TRANSLATIONS

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At last we are up on the highest level again, up from the investigation of the first two glyph lines on side a of Tahua.

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An important new discovery, while searching for clues as to the meaning of the 3 vaero glyphs in line Aa2, is that Aa2-31 probably is illustrating a time when Sky and Earth lay in primal embrace:

... Sky (rangi) and Earth (papa) lay in primal embrace, and in the cramped, dark space between them procreated and gave birth to the gods such as Tane, Rongo and Tu. Just as children fought sleep in the stifling darkness of a hare paenga, the gods grew restless between their parents and longed for light and air. The herculean achievement of forcing Sky to separate from Earth was variously performed by Tane in New Zealand and the Society Islands, by Tonofiti in the Marquesas and by Ru (Tu) in Cook Islands ...

1158
Aa2-31 (121) Ab8-30 (1280)
1160 = 40 * 29

The 'story' ends with glyph number 1280 (= 20 * 64), where we can see empty hands and a kind of fish going down head first. The open mouth seems to be a reversal of the triangular apex of the lightless Ragi in Aa2-31.

The 30th glyph in the 16th line is used also in G to indicate a state of light absent:

Gb8-30 Ab8-30

The tail upside down in Ab8-30 is similar to the tail of vaero:

Aa2-14 Aa2-18 Aa2-45

The numbers agree with what we can see. Aa2-14 is oriented to the left and also 2 * 14 = 28 refers to Moon. The vaero signs in Aa2-18 and Aa2-45 are instead oriented forwards, pointing to the coming season of growth (Te Kaiga as I wish to name it). There are 4 glyphs from Aa2-14 to Aa2-18 which apparently form a contrasting pair.

In Aa2-45 there is an obvious gap in time and the same phenomenon can be observed in the following Aa2-46:

Aa2-44 Aa2-45 Aa2-46 Aa2-47 Aa2-48 (16)
Ga1-12 Ga1-13 Ga1-14 Ga1-15 Ga1-16

By comparing with the beginning of the front side of G (including Gb8-30) it becomes evident that the dark time measures 1334 - 1160 = 174 = 6 * 29 glyphs according to A. But it can alternatively be said that it comes to an end with the 16th glyph (Aa2-48) counted from kara etahi in Aa2-33:

Aa2-27 Aa2-28 Aa2-29 Aa2-30 Aa2-31 Aa2-32
Aa2-33 (1) Aa2-34 Aa2-35 Aa2-36 Aa2-37 Aa2-38

Counting 2 glyphs per day in Tahua will result in 7-8 dark nights for the transformation from the dark time to spring:

10
Aa2-33 (1) Aa2-34 Aa2-45 (13) Aa2-46 Aa2-47 Aa2-48 (16)
1 5 7 8

On the other hand, it can also be useful to count with 1 glyph per day. From the final glyph Aa2-48 (where 2 ' 48 = 96 seems to confirm the moe sign of a new dawn) and counting backwards 192 glyphs we will (significantly) arrive immediately after Ab8-30:

Ab8-27 Ab8-28 Ab8-29 Ab8-30 (1280)
Ab8-31 (1) Ab8-32 Ab8-33 Ab8-34 Ab8-35 Ab8-36
Ab8-37 Ab8-38 Ab8-39 Ab8-40 Ab8-41 Ab8-42
Ab8-43 Ab8-44 Ab8-45 Ab8-46 (16)

Probably, though, it does not mean 192 days but 192 / 2 = 96 days. This would result in 88 + 8 days for the dark distance:

54 120 14
Ab8-29 Ab8-30 Aa2-31 Aa2-32 Aa2-47 Aa2-48
day 571 88 days 8 days

Day 571 (= 1334 / 2 - 96) at first seems to be some kind of mistake. But if we recognize day 571 as a 'zero day', we can count with 19 * 30 = 570 as the measure of 'sky with adorning lights'.

Or we can alternatively add the 96th day (Aa1-47--48) to 571 and reach 572, which probably is the best method. Moe is the first sign of light and 5 * 72 = 360. A new light must be dawning when a great season has ended. Therefore the crack in time comes at the proper time:

174 12
Ab8-29 Ab8-30 Aa2-31 Aa2-32 Aa2-45 Aa2-46
day 572 88 days 7 days

 

 

Looking again at the 9 vaero glyphs on side a of Tahua we can recognize the pattern 1 + 2 also in line a3, while it is reversed in line a5:

vaero glyphs in Tahua
line a2
Aa2-14 Aa2-18 Aa2-45
line a3
Aa3-18 Aa3-22 Aa3-28
line a5
Aa5-32 Aa5-33 Aa5-34

The fishlike vaero in Aa3-18 has its tail open 'in front', though, while the following 2 have their tails oriented backwards.

In line a5 the distinction between Aa5-34 and the other 2 lies in the henua sign, not in the vaero sign. And the 3 glyphs are located close together.

The strangely drawn triplet of vaero signs are hanging down from vertical lines which presumably signify 'strings of measurement'. We will therefore try to measure where they fit in the patterns discovered so far.

It should be noticed that the first 4 glyphs (Aa2-14, Aa2-18, Aa2-45, and Aa3-18) are attatched not to 'strings' but to 'branches'. Aa3-22 and Aa3-28 are exhibiting a medium variant which can either be read as 'thin branch' or 'thick thread'.

 

 

Let us count from kara etahi in Aa2-33 (where 33 suggests looks like a hint):

Aa5-32 Aa5-33 Aa5-34

Furthermore, the sum of all glyphs from Aa1-1 up to the last glyph in line a4 is 333, also a fact which could allude to the 3 vaero glyph with -33 in their center.

The ordinal number of Aa5-33 counted from Aa1-1 is 366:

10 229
Aa2-33 (123) Aa2-34 Aa2-45 Aa2-46 Aa5-33 (366)
243 = 3 * 3 * 3 * 3 * 3 244

243 is composed by 5 (rima) and 3 (toru). With rima obviously referring to the 'fire' (Sun) we can suspect a similar wordplay involving toru. 244 is 'one more' than 243 and we have seen the importance of this number, for instance:

242 242
Gb8-30 Gb1-14 Gb1-15 Ga1-16
244 244

Counting with 2 glyphs per day we cannot have arrived at the end of the whole year (day 366) but rather to the end of the first half of the year:

Aa5-26 Aa5-27 Aa5-28 Aa5-29 Aa5-30 Aa5-31 (364)
180 181 182
Aa5-32 Aa5-33 Aa5-34 Aa5-35 (368) Aa5-36 Aa5-37
183 184 = 368 / 2 185
Aa5-38 Aa5-39 Aa5-40 Aa5-41 Aa5-42 Aa5-43
186 187 188

Two lean henua signs in Aa5-32--33 are followed by a single fat one (left in Aa5-34). Glyph number 369 is the tapering off henua in Aa5-36 (where we can count 5 * 36 = 180).

Counting days from kara etahi we will find its ordinal glyph number (counted from Aa1-1) recurring in the day number at Aa5-34:

Aa5-26 Aa5-27 Aa5-28 Aa5-29 Aa5-30 Aa5-31 (364)
119 120 121
Aa5-32 Aa5-33 Aa5-34 Aa5-35 (368) Aa5-36 Aa5-37
122 (368 - 122) / 2 = 123 124

There are 61 days (122 glyphs) from Aa1-1 up to kara etahi. And if we add 2 * 122 = 244 glyphs (equal to 2 * 61 = 122 days) we will reach glyph number 366 (Aa5-33), representing p.m. of day 61 + 122 = 183.

 

 

There is an old Chinese statement:

From One comes Two, and from Two comes Three. From Three everything else will then be generated.

This idea agrees with Spring measuring 3.

Toru can be imagined as to followed by a qualifying ru.

To

1. Particle sometimes used with the article in ancient legends; i uto to te hau, the ribbon was in the float. 2. To rise (of the sun) during the morning hours up to the zenith: he-to te raá. Vanaga.

1. Of. T Pau., Ta.: to, of. Mgv.: to, genitive sign. Mq.: to, of, for. 2. This, which. Churchill.

Mgv.: To, to make a canoe of planks. Mq.: to, to build a canoe. Sa.: to, to build. Churchill.

If toru is the number symbolizing 'generation', then of course to will fit as a genitive sign.

To 'make a canoe of planks' (to) makes me remember the first king, Oto Uta, because he was supposed to be taken on board but was mysteriously 'left behind':

... At the time of the loading of the emigrant canoe, Hotu Matua ordered his assistant Teke to take a (stone) figure (moai) named 'Oto Uta' on board the canoe, along with the people (aniva) who were emigrating. However, the figure was left behind 'out in the bay' ...

Oto could be O-To. And the old expression i uto to te hau (the ribbon was in the float) rings like an 'upside down' version of Oto Uta. The ribbon (te hau) was 'on board' (i uto to), but not king Oto Uta.

A float (uto) is something else than a canoe, maybe we should regard it as the opposite of a canoe. Maybe King Oto Uta must be transported on a raft and not in a canoe. A float (uto) is presumably u-to, and the added to (to build) determines that it is a float and not some other aspect of u. For the Maya indians U meant the Moon.

The sea is tai in contrast to uplands, uta. The generative sign (to) should not be down in the bay, because the qualifying Uta in king Oto Uta says so. His place is on land and in the journey of Sun he reaches 'land' in spring, arriving from the 'sea'.

A raft is a flat horizontal structure (to) of timbers, reeds, or planks, while a canoe has its boards standing on edge. If a statue was on board a canoe it would not be visible, that is the essential difference.

Spring Sun must be visible. He cannot be transported onboard a canoe. The last evidence proves the case: To means 'to rise (of the sun) during the morning hours up to the zenith: he-to te raá'.

To in toru is now known. The qualifying '-ru', what does it signify?

Ru

A chill, to shiver, to shudder, to quake; manava ru, groan. Ruru, fever, chill, to shiver, to shake, to tremble, to quiver, to vibrate, commotion, to apprehend, moved, to agitate, to strike the water, to print; manava ruru, alarm; rima ruru, to shake hands. P Pau.: ruru, to shake, to tremble. Mgv.: ru, to shiver with cold, to shake with fever, to tremble. Mq.: ú, to tremble, to quiver. Ta.: ruru, to tremble. Churchill.

Ruru, to tremble, an earthquake. Sa.: lūlū, lue, to shake. To.: luelue, to roll; lulu, to shake. Fu.: lulū, to tremble, to shake, to agitate. Niuē: luelue, to shake; lūlū, to shake, to be shaken. Nuguria: ruhe, motion of the hands in dancing; luhe henua, an earthquake. Uvea, Ha.: lu, lulu, lululu, to shake, to tremble, to flap. Fotuna: no-ruruia, to shake. Ma.: ru, ruru, to shake, an earthquake. Ta., Rarotonga, Rapanui, Pau.: ruru, to shake, to tremble. Mgv.: ru, to tremble; ruru, to shake. Mq.: uu, to shake the head in negation; uuuu, to shake up. Uvea: ue i, to shake; ueue, to move. Rapanui: ueue, to shake. Churchill 2.

It signifies 'movement'. This becomes understandable when we contemplate the opposite. To be still means to be dead. Te Kaiga (Spring) cannot be still - it must up and jump around.