The trees used as seasonal
markers (according to The White Goddess) were chosen by
their characteristics, i.e. according to how their
qualitites evidently corresponded with the qualities of
the seasons in question. To make this clear, let's look
once more at the trees earlier mentioned:
1 Birch
December 24th - January 20th
"The first tree of the series is the
self-propagating birch. Birch twigs are used
throughout Europe in the beating of bounds
and the flogging of delinquents - and
formerly lunatics - with the object of
expelling evil spirits ... Birch rods are
also used in rustic ritual for driving out
the spirit of the old year ...
The birch is a tree of inception. It is
indeed the earliest forest tree, with the
exception of the mysterious elder, to put
out new leaves ... and in Scandinavia its
leafing marks the beginning of the
agricultural year, because farmers use it as
a directory for sowing their Spring wheat
..." (The White Goddess) |
Rusalka, a 1968 painting by
Konstantin Vasiliev
"The birch is considered a national tree
of Russia, where it used to be worshipped as
a goddess during the Green Week
in early June."
"Semik is an ancient Russian
fertility festival celebrated in early June
and closely linked with the cult of the dead
and the spring agricultural rites. It
usually fell upon the Thursday of the Green
Week (better known as Trinity Week in
Russia and the Whitsuntide week in
Britain). Its name is derived from the
Slavic word for "seven", because the Green
Week was the seventh (sometimes the eighth)
week after Easter. The end of Semik
inaugurated the celebrations of the
Trinity Sunday.
The Rusalki were believed to be at
their most dangerous during the Green Week
(Russian: русальная неделя), and were
supposed to have left their watery depths in
order to swing on branches of birch and
willow trees at night. Peasant women
sometimes hung offerings to appease them. A
cross, a magic circle, incense, garlic,
wormwood, a pin or poker and verbal charms
were used to render the rusalki harmless.
Swimming was strictly forbidden, lest
mermaids would drag the swimmer down to the
river floor.
On Semik, funeral services were held for
those who had not received a proper burial.
Peasants decorated the insides and outsides
of their houses with birch branches, and
they selected a birch tree to decorate with
ribbons and beads. The birch was usually
left in the forest, but was sometimes
brought into the village. The birch
(referred to as 'semik', just like the
holiday itself) was seen as a symbol of
vegetative power and stood as a focal point
for girls' singing and dancing. Vows of
eternal friendship were made here. Like
Kostroma during Maslenitsa, this fertility
symbol was destroyed at the end of the
festivities. Usually, it was drowned 'in
order to provide the needed rainfall for the
sprouting crops'." (Wikipedia) |
2 Rowan
January 21st - February 17th
"The second tree is the quickbeam ('tree of
life'), otherwise known as the quicken,
rowan, or mountain ash. Its round wattles,
spread with newly-flayed bull's hides, were
used by the Druids as a last extremity for
compelling demons to answer difficult
questions - hence the Irish proverbial
expression 'to go on the wattles of
knowledge', meaning to do one's utmost to
get information ... The quickbeam is also
the tree most widely used in the British
Isles as a prophylactic against lightning
and witches' charms of all sorts: for
example, bewitched horses can be controlled
only with a rowan whip.
In ancient Ireland, fires of rowan were
kindled by the Druids of opposing armies and
incantations spoken over them, summoning
spirits to take part in the fight. The
berries of the magical rowan in the Irish
romance of Fraoth, guarded by a dragon, had
the sustaining virtue of nine meals; they
also healed the wounded and added a year to
a man's life.
In the romance of Diarmuid and Grainne, the
rowan berry, with the apple and the red nut,
is described as the food of the gods. 'Food
of the gods' suggests that the taboo on
eating anything red was an extension of the
commoners' taboo on eating scarlet
toadstools - for toadstools, according to a
Greek proverb which Nero quoted, were 'the
food of the gods'. In ancient Greece all red
foods such as lobster, bacon, red mullet,
crayfish and scarlet berries and fruit were
tabooed except at feasts in honour of the
dead. (Red was the colour of death in Greece
and Britain during the Bronze Age - red
ochre has been found in megalithic burials
both in the Prescelly Mountains and on
Salisbury Plain.)
The quickbeam is the tree of quickening.
Its botanical name Fraxinus,
or Pyrus, Aucuparia,
conveys its divinatory uses. Another of its
names is 'the witch'; and the witch-wand,
formerly used for metal divining, was made
of rowan. Since it was the tree of
quickening it could also be used in a
contrary sense. In Danaan Ireland a
rowan-stake hammered through a corpse
immobilized its ghost; and in the Cuchulain
saga three hags spitted a dog, Cuchulain's
sacred animal, on rowan twigs to procure his
death.
The oracular use of the rowan explains the
unexpected presence of great rowan thickets
in Rügen and the other Baltic amber-islands,
formerly used as oracular places, and the
frequent occurence of rowan ... in the
neighbourhood of ancient stone circles.
The important Celtic feast of Candlemas fell
in the middle of it [the Rowan period]. It
was held to mark the quickening of the year,
and was the first of the four 'cross-quarter
days' on which British witches celebrated
their Sabbaths, the others being May Eve,
Lammas (August 2nd) and All Hallow E'en,
when the year died ..." (The White Goddess)
|
"The name 'rowan' is derived from the Old
Norse name for the tree, raun or
rogn. Linguists believe that the Norse
name is ultimately derived from a
proto-Germanic word *raudnian meaning
'getting red' and which referred to the red
foliage and red berries in the autumn. Rowan
is one of the most familiar wild trees in
the British Isles, and has acquired numerous
English folk names. The following are
recorded folk names for the rowan: Delight
of the eye (Luisliu), Mountain ash,
Quickbane, Quickbeam, Quicken (tree),
Quickenbeam, Ran tree, Roan tree,
Roden-quicken, Roden-quicken-royan, Round
wood, Royne tree, Rune tree, Sorb apple,
Thor's helper, Whispering tree, Whitty,
Wicken-tree, Wiggin, Wiggy, Wiky, Witch
wood, Witchbane, Witchen, Witchen tree. Many
of these can be easily linked to the
mythology and folklore surrounding the tree.
In Gaelic, it is Rudha-an (red one,
pronounced quite similarly to English
'rowan')." (Wikipedia) |
3 Ash
February 18th - March 17th
"The third tree is the ash. In Greece the
ash was sacred to Poseidon, the second god
of the Achaean trinity, and the Mĕliai, or
ash-spirits, were much cultivated; according
to Hesiod, the Mĕliai sprang from the blood
of Uranus when Cronos castrated him ...
A descendant of the Sacred Tree of Creevna,
also an ash, was still standing at Killura
in the nineteenth century; its wood was a
charm against drowning, and emigrants to
America after the Potato Famine carried it
away with them piecemeal ... In British
folklore the ash is a tree of re-birth ...
naked children had formerly been passed
through cleft pollard ashes before sunrise
as a cure for rupture ... The Druidical wand
with a spiral decoration, part of a recent
Anglesey find dating from the early first
century A.D., was of ash. The great ash
Ygdrasill, sacred to Woden, or Wotan or Odin
or Gwydion ... ´he had taken the tree over
from the Triple Goddess who, as the Three
Norns of Scandinavian legend, dispensed
justice under it.
Poseidon retained his patronage of horses
but also became a god of seafarers when the
Achaeans took to the sea; as Woden did when
his people took to the sea. In ancient Wales
and Ireland all oars and coracle-slats were
made of ash; and so were the rods used for
urging on horses, except when the deadly yew
was preferred.
The cruelty of the ash ... lies in the
harmfulness of its shade to grass or corn;
the alder on the contrary is beneficial to
crops grown in its shade. So Odin's own
Runic alphabet all the letters of which are
formed from ash-twigs; as ash-roots strangle
those of other forest trees.
The ash is the tree of sea-power, or of the
power resident in water; and the other name
of Woden, 'Yggr', from which Ygdrasill is
derived, is evidently connected with
hygra, the Greek for 'sea' (literally,
'the wet element'). The third month is the
month of floods and extends from February
18th to March 17th. In these first three
months the nights are longer than the days,
and the sun is regarded as still under the
tutelage of Night. The Tyrrhenians on this
account did not reckon them as part of the
sacred year." (The White Goddess)
(Wikipedia) |
The first quarter (or
nearly so as there are 13 periods in the 364-day year)
is characterized by the sun being 'in the tutelage of
the night'. During 'night time' the world is 'in the
water'.
Birch leaves announce the
beginning of the agricultural year and 'therefore' the
Birch period is also at the beginning of the calendrical year.
'The birch is a tree of inception.'
Russians understand that during Semik (7),
another time of the birch, mermaids can drag a swimmer down
to the river floor - as I guess because the birch is a
symbol of the deep water.
The red Rowan is like the
red light of dawn while sun stands low on the horizon,
i.e. still is in the 'sea'.
The cruel Ash is the tree
of Poseidon and sea voyages. After travelling over the
'sea' in a 'canoe' (the tutelage of the night) sun has arrived
close to 'land' and is being reborn at
the horizon.
On Easter Island the sun
should arrive from the north after the first three
months. I have made a table with blue for the 'watery'
months and red for the months which are located on
'land':
4th quarter |
1st quarter |
2nd quarter |
3rd quarter |
Vaitu Nui
(April) |
Anakena
(July) |
Tangaroa Uri
(October) |
Tuaharo
(January) |
Planting of sweet potatoes |
Same as the previous month. |
Cleaning up of the fields. Fishing is no
longer taboo. Festival of thanksgiving (hakakio)
and presents of fowl. |
Fishing. Because of the strong sun very
little planting is done. |
Vaitu Potu
(May) |
Hora Iti
(August) |
Ruti
(November) |
Tehetu'upu
(February) |
Beginning of the cold season. No more
planting. Fishing is taboo, except for some
fishing along the beach. Harvesting of paper
mulberry trees (mahute). Making of
tapa capes (nua). |
Planting of plants growing above the ground
(i.e., bananas, sugarcane, and all types of
trees). Good time to fish for eel along the
shore. |
Cleaning of the banana plantations, but only
in the morning since the sun becomes too hot
later in the day. Problems with drought.
Good month for fishing and the construction
of houses (because of the long days). |
Like the previous month. Some sweet potatoes
are planted where there are a lot of stones
(pu). |
Maro
(June) |
Hora Nui
(September) |
Koro
(December) |
Tarahau
(March) |
Because of the cold weather, nothing grows (tupu
meme), and there is hardly any work done
in the fields. Hens grow an abundance of
feathers, which are used for the
festivities. The time of the great
festivities begins, also for the
father-in-law (te ngongoro mo te hungavai).
There is much singing (riu). |
Planting of plants growing below the ground
(i.e., sweet potatoes, yams, and taro). A
fine spring month. |
Because of the increasing heat, work ceases
in the fields. Time for fishing, recreation,
and festivities. The new houses are occupied
(reason for the festivities). Like the
previous month, a good time for surfing (ngaru)
on the beach of Hangaroa O Tai. |
Sweet potatoes are planted in the morning;
fishing is done in the afternoon. |
The comments are from
Barthel 2 and may be of use when trying to understand
the rongorongo texts. However, not much folk-lore
is described. Maybe the fishing taboo is due to the
'watery' season? Anyhow, the month names Vaitu Nui
and Vaitu Potu, at the beginning of the half-year
in the 'water', tells us that the Easter Islanders
probably thought about 'water' when talking about these
two months.
During Maro and
Anakena 'nothing grows (tupu meme)', i.e. it
is not a time of 'land'.
Rîu Song which may be good and decent (rîu rivariva),
or bad and indecent (rîu rakerake); the term rîu is often
used for serious, sad songs: rîu tagi mo te matu'a ana mate, sad
song for the death of a father. Vanaga. |
Fishing ('for eel along the
shore') and planting is then starting anew (first above
ground, then below ground), spring is around the corner.
Planting below the ground is (done) closer to 'land'
then above the ground.
In the
season of Poseidon (I guess): '... A wooden house will
arrive at Tarakiu (near Vaihú), a barge
will arrive, animals will arrive with the faces of eels
(i.e. horses), golden thistles will come, and the Lord
will be heard in heaven ...' (... E-tomo te haûti i
Tarakiu, e-tomo te poepoe hiku regorego, e-tomo te îka
ariga koreva, e-tomo te poporo haha, e-kiu te Atua i te
ragi ...).
In Barthel 2 he discusses
the sacred geography of the island:
"One
interesting aspect of the quarternary system is the fact
that it imposes a fourfold division on the roughly
triangular outline of Easter Island (a nearly
rectangular triangle with a southwest-northeast
hypotenuse).
This must be
the 'four parts of the land' (ahaha aro o te henua,
ME:67), mentioned in one of the oral traditions. To
achieve this fourfold division, the triangle, which
represents the real outline of Easter Island, has to be
transformed into a model with four sides (compare MGV.
aro ha 'squared, four-faced').
On other
Polynesian islands, the rectangular houses might serve
as a model, but the houses on Easter Island do not fall
into this category. The only square architectual layout
is the inland plaza of Ahu number 2 in Vinapu
(NA I:117-119 and Fig. 127).
A carbon-14
test puts the date for this unusual site at A.D. 757
± 200, and the Norwegian
archeological expedition has classified it as 'Early
Period'.
Smith (1961; NA
I:218) has pointed out the possible connection between
Vinapu
and 'cultural centres farther to the west' (i.e., the
Society Islands, the Marquesas, and Mangareva). Because
the ahu
of Vinapu
are all (roughly) oriented toward the rising sun of the
solstice and the equinox (NA I:94), it is safe to assume
that the plaza, too, had some kind of solar function.
1. Hanga Te Pau,
the landing site of Ira and his band of
explorers, is the natural anchorage for those
approaching Vinapu by sea. The remarkable stone
fronts of the ahu of Vinapu are all facing the
sea. The explorers landed at Hanga Te Pau during
the month 'Maro', that is, June."
2. The cult place
of Vinapu is located between the fifth and sixth
segment of the dream voyage of Hau Maka. These
segments, named 'Te Kioe Uri' (inland from
Vinapu) and 'Te Piringa Aniva' (near Hanga
Pau Kura) flank Vinapu from both the west and
the east.
The decoded
meaning of the names 'the dark rat' (i.e., the island
king as the recipient of gifts) and 'the gathering place
of the island population' (for the purpose of presenting
the island king with gifts) links them with the month 'Maro',
which is June.
Thus the last
month of the Easter Island year is twice connected with
Vinapu. Also, June is the month of summer
solstice, which again points to the possibility that the
Vinapu complex was used for astronomical
purposes.
3. On the 'second
list of place names', Hanga Te Pau is called 'the
middle (zenith) of the land' (he tini o te kainga).
This may refer to a line bisecting the island, but it
can just as easily mean the gathering of a great number
(of islanders).
The plaza (130 x
130 meters) would have been very well suited for this
purpose.
4. The
transformation of the 'second list of place names' into
a lunar calendar links Hanga Te Pau and Rano
Kau. A similar linkage occurs in connection with the
third son of Hotu Matua between the 'pebbles of
Hanga Te Pau' and his name 'Tuu Rano Kau'.
There can be no doubt that Vinapu was dependent
on the economic resources of the large crater.
5. In the 'scheme
of lunar nights', Hanga Te Pau introduces the
second half of the month in contrast to Hanga Ohiro,
which introduces the first half. That means that Vinapu
and Anakena were calendary opposites.
Based on the
encoded information gained from numbers 1 and 2, 'Maro'
(for the Vinapu area) is contrasted with 'Anakena'
(for the Anakena area) - or, to put it
differently, the last month of the year is contrasted
with the first month of the year.
6. The fact that
the year ends at Vinapu and begins anew at
Anakena may have meaning beyond the obvious
transition of time and may also indicate a historic
transition. The carbon-14 dating test assigned a much
earlier date to Vinapu (ninth century) than to
Anakena.
This raises the
question of an 'original population', which, according
to the traditions, lived along the northern rim of
Rano Kau (i.e., inland from Vinapu) and their
relationship to the explorers.
7. During his
visit in 1886, Thomson wrote about the plaza:
Immediately behind
this platform (that is, Ahu Vinapu) a wall of
earth encloses a piece of ground about 225 feet in
diameter and circular in shape. This is believed to have
been the theater of the native ceremonies, and perhaps
the spot where the feasts were held. (PH:512-513)
Two names, he
tini o te kainga ('a great number of people from the
homeland') from the 'second list of place names' and
te hue ('the gathering'), a local name from the area
of the third-born, tend to confirm the statement by
Thomson, and so does a revealing passage about Vinapu
in one of the traditions (ME:373; Knoche 1925:266).
This passage deals
with a festival (te koro o vinapu), during which
a young woman appears, disguised as a bird (poki manu,
Campbell 1971:224). She is the daughter of Uho,
who had married Mahuna-te-raa ('sun with curly
hair? hidden sun?')
Mahuna
Small skin tumours, pimples. Vanaga. |
in the 'land of
the nocturnal eye' (henua mata po uri).
But she longed for
her homeland,
Topatagi To
remember with sorrow, to miss, to pine for (mo);
ananake te raá he topatagi te ûka riva ko
Uho mo toona ga matu'a, Ko Uho the good
girl missed her parents every day. Vanaga.
Grief. Churchill. |
the
'land of the light and clear eye' (henua mata maeha)
until she was able to return to it.
Ma'eha
Brightness, bright, to lighten, to brighten up; ku ma'eha-á, it
has already lightened up. Vanaga.
1. Light, brightness; to shine, to be bright, to
glimmer, to glow; maeha mahina, moonshine; maeharaa,
sunrise. Maehamaeha, bright. Hakamaeha, to brighten. Mq.:
maeoeo, bright, transparent. 2. To get out of the way. 3. Thin,
slender, slight. Churchill. |
Uho's
journey across the sea began on the beach of Anakena,
that is, the 'opposite' place from Vinapu. In the
foreign land Uho instructs her daughter how to
transform herself into a bird.
The tale is
interesting because it is the only one with the motif of
a solar marriage. As such, it is possibly connected with
the solar orientation of the Vinapu complex.
Furthermore, the RAP. text lists the contrasting
qualities of the two regions as mata pu uri vs.
mata maeha.
Transferred to the
fourfold division of the island, the contrast of 'night
darkness' vs. 'daylight' corresponds to the contrast
between the region of the night, including the landing
site of Ira, which belongs to the third son, and
the region of the noon sun, including the landing site
of Hotu Matua, which belongs to the first-born.
This tale again
emphasizes the contrasting values assigned to Anakena
and Vinapu. According to an unpublished fragment
by Arturo Teao, which was recorded by Englert in
1936, 'Uho' was born in 'Hare Tupa Tuu',
that is, in the house of the first-born.
However, having
been born in Anakena, she would not have gone on
a journey across the sea upon being married, but would
have left her home for a region on the other side of the
island. Her husband, 'Mahuna Te Raa', may have
been a quasi-historic figure connected with the
Vinapu complex.
Since mata
also refers to the political unit of a tribe on Easter
Island, the metaphysical contrast arising from the
fourfold division of the land also has its political
counterpart in the form of four different tribal
attributes:
1.
mata maeha |
for
Tuu Maheke
and Anakena |
2.
mata nui |
for
Miru |
3.
mata po uri |
for
Tuu Rano Kau
and Hanga Te
Pau |
4.
mata iti |
for
Hotu Iti |
The first pair
(numbers 1 and 2) expresses positive qualities, the
second (numbers 3 and 4) mostly negative ones. This
again seems to foreshadow the later conflict between the
tribal federations."