the path of spring sun in giant strides. For instance is 26 * 8 = 208 (= 200 + 8):

Aa3-29 Aa3-30 Aa3-31 Aa3-32
Aa3-33 (208) Aa3-34 Aa3-35

3 * 33 = 99 is a number which connects the orbit of Venus with that of Moon, and Aa3-33 is exceptional among these Rei glyphs because it has a part at right which is the same entity as Rei. Once again 3 (toru) is the key number. 2 parents are generating 1 more.

2 * 99 = 198 identifies the glyph number of hetuu in Aa3-23 as p.m. of day 99 counted from Aa1-1. Counted from manu rere in Ab8-31 it becomes day 27 + 99 = 126. With 1 glyph per day it becomes 2 * 126 = 252. The new 'fist' arrives 12 glyphs (or 6 days) later and is seen up front in Aa3-35. Number 252 occurs also as 4 * 63 in another such special Rei glyph:

Aa4-63 (314) Aa4-64 Aa4-65 Aa4-66 Aa4-67
Aa4-68 Aa4-69 Aa4-70 Aa4-71 Aa4-72

The situation is complex indeed. The last glyph in line a3 has ordinal number 251 and the last glyph in line a4 has number 333. Evidence points at Aa4-63 (with ordinal number equal to 100π) as belonging in day 184:

Aa4-54 Aa4-55 Aa4-56 Aa4-57 Aa4-58 Aa4-59
180 181 182
Aa4-60 Aa4-61 Aa4-62 Aa4-63 (314) Aa4-64 Aa4-65
183 314 / 2 + 27 = 184 185
Aa4-66 Aa4-67 Aa4-68 Aa4-69 Aa4-70 Aa4-71
186 187 188

251 at the end of line a3 and 333 at the end of line a4 seems to suggests that the end of spring sun cannot arrive until glyph line a4. The 2nd pare in Aa4-60 (311) is a sign of the final also by cause of 4 * 60 = 240.

Yet, according to the calendar based on 400 the end of spring should be described around day 200, and even if the proper way to count days should be to use 2 glyphs per day there must be allusions to day number 200 also where the number of glyphs reaches 200. The numbers carry the burden of order.