TRANSLATIONS

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We must now continue with the series of pages leading from the hyperlink 'revise the model':

 

Continuing, by counting another 26 beyond Kb1-11 we come to the 'humpback', he is the first glyph of those following *Kb2-14 (showing a great season, henua) and *Kb2-15 (with maro - 'end' - connected to the variant of henua beginning at Ka4-15):
 
13 7 20 21
*23
Kb1-11 *Kb2-12 *Kb2-13 *Kb2-14 *Kb2-15 *Kb2-16
1 *24 *25 *26 *27 *28

He can alternatively be numberd as *101 (beyond the 1st Rei) - or *74 (beyond the 2nd Rei) - in which case the prominent henua in *Kb2-14 will be *99 (or *72), while *Kb2-15 will be *100 (or *73). The 20th period ends with number *100 counted beyond Ka2-10 (the 1st Rei):

 
6 13 20 21
Ka4-14 Ka4-15 Kb1-11 *Kb2-15 *Kb2-16
47 48 74 *100 *101

Ka4-15 and *Kb2-15 together measure out a 52 glyph long distance, with Kb1-11 in the middle. Beyond Ka4-15 a season with 26 + 26 glyphs (distributed in 14 periods) is beginning, presumably 'summer'. It ends with the last glyph in the 20th period.

Nothing to change or remark on here, except that it is quite possible that mago (Ka4-14) marks a 'black beginning' - sharks belong to the sea. At the beginning of the line which has - rather arbitrarily - been numbered 13 on the Santiago Staff (and which I am currently working on in order to complete the documentation) I imagine we can find support for this idea:

 

-
mago (1) 3 3
- 3 6
moko (2) 3 9
- 3 12
mago (3) 3 15
-   2 17
mago (4) 3 20
-

If moko is the 4th quarter of the year, then mago here could mark the other 3 quarters. Notice the pairwise construction of the text. A 'male' (left) and a 'female' (right), mostly producing a 3rd one.

Moko and mago here have the 'female' (2nd) position. Males come first, females follows.

The 1st mago is sitting down, a sign of the season of 'setting down' (as kumara into the earth).

The 2nd mago (beyond the moko season) is similar to the following 3rd mago, the only difference being the internal mark on the 3rd one.

Whatever cycle is described here (year, half-year, or months), it is fairly clear that moko and mago are connected. The year may begin with the season of the 1st mago - possibly the kumara season (Vaitu nui, April):

 

1st quarter

2nd quarter

3rd quarter

4th quarter

He Anakena (July)

Tagaroa uri (October)

Tua haro (January)

Vaitu nui (April)

Same as the previous month.

Cleaning up of the fields. Fishing is no longer taboo. Festival of thanksgiving (hakakio) and presents of fowl.

Fishing. Because of the strong sun very little planting is done.

Planting of sweet potatoes.

Hora iti (August)

Ko Ruti (November)

Tehetu'upú (February)

Vaitu poru (May)

Planting of plants growing above the ground (i.e., bananas, sugarcane, and all types of trees). Good time to fish for eel along the shore.

Cleaning of the banana plantations, but only in the morning since the sun becomes too hot later in the day. Problems with drought. Good month for fishing and the construction of houses (because of the long days).

Like the previous month. Some sweet potatoes are planted where there are a lot of stones (pu).

Beginning of the cold season. No more planting. Fishing is taboo, except for some fishing along the beach. Harvesting of paper mulberry trees (mahute). Making of tapa capes (nua).

Hora nui (September)

Ko Koró (December)

Tarahao (March)

He Maro (June)

Planting of plants growing below the ground (i.e., sweet potatoes, yams, and taro). A fine spring month.

Because of the increasing heat, work ceases in the fields. Time for fishing, recreation, and festivities. The new houses are occupied (reason for the festivities). Like the previous month, a good time for surfing (ngaru) on the beach of Hangaroa O Tai.

Sweet potatoes are planted in the morning; fishing is done in the afternoon.

Because of the cold weather, nothing grows (tupu meme), and there is hardly any work done in the fields. Hens grow an abundance of feathers, which are used for the festivities. The time of the great festivities begins, also for the father-in-law (te ngongoro mo te hungavai). There is much singing (riu).

Presumably there is a wordplay in pu (io Tehetu'upú) in which stones (pu) are alluding to the stones put into the umu holes (pu). The earth oven is like a pregnant woman, in which next generation is being 'baked'. The 'lizard' (moko) who hides in holes (pu) can be understood as the sun being 'buried' in the ground (below the horizon). It ought to happen in the kumara season, when 'fruits' are created.

If 2 glyphs are needed for each complete 'sentence', then the 1st mago + moko counts as 12 / 2 = 6, suggesting sun. The 2nd and 3rd mago counts as 8 / 2 = 4 (earth or moon). 6 + 4 = 10 may then indicate the 'seasons of the sun', with 6 months being present and 4 absent. The text may be alluding to the sun year with moko at midsummer.

The eating persons (a pair) in the 1st mago sequence suggest spring. In the moko sequence the vertical straight line inside a tao glyph suggests midsummer. In spring light grows (kai gesture), while the mago glyph here shows Y ('dead') - suggesting the mago glyph type may be associated with darkness.

The spectacular 20th glyph could refer to winter solstice. The 5 glyphs not counted contain a pair similar to Kb4-16:

 

30
Kb4-15 Kb4-16 Kb4-17 Kb4-18

The last of the uncounted glyphs is an extraordinary haú without 'feathers' (no light).

Next page in the dictionary (in the series from the hyperlink 'revise the model':

 

A kind of summing up:

 

1st calendar
10 A Ka2-1--6 6 10 36
B Ka2-7--10 4
24 C Ka2-11--16 6 12 26
D Ka2-17--22 6
E Ka3-1--4 4 12 14
F Ka3-5--8 4
G Ka3-9--12 4
H (= 0) Ka3-13--14 2
2nd calendar
23 0 (= H) Ka3-13--14 2 *76
1 Ka3-15 1
1-5 Ka3-16--Ka4-12 18 20
6 Ka4-13--14 2
*52 6-16 Ka4-15--Kb1-10 26 *52
16-20 Kb1-11--*Kb2-14 *26
1 21 *Kb2-15 1

36 glyphs in the 1st calendar can be reduced by 10 at the beginning of line Ka2 to reach 26, the same number as we have found twice in the center between mago and moko (in the 2nd calendar).

Redmarked ordinal numbers in the table indicate where the Rei glyphs are. There are 20 glyphs between Ka3-15 and Ka4-15, and 25 between Ka4-15 and Kb1-11 (the last Rei), adding up to 48 if we include also Ka3-15, Ka4-15 and Kb1-11. The 2nd and the 3rd (last) Rei, with intermediate glyphs, measure out 48 glyphs.

36 glyphs (1st calendar) + *76 glyphs (2nd calendar) add up to *112, but we must subtract 2 (because H = 0). If we then subtract also the glyphs Ka2-1--10, we will reach *100 glyphs.

Ka4-14 (mago) and *Kb2-16 (the 'humback') presumably together mark beginning and end of the summer season. In the table above mago has ordinal number 26 + 1 + 18 + 2  = 47 (counted beyond the 1st Rei). The following glyph, Ka4-15, has ordinal number 48 and includes a henua. Kb1-10 (47 + 26 = 73) is a henua, likewise is *Kb2-14 (73 + *26 = *99) a henua:

 

6
Ka4-13 Ka4-14 Ka4-15
46 47 48
16 (part of)
Kb1-9 Kb1-10 Kb1-11
72 73 74
20
*Kb2-124 *Kb2-13 *Kb2-14 *Kb2-15
*97 *98 *99 *100

The ordinal numbers are connected and the counting begins beyond the 1st Rei in the 1st calendar. Therefore the two calendars are integrated and just two parts of a single great calendar.