TRANSLATIONS
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I have not used examples of haati from other texts than G. In B we have a pair arranged around niu:
Vae glyphs are oriented with knee towards right (maybe a sign of sun), while haati can be either oriented with knee at right or at left. I have noted this difference earlier, while classifying glyphs:
Probably we have not arrived at the true meaning of haati, though it surely does depict a 'leg'. In order to come further it certainly is necessary to consider haati together with kava, which in a way would have been a better subject for the excursion. But I have chosen the 'map' over the G text instead, because it offers a broader field to work on. We also need to consolidate all facts and ideas. At rima aueue there will be an opportunity to compare it with both haati, vae, and kava. The first excursion page:
There are 8 + 8 = 16 feathers in Ga7-7 and 9 + 9 = 18 in Gb1-6. 8 and 16 are numbers used in connection with the moon, while 9 and 18 are numbers relating to the sun. The ordinal numbers 7-7 respectively 1-6 are probably used to indicate moon respectively the sun. There are two 'faces' in the moon but only 1 sun appearance, which presumably has forced not only 1-6 but also the idea that sun visits the winter maid and is absent half of the year. Sun is above and the feathers in Gb1-6 can be interpreted to indicate this fact. Yet there are two parts, as if there were 2 quarters. He cannot be seen while below. Moon should therefore inhabit the other dimension (left-right). At top left in Ga7-7 a ghostly henua sign says the spring sun has gone north. At top right is ihe tau. At Nga Kope Ririva spring sun has left. The limit at the end does not belong to the period preceding. Number 6 is equal to zero for the sun, an empty eye socket. Henua ora in Ga7-7 is the recycling station for the sun. For the kuhane Nga Kope Ririva instead is the station of beginning spatially seen. She moves towards east. But in time east and west are irrelevant. Side a moves spatially from east to west, side b moves temporally from beginning to end. However, from Ga7-7 the spatial movement ends and beyond One Tea the temporal movement ends. We have yet to discover what happens beyond these final events. Next page:
The ordinal numbers from Gb8-30 dictate that time is advancing when sun moves from east to west on side a. On side b, of course, time will also advance but without any spatial connection (I think). In the dark the spatial dimensions (3) are irrelevant.
In the night, watching the sky and the stars, the advancement of time will become apparent. The whole sky roof with the fixed stars slowly move north and south and back again, making a cycle in 365.25 nights. Yet, there are the moving planets which complicate matters. They have different cycles. The Maya forced the pattern of Venus into what they regarded as a good pattern, even though they must have observed another behaviour. Likewise I supposed the various cycles described in the rongorongo texts to be more in harmony with thought than observation. Numbers are ruling, not observation. 3-14 must be a zero point:
The important numbers certainly have deep impact on how the glyphs are drawn. We can conclude that haś glyphs are used at zero. All zero glyphs are not haś, though.
The important sign at Gb1-18 unquestionally means 'noon'. From this we can conclude that half the cycle of the text has been reached, and that the final comes with tao in Ga1-25. If I am correct in identifying Gb1-18 as the point where sun turns around, then there will be only 2 months left before he goes away (at Hua Reva):
Half 10 is 5, which agrees with Nga Kope Ririva being outside the sun cycle (not A Hau Maka but A Taanga). It is as if the sun cycle jumps over 2 months and begins again at Gb1-18, giving the pattern 5 + 3 = 8. The last two months are once again special, being the time of dark cloth:
Considering the names beginning with Te it is evident, though, that the last station of the living sun must be Te Pou, i.e. living sun has only 7 months:
The three groups have 7 (a moon number) on side a, and on side b 5 (a sun number) and 4 (an earth number). 5 (fire) kuhane stations on side a belong to Hau Maka. Also 2 on side b, as if to indicate the 2nd season of sun.
We know there are more than 4 ways to measure, but we should not complicate matters at this point. I have given a hint by writing the game 'seems' to be finished. |