TRANSLATIONS

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Next glyph type is ariga erua:

 

A few preliminary remarks and imaginations:

1. The few examples where Metoro said ariga erua do not allow us to draw any immediate conclusions regarding the difference between the two major variants, one of which has its heads en face and the other where the heads are turned towards each other:

ariga erua

Ariga means face, not head. The expression 'double face' could be a way to formulate the Janus idea - one face is looking back in time (as if it was an old person) and one face is looking forward (as if it was a young person).

"For only the very young saw life ahead, and only the very old saw life behind, those between were so busy with life they saw nothing." (Ray Bradbury)

However, there is not one example of an ariga erua glyph where the left 'person' is looking towards left and the right 'person' is looking towards right. Metoro was right - they show two faces - either by looking each other in the face, or by showing them for us, the faces are never oriented away from each other.

If the Janus concept is relevant for the ariga erua glyph type it must be transformed into the Polynesian frame of mind. In Polynesia the young generation is always looking back for advice, for examples, and strength to the old generations. If they were to look ahead they would see nothing, the future is unknown.

 

I wonder how much of this 'looking back' is connected with agriculture. I suspect that only in the modern cities are the cords with the elders often quickly severed. In a rural village where everybody knows everybody else the cords of society are strong. Especially if migration is difficult. And in such a village family bonds certainly must be even stronger.

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2. The Polynesians were great navigators, they knew their stars. Observing how a star descends in the west to rise later again in the east, as if reborn, should have lead to ideas of a star in the east being young and a star on its way down in the west as being like an old man on his way to 'death'.

At first such words ('reborn', 'young', 'old', 'death' etc) would only have been easy words to use for expressing observed facts. Later the words would tend to take on a life of their own, 'infecting' especially the minds of those who knew little or nothing of navigation and stars.

Next newborn babies (especially of kings) would tend to be regarded as the old ones coming back, like the admirable stars which were rising again 'from the dead' in the east. The old generation would live on in the new generation:

"... And then she looked in her hand, she inspected it right away, but the bone's saliva wasn't in her hand. It is just a sign I have given you, my saliva, my spittle. This, my head, has nothing on it - just bone, nothing of meat. It's just the same with the head of a great lord: it's just the flesh that makes his face look good. And when he dies, people get frightened by his bones. After that, his son is like his saliva, his spittle, in his being, whether it be the son of a lord or the son of a craftsman, an orator. The father does not disappear, but goes on being fulfilled. Neither dimmed nor destroyed is the face of a lord, a warrior, craftsman, an orator ..." (Popol Vuh)

The two faces in ariga erua are reflections of each other. A star which is rising in the east is the same as the one who went down in the west. Therefore it should be one body with two heads (one in the evening sky and one in the morning sky).

 

Popol Vuh continues:

'... Rather, he will leave his daughters and sons. So it is that I have done likewise through you. Now go up there on the face of the earth; you will not die. Keep the word. So be it, said the head of One and Seven Hunaphu - they were of one mind when they did it.'

The scene is the underworld. Up moon shold go onto the 'face' of the earth, i.e. the side which is visible, the side where the eyes are ruling.

There are two eyes in order to look better, with somewhat different perspectives, one for the morning and one for the evening. One for finding things to devour and one for contemplating what has happened; teeth are no longer necessary, soup is nourishing - the result of 'fire' and 'water'.

I suspect the curious name 'One and Seven', used for instance together with Hunaphu, refers to the double 'person' of life, growing and declining. During the day sun is the single ruler, during the night the stars come out, especially those of the Great Dipper. 7 was also once chosen to represent the planets of the week.

I happened to notice that 'a week' is called etahi pohitu on Easter Island. Such a name is simply a construct, 'one night-seven', and I therefore at first thought it was a recent translation of the western idea of a week, because in olden times they should have counted by fortnights, not weeks. Western civilization has lost one of the eyes, the contemplating one.

But 'One and Seven' is not far from etahi pohitu. Popol Vuh was written down only after the European missionaries had arrived.

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3. The stars disappear for some time before they reappear, and the observations are attuned to the horizon. We have evidence for rau hei at the horizon in the west and tau at the horizon in the west, and in between there are 243 days, e.g.:

242
Gb1-25 Ga1-25 (26)

Ariga erua glyphs are variants of tagata, they depict 'persons' standing up, which presumably means they show 'fully grown' seasons. The time should basically be neither 'death' nor 'birth', instead ariga erua should be at the midstation of 'life'.

The 'face' (ariga) of the sun is not seen during winter, he is only seen from the side, far away, and to see his face it must be summer. Our conclusion is that ariga erua should refer to high summer.

At midsummer sun is turning around from waxing to waning. If it is the head of the sun which is depicted in double form (in ariga erua glyphs), then the one at left should be waxing sun and the one at right waning sun - waxing comes first.

During the season of growth his face is turned to the right, looking forward, after midsummer sun has turned around and it is reasonable to let his head be depicted as turned around. Alternatively both heads should look en face towards us, and then we can see both eyes:

ariga erua

 

The question surely will rise at this point: Why is there an ariga erua glyph at midwinter, where the year is ending?

glyph numbers and days are counted from Ha1-4
Hb9-39 Hb9-40 Hb9-41 Hb9-42 (1099) Hb9-43 Hb9-44
366 367
Hb9-45 Hb9-46 Hb9-47 Hb9-48 Hb9-49 Hb9-50 (1107)
368 369 = 1107 / 3

Day 366, with two back-to-back sitting down persons, presumably refers to the end of the calendar (at Hanga Te Pau). If aringa erua implies the head of the sun is turned around at midsummer, then the head must be turned right again in midwinter. That is enough reason to explain Hb9-40--41. The Janus concept is not necessary.

Hb9-42 will then stand at the beginning of the 1st half of the new year. Yet we can see somebody flying away (manu rere) a little later. It could be the same 'person' as in Hb9-46, the back of whom is be bent, perhaps a sign of how old he is. Anyhow, the one who is flying away ought to be the old year (or half-year).

With the old king gone and the new one just an infant, the queen must take over, and here it is said to be Venus. The new infant king has in Hb9-42 been given the sign of kingship - how he half a year later will look.

Considering the structure of the week, we can see the two basic important components for survival, fire and water:

Sun Moon Mars Mercury Jupiter Venus
fire water fire water fire water

When anciently Homo Sapiens took over the heritage from earlier species of man it included fire. The name homo sapiens (wise man) should be given to some older race, not to our. We have lost the wisdom, the heritage, lately we have become one-eyed.

The taming of fire was not important because it gave warmth and comfort in the chilly nights. It was not important because of scaring away dangerous beasts. It was not important because it prolonged the light of daytime, enabling singing and dancing long into the night.

It was imporant because it brought cooking. The old could survive longer, in spite of their lost teeth. Nourishing soup was the key factor for turning man into wise man. It has been discussed why man is living so long. The reason seems rather obvious, it is the same answer as for elephants: the memory banks of the old ones are important for the survival of the local group. Only the men and elephant species who have the capacity to grow old will survive.

Anciently man knew this. Therefore they have put the knowledge into the structure of the week.

The 7th planet, Saturn, personifies the ultimate death of any living creature. It is like the 'crack in the carapace' of the 'turtle'. A dark, non-living, vacuum separates the old one who dies and the newborn little baby. Even the stars 'die' like this.

Sun Moon Mars Mercury Jupiter Venus Saturn
fire water fire water fire water death

The cycle of life thus measures 6, not 7. Once there were only 6 zodiacal constellations regulating the cycle of the year. The regular hexagon characterized the cycle of the sun.

But sun was like the moon, he was two 'persons', waxing and waning. And like the moon he must be 'living', i.e. follow the cycle of life. Beyond the 'crack' he must be born again.

The pattern of the week can be impressed upon the 'life cycle' of the sun:

Sun Moon Mars Mercury Jupiter Venus Saturn
fire water fire water fire water death
newborn   youngster   mature   dead

Between the stages of the sun there are 'females', points where change will happen, where there is movement, like in the joints between the bones.

Following the astrological clues we will find there is only female zodiacal sign, Virgo. She comes after high summer. She is a queen who must take over after the king has 'gone away'.

Sun himself we can place at the beginning of the new year, Moon (a female) will then take over for a while, until Mars the warrior enters the stage. We are at spring equionx, where light is returning for real.

Mercury is a weak character which must come after Mars, in order to continue the wave pattern.

The place of Jupiter is midsummer, he will function as the old king, 'father light', and then Venus (Virgo) will take over.

This discussion leads to a conclusion: We ought in H have another ariga erua around 432 / 2 = 216 days later than Thursday.

From Hb9-42 to the end of side b there are 1296 - 3 - 1098 = 195 (= 13 * 15) glyphs (65 days)

216 - 65 = 151 days are located on side a (and the first of them obviously at Ha1-1--4).

3 * 151 = 453 glyphs from Ha1-1 we have Ha9-4:

glyph numbers and days are counted from Ha1-4
*Ha8-50 *Ha8-51 *Ha8-52 *Ha8-53 *Ha8-54 Ha9-1
148 149
Ha9-2 Ha9-3 Ha9-4 (450) Ha9-5 Ha9-6 Ha9-7
150 151
The missing glyphs here have been destroyed by fire. But according to Q a break in time occurs beyond the glyph which is parallel to Ha9-7.
Ha9-8

A break in time is clearly illustrated in Ha9-2, and another break is hinted at in Ha8-54, where head and limbs towards right end in nothing. 9 * 2 = 18, and 8 * 54 = 432.