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The trees used as seasonal markers (according to The White Goddess) were chosen by their characteristics, i.e. according to how their qualitites evidently corresponded with the qualities of the seasons in question. To make this clear, let's look once more at the trees earlier mentioned:

 

1 Birch December 24th - January 20th

"The first tree of the series is the self-propagating birch. Birch twigs are used throughout Europe in the beating of bounds and the flogging of delinquents - and formerly lunatics - with the object of expelling evil spirits ... Birch rods are also used in rustic ritual for driving out the spirit of the old year ...

The birch is a tree of inception. It is indeed the earliest forest tree, with the exception of the mysterious elder, to put out new leaves ... and in Scandinavia its leafing marks the beginning of the agricultural year, because farmers use it as a directory for sowing their Spring wheat ..." (The White Goddess)

Rusalka, a 1968 painting by Konstantin Vasiliev

"The birch is considered a national tree of Russia, where it used to be worshipped as a goddess during the Green Week in early June." "Semik is an ancient Russian fertility festival celebrated in early June and closely linked with the cult of the dead and the spring agricultural rites. It usually fell upon the Thursday of the Green Week (better known as Trinity Week in Russia and the Whitsuntide week in Britain). Its name is derived from the Slavic word for "seven", because the Green Week was the seventh (sometimes the eighth) week after Easter. The end of Semik inaugurated the celebrations of the Trinity Sunday.

The Rusalki were believed to be at their most dangerous during the Green Week (Russian: русальная неделя), and were supposed to have left their watery depths in order to swing on branches of birch and willow trees at night. Peasant women sometimes hung offerings to appease them. A cross, a magic circle, incense, garlic, wormwood, a pin or poker and verbal charms were used to render the rusalki harmless. Swimming was strictly forbidden, lest mermaids would drag the swimmer down to the river floor.

On Semik, funeral services were held for those who had not received a proper burial. Peasants decorated the insides and outsides of their houses with birch branches, and they selected a birch tree to decorate with ribbons and beads. The birch was usually left in the forest, but was sometimes brought into the village. The birch (referred to as 'semik', just like the holiday itself) was seen as a symbol of vegetative power and stood as a focal point for girls' singing and dancing. Vows of eternal friendship were made here. Like Kostroma during Maslenitsa, this fertility symbol was destroyed at the end of the festivities. Usually, it was drowned 'in order to provide the needed rainfall for the sprouting crops'." (Wikipedia)

2 Rowan January 21st - February 17th

"The second tree is the quickbeam ('tree of life'), otherwise known as the quicken, rowan, or mountain ash. Its round wattles, spread with newly-flayed bull's hides, were used by the Druids as a last extremity for compelling demons to answer difficult questions - hence the Irish proverbial expression 'to go on the wattles of knowledge', meaning to do one's utmost to get information ... The quickbeam is also the tree most widely used in the British Isles as a prophylactic against lightning and witches' charms of all sorts: for example, bewitched horses can be controlled only with a rowan whip.

In ancient Ireland, fires of rowan were kindled by the Druids of opposing armies and incantations spoken over them, summoning spirits to take part in the fight. The berries of the magical rowan in the Irish romance of Fraoth, guarded by a dragon, had the sustaining virtue of nine meals; they also healed the wounded and added a year to a man's life.

In the romance of Diarmuid and Grainne, the rowan berry, with the apple and the red nut, is described as the food of the gods. 'Food of the gods' suggests that the taboo on eating anything red was an extension of the commoners' taboo on eating scarlet toadstools - for toadstools, according to a Greek proverb which Nero quoted, were 'the food of the gods'. In ancient Greece all red foods such as lobster, bacon, red mullet, crayfish and scarlet berries and fruit were tabooed except at feasts in honour of the dead. (Red was the colour of death in Greece and Britain during the Bronze Age - red ochre has been found in megalithic burials both in the Prescelly Mountains and on Salisbury Plain.)

The quickbeam is the tree of quickening. Its botanical name Fraxinus, or Pyrus, Aucuparia, conveys its divinatory uses. Another of its names is 'the witch'; and the witch-wand, formerly used for metal divining, was made of rowan. Since it was the tree of quickening it could also be used in a contrary sense. In Danaan Ireland a rowan-stake hammered through a corpse immobilized its ghost; and in the Cuchulain saga three hags spitted a dog, Cuchulain's sacred animal, on rowan twigs to procure his death.

The oracular use of the rowan explains the unexpected presence of great rowan thickets in Rügen and the other Baltic amber-islands, formerly used as oracular places, and the frequent occurence of rowan ... in the neighbourhood of ancient stone circles.

The important Celtic feast of Candlemas fell in the middle of it [the Rowan period]. It was held to mark the quickening of the year, and was the first of the four 'cross-quarter days' on which British witches celebrated their Sabbaths, the others being May Eve, Lammas (August 2nd) and All Hallow E'en, when the year died ..." (The White Goddess)

"The name 'rowan' is derived from the Old Norse name for the tree, raun or rogn. Linguists believe that the Norse name is ultimately derived from a proto-Germanic word *raudnian meaning 'getting red' and which referred to the red foliage and red berries in the autumn. Rowan is one of the most familiar wild trees in the British Isles, and has acquired numerous English folk names. The following are recorded folk names for the rowan: Delight of the eye (Luisliu), Mountain ash, Quickbane, Quickbeam, Quicken (tree), Quickenbeam, Ran tree, Roan tree, Roden-quicken, Roden-quicken-royan, Round wood, Royne tree, Rune tree, Sorb apple, Thor's helper, Whispering tree, Whitty, Wicken-tree, Wiggin, Wiggy, Wiky, Witch wood, Witchbane, Witchen, Witchen tree. Many of these can be easily linked to the mythology and folklore surrounding the tree. In Gaelic, it is Rudha-an (red one, pronounced quite similarly to English 'rowan')." (Wikipedia)

3 Ash February 18th - March 17th

"The third tree is the ash. In Greece the ash was sacred to Poseidon, the second god of the Achaean trinity, and the Mĕliai, or ash-spirits, were much cultivated; according to Hesiod, the Mĕliai sprang from the blood of Uranus when Cronos castrated him ...

A descendant of the Sacred Tree of Creevna, also an ash, was still standing at Killura in the nineteenth century; its wood was a charm against drowning, and emigrants to America after the Potato Famine carried it away with them piecemeal ... In British folklore the ash is a tree of re-birth ... naked children had formerly been passed through cleft pollard ashes before sunrise as a cure for rupture ... The Druidical wand with a spiral decoration, part of a recent Anglesey find dating from the early first century A.D., was of ash. The great ash Ygdrasill, sacred to Woden, or Wotan or Odin or Gwydion ... ´he had taken the tree over from the Triple Goddess who, as the Three Norns of Scandinavian legend, dispensed justice under it.

Poseidon retained his patronage of horses but also became a god of seafarers when the Achaeans took to the sea; as Woden did when his people took to the sea. In ancient Wales and Ireland all oars and coracle-slats were made of ash; and so were the rods used for urging on horses, except when the deadly yew was preferred.

The cruelty of the ash ... lies in the harmfulness of its shade to grass or corn; the alder on the contrary is beneficial to crops grown in its shade. So Odin's own Runic alphabet all the letters of which are formed from ash-twigs; as ash-roots strangle those of other forest trees.

The ash is the tree of sea-power, or of the power resident in water; and the other name of Woden, 'Yggr', from which Ygdrasill is derived, is evidently connected with hygra, the Greek for 'sea' (literally, 'the wet element'). The third month is the month of floods and extends from February 18th to March 17th. In these first three months the nights are longer than the days, and the sun is regarded as still under the tutelage of Night. The Tyrrhenians on this account did not reckon them as part of the sacred year." (The White Goddess)

(Wikipedia)

The first quarter (or nearly so as there are 13 periods in the 364-day year) is characterized by the sun being 'in the tutelage of the night'. During 'night time' the world is 'in the water'.

Birch leaves announce the beginning of the agricultural year and 'therefore' the Birch period is also at the beginning of the calendrical year. 'The birch is a tree of inception.' Russians understand that during Semik (7), another time of the birch, mermaids can drag a swimmer down to the river floor - as I guess because the birch is a symbol of the deep water.

The red Rowan is like the red light of dawn while sun stands low on the horizon, i.e. still is in the 'sea'.

The cruel Ash is the tree of Poseidon and sea voyages. After travelling over the 'sea' in a 'canoe' (the tutelage of the night) sun has arrived close to 'land' and is being reborn at the horizon. 

On Easter Island the sun should arrive from the north after the first three months. I have made a table with blue for the 'watery' months and red for the months which are located on 'land':

4th quarter

1st quarter

2nd quarter

3rd quarter

Vaitu Nui (April) Anakena (July)

Tangaroa Uri (October)

Tuaharo (January)

Planting of sweet potatoes Same as the previous month. Cleaning up of the fields. Fishing is no longer taboo. Festival of thanksgiving (hakakio) and presents of fowl. Fishing. Because of the strong sun very little planting is done.

Vaitu Potu (May)

Hora Iti (August)

Ruti (November)

Tehetu'upu (February)

Beginning of the cold season. No more planting. Fishing is taboo, except for some fishing along the beach. Harvesting of paper mulberry trees (mahute). Making of tapa capes (nua). Planting of plants growing above the ground (i.e., bananas, sugarcane, and all types of trees). Good time to fish for eel along the shore. Cleaning of the banana plantations, but only in the morning since the sun becomes too hot later in the day. Problems with drought. Good month for fishing and the construction of houses (because of the long days). Like the previous month. Some sweet potatoes are planted where there are a lot of stones (pu).

Maro (June)

Hora Nui (September)

Koro (December)

Tarahau (March)

Because of the cold weather, nothing grows (tupu meme), and there is hardly any work done in the fields. Hens grow an abundance of feathers, which are used for the festivities. The time of the great festivities begins, also for the father-in-law (te ngongoro mo te hungavai). There is much singing (riu). Planting of plants growing below the ground (i.e., sweet potatoes, yams, and taro). A fine spring month. Because of the increasing heat, work ceases in the fields. Time for fishing, recreation, and festivities. The new houses are occupied (reason for the festivities). Like the previous month, a good time for surfing (ngaru) on the beach of Hangaroa O Tai. Sweet potatoes are planted in the morning; fishing is done in the afternoon.

The comments are from Barthel 2 and may be of use when trying to understand the rongorongo texts. However, not much folk-lore is described. Maybe the fishing taboo is due to the 'watery' season? Anyhow, the month names Vaitu Nui and Vaitu Potu, at the beginning of the half-year in the 'water', tells us that the Easter Islanders probably thought about 'water' when talking about these two months.

During Maro and Anakena 'nothing grows (tupu meme)', i.e. it is not a time of 'land'.

Rîu

Song which may be good and decent (rîu rivariva), or bad and indecent (rîu rakerake); the term rîu is often used for serious, sad songs: rîu tagi mo te matu'a ana mate, sad song for the death of a father. Vanaga.

Fishing ('for eel along the shore') and planting is then starting anew (first above ground, then below ground), spring is around the corner. Planting below the ground is (done) closer to 'land' then above the ground.

In the season of Poseidon (I guess): '... A wooden house will arrive at Tarakiu (near Vaihú), a barge will arrive, animals will arrive with the faces of eels (i.e. horses), golden thistles will come, and the Lord will be heard in heaven ...' (... E-tomo te haûti i Tarakiu, e-tomo te poepoe hiku regorego, e-tomo te îka ariga koreva, e-tomo te poporo haha, e-kiu te Atua i te ragi ...).

In Barthel 2 he discusses the sacred geography of the island:

"One interesting aspect of the quarternary system is the fact that it imposes a fourfold division on the roughly triangular outline of Easter Island (a nearly rectangular triangle with a southwest-northeast hypotenuse).

This must be the 'four parts of the land' (ahaha aro o te henua, ME:67), mentioned in one of the oral traditions. To achieve this fourfold division, the triangle, which represents the real outline of Easter Island, has to be transformed into a model with four sides (compare MGV. aro ha 'squared, four-faced').

On other Polynesian islands, the rectangular houses might serve as a model, but the houses on Easter Island do not fall into this category. The only square architectual layout is the inland plaza of Ahu number 2 in Vinapu (NA I:117-119 and Fig. 127).

A carbon-14 test puts the date for this unusual site at A.D. 757 ± 200, and the Norwegian archeological expedition has classified it as 'Early Period'. Smith (1961; NA I:218) has pointed out the possible connection between Vinapu and 'cultural centres farther to the west' (i.e., the Society Islands, the Marquesas, and Mangareva). Because the ahu of Vinapu are all (roughly) oriented toward the rising sun of the solstice and the equinox (NA I:94), it is safe to assume that the plaza, too, had some kind of solar function.

1. Hanga Te Pau, the landing site of Ira and his band of explorers, is the natural anchorage for those approaching Vinapu by sea. The remarkable stone fronts of the ahu of Vinapu are all facing the sea. The explorers landed at Hanga Te Pau during the month 'Maro', that is, June."

2. The cult place of Vinapu is located between the fifth and sixth segment of the dream voyage of Hau Maka. These segments, named 'Te Kioe Uri' (inland from Vinapu) and 'Te Piringa Aniva' (near Hanga Pau Kura) flank Vinapu from both the west and the east.

The decoded meaning of the names 'the dark rat' (i.e., the island king as the recipient of gifts) and 'the gathering place of the island population' (for the purpose of presenting the island king with gifts) links them with the month 'Maro', which is June.

Thus the last month of the Easter Island year is twice connected with Vinapu. Also, June is the month of summer solstice, which again points to the possibility that the Vinapu complex was used for astronomical purposes.

3. On the 'second list of place names', Hanga Te Pau is called 'the middle (zenith) of the land' (he tini o te kainga). This may refer to a line bisecting the island, but it can just as easily mean the gathering of a great number (of islanders).

The plaza (130 x 130 meters) would have been very well suited for this purpose.

4. The transformation of the 'second list of place names' into a lunar calendar links Hanga Te Pau and Rano Kau. A similar linkage occurs in connection with the third son of Hotu Matua between the 'pebbles of Hanga Te Pau' and his name 'Tuu Rano Kau'. There can be no doubt that Vinapu was dependent on the economic resources of the large crater.

5. In the 'scheme of lunar nights', Hanga Te Pau introduces the second half of the month in contrast to Hanga Ohiro, which introduces the first half. That means that Vinapu and Anakena were calendary opposites.

Based on the encoded information gained from numbers 1 and 2, 'Maro' (for the Vinapu area) is contrasted with 'Anakena' (for the Anakena area) - or, to put it differently, the last month of the year is contrasted with the first month of the year.

6. The fact that the year ends at Vinapu and begins anew at Anakena may have meaning beyond the obvious transition of time and may also indicate a historic transition. The carbon-14 dating test assigned a much earlier date to Vinapu (ninth century) than to Anakena.

This raises the question of an 'original population', which, according to the traditions, lived along the northern rim of Rano Kau (i.e., inland from Vinapu) and their relationship to the explorers.

7. During his visit in 1886, Thomson wrote about the plaza:

Immediately behind this platform (that is, Ahu Vinapu) a wall of earth encloses a piece of ground about 225 feet in diameter and circular in shape. This is believed to have been the theater of the native ceremonies, and perhaps the spot where the feasts were held. (PH:512-513)

Two names, he tini o te kainga ('a great number of people from the homeland') from the 'second list of place names' and te hue ('the gathering'), a local name from the area of the third-born, tend to confirm the statement by Thomson, and so does a revealing passage about Vinapu in one of the traditions (ME:373; Knoche 1925:266).

This passage deals with a festival (te koro o vinapu), during which a young woman appears, disguised as a bird (poki manu, Campbell 1971:224). She is the daughter of Uho, who had married Mahuna-te-raa ('sun with curly hair? hidden sun?')

Mahuna

Small skin tumours, pimples. Vanaga.

in the 'land of the nocturnal eye' (henua mata po uri).

But she longed for her homeland,

Topatagi

To remember with sorrow, to miss, to pine for (mo); ananake te raá he topatagi te ûka riva ko Uho mo toona ga matu'a, Ko Uho the good girl missed her parents every day. Vanaga.

Grief. Churchill.

 the 'land of the light and clear eye' (henua mata maeha) until she was able to return to it.

Ma'eha

Brightness, bright, to lighten, to brighten up; ku ma'eha-á, it has already lightened up. Vanaga.

1. Light, brightness; to shine, to be bright, to glimmer, to glow; maeha mahina, moonshine; maeharaa, sunrise. Maehamaeha, bright. Hakamaeha, to brighten. Mq.: maeoeo, bright, transparent. 2. To get out of the way. 3. Thin, slender, slight. Churchill.

Uho's journey across the sea began on the beach of Anakena, that is, the 'opposite' place from Vinapu. In the foreign land Uho instructs her daughter how to transform herself into a bird.

The tale is interesting because it is the only one with the motif of a solar marriage. As such, it is possibly connected with the solar orientation of the Vinapu complex. Furthermore, the RAP. text lists the contrasting qualities of the two regions as mata pu uri vs. mata maeha.

Transferred to the fourfold division of the island, the contrast of 'night darkness' vs. 'daylight' corresponds to the contrast between the region of the night, including the landing site of Ira, which belongs to the third son, and the region of the noon sun, including the landing site of Hotu Matua, which belongs to the first-born.

This tale again emphasizes the contrasting values assigned to Anakena and Vinapu. According to an unpublished fragment by Arturo Teao, which was recorded by Englert in 1936, 'Uho' was born in 'Hare Tupa Tuu', that is, in the house of the first-born.

However, having been born in Anakena, she would not have gone on a journey across the sea upon being married, but would have left her home for a region on the other side of the island. Her husband, 'Mahuna Te Raa', may have been a quasi-historic figure connected with the Vinapu complex.

Since mata also refers to the political unit of a tribe on Easter Island, the metaphysical contrast arising from the fourfold division of the land also has its political counterpart in the form of  four different tribal attributes:

1. mata maeha for Tuu Maheke and Anakena
2. mata nui for Miru
3. mata po uri for Tuu Rano Kau and Hanga Te Pau
4. mata iti for Hotu Iti

The first pair (numbers 1 and 2) expresses positive qualities, the second (numbers 3 and 4) mostly negative ones. This again seems to foreshadow the later conflict between the tribal federations."