TRANSLATIONS

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Next chapter in the glyph dictionary is koti:

 

A few preliminary remarks and imaginations:

1. One of the very first glyphs I thought I understood was koti. On the assumption that the glyph type really occurred in Friday - that what I saw was a calendar for the week (of which I was rather sure) - then what was depicted surely must be Venus as morning and evening star:

Pb10-52 Pb10-53 Pb10-54
Hb9-48 Hb9-49 Hb9-50

The parallel in H gave support, and the illustration there seemed to be even more convincing. In Hb9-50 we can see the two 'stars', while in Pb10-54 the form of the central 'gap' between the two parts of the orbit of Venus is in focus.

Mercury is similar to Venus in being invisible at times, below the horizon. And the occurrence of the same type of sign in Wednesday seemed to confirm my guess:

Pb10-42 Pb10-43 Pb10-44 Pb10-45
Hb9-33 Hb9-34 Hb9-35 Hb9-36 Hb9-37 Hb9-38

The disorder shown in Hb9-36 could be explained by the strangely non-regular orbit of Mercury as observed from Earth:

(Hamlet's Mill)

It strikes me that the top part of koti is not much different from the top part of Aa1-20 (which indeed formally seen should be a koti glyph by cause of the vertically division in two parts):

Aa1-20 Aa1-21 Aa1-22 Aa1-23

Earlier I have wondered if it was a sign of marama or if it was a sign of haga rave. The form is like an upside down canoe, but that cannot be what is intended. It is rather a sign of growth (living), the kai gesture is in agreement with its location in the calendar for the daylight.

If we begin counting from Ab1-1, then Aa1-20 will be 664 + 20 = 684 = 584 + 100, as if to say that sun, the morning star, is rising. 684 = 19 * 36. If we assume 3 glyphs per day, then 684 = 12 * 19 = 228 days.

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2. Venus is the most brilliant of the planets and the regular intervals with which she appears every morning, then suddenly vanishes, later to return for an equally long time in the evening sky, must have drawn the attention of early man.

Here was a regularity which could be relied upon for keeping the time, a 'person' who like the moon had two 'faces' and like the moon was invisible for a while.

We know the new moon was welcome when she returned. Likewise we can expect the return of Venus as morning star (comparable to the arrival of new moon) as a day to be celebrated. New moon defines the beginning of the month, and the return of the morning star could define the beginning of another and longer period of time, the cycle of Venus.

Possibly the rongorongo writers may have used the following division (koti) of the 584-day Venus cycle into phases:

 phase

observed periods

periods in the 'map' of Easter Island

morning star

263

313

284

316

black

50

32

evening star

263

271

260

268

black

8

8

sum

584

584

The difference between H and P in their description of Friday may be due to what they had in mind:

morning star and evening star the orbit of Venus is divided
Hb9-50 Pb10-54

 

The pentagon in the sky has 360 + 180 = 540° as the sum of the internal angles, and Pb10-54 could allude to that fact (because 10 * 54 = 540).

Venus perhaps was feared by the Mayas due to 540 = 20 * 27 (where 27 = 3 * 9, a thrice-ominous number).

Hb9-50 should have been Hb9-60 if 540 was important. 9 * 50 = 450 = 18 * 25 = 15 * 30 = 2 * 15 * 15.

With the pentagon measuring 540, there is a resemblance with 360, because 364 is 360 + 4 and 540 + 4 = 544 = 284 + 260.

544 = 400 + 12 * 12 and 364 = 400 - 6 * 6.

I decide to add at the end of the page:

The number for Pb10-54 maybe alludes to the fact that a pentagon (which Venus describes in the sky, visiting only 5 of the zodiacal constellations - Taurus, Sagittarius, Cancer, Aquarius, Virgo) measures 360 + 180 = 540° (equal to 10 * 54).

Moreover, if the suggested division of the Venus cycle is correct, then 284 (morning star) + 260 (evening star) = 544 - which by being 4 more than 540 resembles 4 * 91 = 364 (4 more than 360).

544 / 4 = 136 = 2 * 68.

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3. In such a glyph as *Ha9-39 we can imagine a combination of moe with a koti 'star' at bottom right

Pb10-54 *Ha9-39 Hb9-50

But it cannot be Venus, because there are 6 'feathers' around the star which normally indicates Sun.

It is not obvious why the morning and evening stars in Hb9-50 have been drawn with 7 feathers (rather than the expected 5 of the Venus pentagon in the sky). But the glyph appears in a calendar for the week, and time tended to be counted in fortnights (double weeks).

The head of moe has been transformed from its normal shape into what could be an allusion to the top half (the 'cap') of koti. A new season is making itself felt (moe). Presumably the 'cap' head refers to the old season and the new season will then be the little star at bottom right - corresponding to the bottom half of the koti 'eggshell' (the 'cup'). Even we use a little '6-feathered star' (*) as a sign for the date of birth.

At first I guessed the moe head meant the 'morning star' (spring) phase of Sun and the 'star' the autumn phase. The Venus pattern of morning and evening star would be easy to use also when describing the 'orbital phases' of the sun.

"... [in] a contemporary Mopán Maya tale in which Lord K'in (the sun) goes from his home in the east to the center of the sky and then back to the east again ... it appears that he goes clear across the sky because he has placed a mirror at its center. To interpret the movements of the sun in this manner is to model it on Venus as morning star, which both rises and sets in the east." (The comments to Popol Vuh)

But a marama (moon, night) sign is at top left (in *Ha9-39). It should not be interpreted to say that the moe bird is the moon, because the marama sign is drawn as a separate sign. Rather it should mean that the moe bird is not what otherwise would be assumed - viz. the 'morning star' phase. It should instead be the 'cup' ('evening star') season.