TRANSLATIONS
Next page in the chain following the link '271':
Our success in searching for b6-26 glyphs comparable in meaning to honu in Gb6-26 should induce us to try also with a7-16 glyphs (comparable in meaning to mago in Ga7-16). Changing b6 to a7 could be coupled to changing 26 to 16. A quick search does not give anything obvious, though. Next two pages are the last in the series from '271':
Beyond 9 * 19 = 171 is placed Ga5-7, as if to indicate the arrival of spring sun. But there is a long distance from Gb8-11 to Ga5-7. We can count it as 472 - 453 + 118 = 19 + 4 * 29.5 = 137, or more probable (with 471 instead of 472), as 18 + 118 = 136 (as in 1st 36 or as 2 * 68). Notice that from Gb2-27 to the end of the text there are 472 - 282 = 10 * 19 = 190 glyphs.
If we consider 136 to mean '1st 36' we can read 118 (at Ga5-7) as '1st 18', possibly meaning a quarter. 118 = 4 * 29.5, and 5 * 7 (as in Ga5-7) = 35 = half 70. In Ga5-10 the 'sails' have shifted to the right as compared with Ga5-5. In Ga5-4 the left arm ends in 'straw', the right in 'leaf'. Tagata with both arms uplifted could possibly be used to indicate a cardinal point, where the right arm (from us seen) becomes the future and the left the past.The right hand is open, i.e. empty, which can be explained by tagata = fully grown. I happened to notice such tagata variants (with both arms high) while searching for b6-26 and a7-16 glyphs:
The elbow ornament signs in Hb3-35 are as in Ha7-9 (close to the searched for Ha7-16, which however was obliterated), but here we can see both hands open (empty):
The preceding henua ora surely indicates the time of 'recycling', and in Ha7-10 a 'grand midnight' henua confirms a new day is coming. Tamaiti at Ha7-13 is on his way, and 7 * 13 = 91 hints that a new quarter has arrived. Ha7-10 we have seen before, and we then counted its ordinal number as 354. At that time we also noticed hipu at Ha7-1 (similar to Gb4-17, where we can suspect 4-17 to be alluding to 471):
At Ha6-64 (where 6 * 64 = 384, possibly hinting at Hatinga Te Kohe = 13 * 29.5 = 383.5) both hands indicate 'straw', which is reasonable if the rule of old sun is over. There is a single elbow ornament oriented with its opening (vaha) in front. Counting from Ha1-1 its ordinal number is 339, which could mean 339 / 3 = 113 days. The preceding vae kore is looking back, and it presumably marks the last third of day 112 = 4 * 28. If we move forward in glyph line a7 we find a manu kake at Ha7-20, where the ordinal number is 364:
At Ha7-31 a prominent vaha mea is arriving. 375 = 15 * 25, and as if to allude to the 15th night of the moon its shape is drawn 'full'. 375 / 3 = 125. In Ha7-32 hau tea could indicate a solstice. In Ha7-28 mea ke signifies that light has disappeared. Let us list the day numbers (if each day has 3 glyphs):
Considering the location of Ha7-31 in our table, we can guess a new year arrives after 255 / 3 = 85 days:
125 + 85 = 210 days, possibly meaning that the spring (7) half year is ending at the same time as a new year is beginning. But in the summary page at tahana it was demonstrated that midsummer is located in line Ha7:
Both G and H are locating midsummer not 180 days from the beginning of the calendar but have 50 days inserted at the beginning. In G we have investigated this phenomenon earlier:
One possible benefit of the inserted 50 glyphs is that there will be 50 + 7 + 63 = 120 glyphs to the end of henua period number 17. 4 * 30 = 120 and 4 * 29.5 = 118:
At Ga5-10 a new season is beginning. 121 = 11 * 11. We can look again at an earlier page in the dictionary:
It seems as if we should add half a quarter (45 days) to the half year measure (183) in order to reach the limit for spring sun - 45 + 183 = 228. The remaining 2 days (to reach 230 for the end of side a) can be imagined as the difference between 185 and 183, a way to let the rest of the year become 180 days long:
Rau hei at Ga6-25 becomes understandable. It is the spring sun which is 'turned upside down'. 6 * 25 = 150, half 300. Ga6-26 is similar to Gb6-26 both in label and meaning. In other words, after 183 days of 'climbing' there is an interval of 45 days before spring sun turns around. With viri at Ga7-1 a new season is beginning, autumn. 183 + 45 + 2 + 3 = 233. Yet we have not reached the end of side a, because 63 of those 233 days lie at the end of side b. 233 - 63 = 170. The number of glyphs in lines a7-a8 is 34 + 26 = 60, and 170 + 60 = 230 = the number of glyphs on side a including the final Gb8-30 on side b. The picture is clear.
Spring is, according to my suggestions, counted from Gb6-27:
From Gb6-27 up to and including Gb8-30 there are 63 glyphs. From Gb8-30 (counting it once again) up to the end of line a6 there are 170 glyphs. 45 glyphs - presumably illustrating midsummer sun standing still - must be reduced from the total 230 in order to reach the changes in time:
230 - 45 = 185. This implies autumn will stretch for 180 days. 230 + 180 = 410. A few small uncertainties remain, for instance if we really should count to 472 or to 471. The characteristic form of these triplet of honu glyphs probably means 'no legs' - not moving. Finally, 171 emerges as 'one more' than 170 (= equal to the number of glyphs from Gb8-30 up to viri at Ga7-1).
When sun arrives at Ga7-1 he is waning. Summer solstice (Ga5-10--Ga6-24) is over. Winter solstice (around Gb6-26) seems to be over at Gb7-1. In this perspective a problem is how to explain Gb1-6--7:
These two glyphs come ca 2 months later than the end of waxing sun. 236 = 8 * 29.5 should be the answer. Counting glyphs from Gb8-30 we have followed the moon for 8 months. Basically the text of G describes moon time, 2 * 236 = 472. 8 months is more than half a year. Midsummer must be in the past. Half 8 months and we arrive at Ga5-7:
After 4 months (from the beginning of the text) a 'quarter' of the text has been reached. At the same time waxing sun will stop his moving. |