TRANSLATIONS

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We have now completed the pages from the hyperlink 'revise the model' (of the calendar in K). The idea is to gradually make each of the calendars more definite, by way of integrating new facts as mirrored from the trail of glyph types and their possible meanings (as governed by my order in the glyph dictionary).

Also in the next page at pure in the glyph dictionary I have links leading to the K calendar:

 

Possibly the pure glyph type is constructed from two bent henua, which together form an opening resembling a mouth. By implication a pure glyph would then probably illustrate a calendrical cycle.

Investigating, in K, this thread of thought, it is found that isolated bent henua are not  frequent. A few bent in one direction are located at the beginning of the text and a single one bent the other way is in the later half of the text:

concave at left
Ka1-7 Ka2-7 Ka2-8
concave at right
Kb4-5
 
To come further it is necessary to once again look at the structure of the K text. We need to move to the very beginning to find Ka1-7 and to move towards the end of the text in order to reach Kb4-5.

The feathers of Tangaroa fell down and became trees. The pure glyph type may depict two seasons like the shells of a bivalve (without its soft living interior). Long ago I came to see the henua glyph as a tree, a wooden pole, a staff, a gnomon etc, and to believe the meaning to be 'path of the sun' or similar, i.e. a kind of measure of time. In most trees 'fire is living', the wood can be used in a fire. Feathers - fire - wood - tree - staff - gnomon - path of a celestial body - seen because it is shining - i.e. a kind of fire.

How can my idea about pure glyphs showing two bent henua be motivated? Once, long ago, I had decided that the pure glyph type could not be regarded as composed of two bent henua. The reason was that I had not, at that time, found any glyph with a single bent henua (of the sort Ka2-7 exemplifies). My conclusion was that pure glyphs did not depict two bent henua.

Now that I recognize the existence of single bent henua glyphs, another situation rules. Yet, are not the supposed henua in pure glyphs more bent than whatever single bent henua I may find?

There are very many henua glyphs in my glyph catalogue, and therefore it is rational to instead first investigate how the pure glyphs look. At the present moment I have not yet began to fill the glyph catalogue with those in the Santiago Staff and I am less than halfway through H, P and Q. All glyphs from the other texts are though documented. So far I have assembled these pure glyphs:

 

Aa1-70 Aa2-60 Aa3-70 Aa4-6 Aa4-12
Aa5-69 Aa7-3 Aa7-41
Aa7-51 Aa7-62 Aa7-69 Ab1-7 Ab1-18
Ab1-69 Ab7-9 Ab7-80 Ab8-3 Ab8-63
Bb8-34 Db2-102 Eb1-34 Ka3-7 Na2-102
Red indicates text with a single pure glyph.
Sb2-2 Sb4-2 Sb4-8 Ya1-104
H, P and Q not yet completed:.
The glyphs are parallel.
Ha6-127 Pa6-12 Qa6-14

Now we can compare these 30 examples of pure glyphs with the henua glyphs which for my eye appear to be most bent. To make the comparison more easy I only list glyphs which belong to A, B, D, E, K, N, S or Y. With the exeptions of I (Santiago Staff) and H, P, Q no other texts have pure glyphs.

In Tahua the many pure glyphs and other circumstances may make a more thorough listing useful:

 

Aa8-2 Aa8-7 Aa8-10 Aa8-15 Aa8-34 Aa8-38
Aa8-55 Aa8-67 Ab1-11 Ab1-51 Ab2-40 Ab2-83
15 glyphs with ragi.
Ab7-6 Ab7-60 Ab8-49
Aa4-17 Aa5-32 Aa5-33 Aa5-34 Aa7-73 Aa8-40
Ab1-19 Ab1-35 Ab1-40 Ab2-35 Ab2-49 Ab2-59
Ab4-30 Ab4-31 Ab4-78 Ab6-83 Ab7-3 Ab7-4
Ab7-10 Ab7-24 Ab7-55 Ab7-56 Ab7-77 Ab8-22
26 glyphs without ragi. Red means side b, and there are 7 + 20 = 27 glyphs on side b. On side a there are 8 + 6 = 14 glyphs.
Ab8-60 Ab8-76

Instead of comparing pure glyphs in Tahua with bent henua in Tahua, we continue with listing also all bent henua in the other relevant texts:

 

Ba6-19 Bb8-10 Bb8-13 Bb8-15 Bb9-26 Bb11-14 Bb8-34
Henua in Bb9-26 is bent at least as much as the left one in Bb8-34. Bb11-14, Ba6-19, and Bb8-10 are not as much bent as the right henua in Bb89-34.
Of the 17 henua glyphs in D none is bent.
Db2-102
Ea4-27 Ea5-29 Ea6-8 Ea6-11 Ea6-31 Ea6-32
Ea9-25 Eb3-13 Eb3-15 Eb3-30 Eb6-19 Eb6-22
None of the 13 glyphs are quite as bent as those in Eb1-34.
Eb8-23 Eb1-34
Ka1-7 Ka2-7 Ka2-8 Kb4-5 Ka3-7
None of the 4 glyphs are as bent as those in Ka3-7.
Nb5-103 Na2-102
Nb5-103 (ghostly open at bottom) is bent enough to be comparable with the two henua in Na2-102.
Sa1-204 Sa1-213 Sa2-107 Sa2-108 Sa2-109 Sa2-113
Sa2-115 Sa3-123 Sa4-10 Sa4-11 Sa4-12 Sa4-15
Sa4-27 Sa4-31 Sa5-418 Sa6-104 Sa7-408 Sa7-421
Sa8-108 Sa8-109 Sb8-104 Sb8-107
Sa4-27 is the only 'left' henua.
Sb2-2 Sb4-2 Sb4-8
Ya1-104 is extremely bent.
Yc3-101 Ye2-104 Ya1-104

The general impression is that the two members of the pair of 'henua' in a pure glyph not are the same as a single bent henua. There probably is a difference in meaning between the 'shell halves' in a pure glyph and a single bent henua.

Empty sea shells should be listened too, not looked at. Fire does not thrive in water, nor in sea-shells.

Eyes are for looking in the light on real objects, ears are for listening in the dark to what the spirits have to say.

Yet, bent henua probably carry a different meaning than straight ones. We can compare Ka1-7 and Ka1-9 with the parallel glyhphs in G and B, none of the six glyphs are straight:

 

Ka1-5 Ka1-6 Ka1-7 Ka1-8 Ka1-9 Ka1-10
Ga1-6 Ga1-7 Ga1-8 Ga1-9 Ga1-10
Bb8-12 Bb8-13 Bb8-14 Bb8-15 Bb8-16

Maybe a single bent henua means a canoe? There are fishes on strings involved in the events, e.g. in Ga1-10. Is the corresponding left part of Ga1-8 a pora?

Pora

1. Buoy made of totora reeds formerly used to swim to Motu nui. 2. Large basket for keeping things: he-to'o i te pora kai kiroto ki te ana, he took a basket of food to the cave. Vanaga.

Poraa (po 2 - raa 2) day. Churchill.

Tagaroa was alone in the vast black emptiness and he cried out loud, but none answered. It is interesting to find a special word for this:

Tuo

Mgv.: tuo, to speak long without an answer. Ta.: tuo, to cry out loudly. Ha.: kuo, to cry with a loud voice. Churchill.

Even more interesting it becomes when we consider the fact that the only glyph at which Metoro used the word tuo is at a bent henua, Eb3-15, which we recognize from earlier, mentioned in the glyph dictionary first at vai:

In the Keiti calendar for the year GD16 appears in the 6th and the 15th periods:

6

Only 2 glyphs. Moon (winter) is 'finished' (maro, GD67, with 4 'feathers').

Eb3-7

Eb3-8

Eb3-9

Eb3-10

Eb3-11

Eb3-12

Eb3-13

Eb3-14

Eb3-15

Eb3-16

2 + 8 + 3 = 13 glyphs

Eb3-17

Eb3-18

Eb3-19

15

GD15 (tagata) suggests the season of GD16 is fully grown, and the 6-feather maro marks its end.

Eb4-26

Eb4-27

From 6 up to and including 15 there are 10 periods, a significant figure. 

The body of Tagaroa was like a canoe, not as a bivalve shell but as one half of such a shell. Whether or not Metoro read the text correctly - presumably identifying the bent henua in Eb3-15 with the body of Tagaroa - it is important to investigate the possibility that he may have been right. A new page is needed for that.