TRANSLATIONS

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The Hanga Moria One page:

 

The name Hanga Moria One implies, it seems, a bay (haga) with sand (one).

In my veiw the bay, as expressed by the haga rave sign, is a place for recreation - in all the meanings of that word. It would not be surprising if the result was a new baby 'hua'.

The sand is by its myriad of grains ideal for the magic of 'multiplication', a fruitful place.

... The king went into his house and laid down. The first child of King A Matua, Tuu Maheke, came and went into the house. He came and kissed his father on the cheek. King Hotu A Matua asked, 'Who are you?' The royal child replied, 'It is I, the royal child, Tuu Maheke'. King Hotu A Matua said, 'Ah, I wish you luck, oh King, for your sand, very fine sand, fleas [in the sand]!'

... From a religious point of view, the high regard for flies, whose increase or reduction causes a similar increase or reduction in the size of the human population, is interesting, even more so because swarms of flies are often a real nuisance on Easter Island, something most visitors have commented on in vivid language. The explanation seems to be that there is a parallel relationship between flies and human souls, in this case, the souls of the unborn. There is a widespread belief throughout Polynesia that insects are the embodiment of numinous beings, such as gods or the spirits of the dead, and this concept extends into Southeast Asia, where insects are seen as the embodiment of the soul ...

Moria is the main word, while haga and one are added only to make it more clear:

Mori

Oil; mori eoeo, pomade. Pau.: mori, oil for burning. Mgv.: mori, candle, taper, wax. Mq.: moi, coconut. Ta.: mori, oil, lamp. Churchill.

Pau.: Ha-morihaga, pious. Mgv.: morimori, to consecrate. Ta.: moria, prayer. Ma.: morina, to remove tabu. Churchill.

Mgv.: Moriga, a minor festival. Ta.: moria, offering after recovery from illness. Ma.: morina, to remove the crop tabu. Churchill.

Praying (moria, pure) and offering after a recovery sounds like the end of winter solstice, or at least as a festival after one cycle has finished and a new cycle is about to begin:

pure

It should also be a time when the gods (atua) will assemble, and the night Otua, I think, alludes to both the back side (tu'a) and to the gods:

3rd period
Ca7-8 Ca7-9 Ca7-10 Ca7-11 Ca7-12
Ca7-13 Ca7-14 Ca7-15 Ca7-16
Maharu Ohua Otua

We must take into account that Ca7-14 is not only the 26th glyph of the moon calendar but also the 260th glyph counted from Ca1-1.

But we cannot say that it is the end of a sacred 260-day year, because in Mamari the 'currency' seems to be 2 glyphs per day. Therefore, the reversed hua at Ca7-14 should rather be the halfway station of such a sacred year:

... Tua in Otua should mean the back side. Beyond the 15 'feathers' (nights) on haú the back side will come. It is as if the 3rd period is at the end of growing moon, and that the rest of the month is something else and separate.

waxing full moon waning
period 1 8 period 4 8 period 6 7
period 2 11 full moon period 7 11
period 3 9 period 5 10 period 8 8
sum 28 sun 18 sum 26

Ohua divides the 36 red glyphs above into 26 + 10. These 10 can be added to the 10 in period 5 in order to reach 20, and then an additional 26 will balance the first 26 glyphs.

72 = 26 + 20 + 26. According to this structure Ca7-14 is the end of waxing. It is time for saying thanks. Fornander has noted:

"... Marqu., moi; Fiji., moli, thanks ..."

We can also quote:

"... In Haug's 'Essays on the Sacred Songs of the Parsis', p. 175, n. 2, he states that 'for blessing and cursing one and the same word is used' in the Avesta - âfrênâmî - which thus corresponded to the old Hebrew word berek, 'to give a blessing and to curse'. It strengthens the West Aryan connections shown above of the Polynesian molia to find that the ancient Iranians also used a word expressing the same double sense ..."

I guess the curse would be used when crops failed. Maori morina means to remove the crop tabu, and this ought to happen, I guess, when the waxing season is over. The double sense of moria, implied in this quotation from Fornander, is not surprising in view of Man being not only equal in status with God but als his superior. Man is standing erect as an equal of the tree, but he has an adze in his hand.

With moon as a model there should be 4 seasons: new moon, growing, full moon, and waning. However, only 3 of them have the order of light. New moon is a dark uncertain time. With 3 seasons of the moon to count with, 72 divides into 26 + 20 + 26 (according to the above arguments), or expressed in days: 36 = 13 + 10 + 13.

The pair of 26 glyphs (130 days) should have the same structure (be 'twins'), I think, which means that also the waning season should have a bay of praying, and it should come at the end of waning. At that time, though, it should be a non-reversed hua to mark it in the calendar texts. It should be a time for praying for a good 'crop' in the future, not a thanksgiving festival.

 

The square of earth is not far away from the bay of sand. Earth is the element of Saturn, but on most Polynesian islands earth will be sand.

The (non-reversed) hua sign is in harmony with time being at winter solstice:

hua

The left arm rising up suddenly bursts into flames and then - in spring - the fruits will come. There are 3 'feathers' at right for spring and 4 as in the square of earth at left. 2 * 3 * 30 = 180 days at right and 2 * 4 * 29.5 = 236 days at left. 180 + 236 = 416. 400 days + a square of 4 by 4. The fire of Saturn has followed across the equator and still inhabits winter solstice, the calendar has been kept intact. It is easy, it is just to change the time of sky observation.

If this description is the 'true' reading of the hua sign, then there is a gap beyond midsummer. In the Mamari moon calendar there is also a gap in 'midsummer', 26 + 20 + 26. The sacred year should begin in early autumn, after a time of great festivities. The season of growth is over. The beginning of next sacred year will come after the crop.

It means the 'father' should be Mars, who is the 'garment' of spring sun. His 'head' comes off and becomes eaten, but also planted in the ground.

I have always wondered why Campbell named his great work The Masks of God, but now I think I understand. Instead of using 'garment' I could say 'mask'.

The fake Rogo at winter solstice is the old image, from the time (and space) when earth indeed was located there. He is the god of cultivated crops. Therefore he became Saturn, the planet who hardly moves at all.

The field at winter solstice should be at the beginning of the year, but nowadays the field has moved a quarter forward into spring. Therefore the hua glyph type should have the gap in time somewhere else than at winter solstice.

The natural choice on Easter Island would be summer solstice, because that is where the ancient winter solstice should be for someone whose ancestors once lived north of the equator. Saturn is not very much disturbed by this, he is firmly rooted at winter solstice since thousands of years back in time.