TRANSLATIONS

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Now we should be ready to hazard moving through sharkinfested waters to the three islets, Nga Kope Ririva, standing there vertically in the sea, definitely something else than the uri tertial (earth):

Nga Kope Ririva Tutuu Vai A Te Taanga

The father of Hotu Matua was Taana Harai (Manuscript E). Tradition says he first sent three other sons to Easter Island, but they were changed into rocks by an evil sorcerer.

Ga7-1 together with Ga7-2 presumably are belonging to Te Poko Uri.
Ga7-1 (170) Ga7-2
Ga7-3 Ga7-4 (174) Ga7-5 Ga7-6 Ga7-7 (177) Ga7-8
Ga7-9 Ga7-10 (180) Ga7-11 Ga7-12 Ga7-13 Ga7-14
The glyphs are spreading out. The natural arrangement seems to be to have the redmarked (e.g. 177 = 6 * 29.5) in the center of triplets.
Ga7-15 Ga7-16 (186) Ga7-17

Henua in Ga7-13 could indicate that waning lies ahead - the marks across are sloping downwards. 183 = 6 * 30.5 is halfway to Hanga Te Pau:

Gb4-33 (354) Gb5-1 Gb5-2 Gb5-3 Gb5-4 Gb5-5
The arrangement of the glyphs in this table is mostly a matter of convenience. Gb5-11--12 obviously belong to the group Gb5-7--9.
Gb5-6 (360) Gb5-7 Gb5-8 Gb5-9
Gb5-10 (364) Gb5-11 Gb5-12 (366) Gb5-13
Gb5-14 Gb5-15 Gb5-16 Gb5-17 Gb5-18 (372) Gb5-19

The 'tail fish' (ika hiku) at Ga7-12 (182) is halfway to vaha kai in Gb5-10 (where 5 * 10 = 50), but 182 / 6 = 30⅓ is not in harmony with double-months. Ga7-14 likewise does not fit with double-months (6 * 30⅔ = 184), but together with Gb5-10 can describe 6-fold growth:

62
Ga5-10 (121) Ga7-14 (184)
64 = 2 * 2 * 2 * 2 * 2 * 2

Ga7-10 (180) is the last of its kind, a kind of glyph which is characteristic for the first half of the year. Or to be more exact: The time of growing sun (inducing growth everywhere). It coincides with the time from the beginning of Te Kioe Uri up to the beginning of Nga Kope Ririva.

"With Taana Harai ... we come to the father of Hotu Matua. The name is substantiated by Ms. A (NA II: Fig. 123) and Arturo Teao (variant 'Taane Arai' TP:23).

However, the lineage of Hotu Matua is open to question ... During my field work, questions about Taana yielded the following answer: Once he ruled a land called 'Hiva' or 'Ovakevake', where all spirits (akuaku) have their home.

Through the power of his mana he learned of the location of Easter Island and sent his three sons across the sea to the island. When his three sons approached the cliff 'Te Karikari' (on the outer rim of the crater Rano Kau), an evil sorcerer changed them into rocks. A jealous relative on the maternal side, 'Riu', caused this to happen. The three sons of 'Taana' became the islets Motu Nui, Motu Iti, and Motu Kaokao, which can be seen to this day.

The similarity to Ms. E is unmistakeable. The three rocky islets off the cliffs of the southwestern part of Easter Island, once closely connected with the cult of the birdman, were considered the landmark of Easter Island and were called 'the three sons of Te Taana, who are standing in the water' (ko nga kope tutuu vai a te taanga) (MS. E; TP:24; and the faulty ME:58).

If one assumes that the form handed down in the local name is the original one, 'Te Taanga', then a sound change from 'ng' to 'n' has taken place in the other sources, as in fact can sometimes be observed in modern Rapanui." (Barthel 2)

The proposed arrangement in triplets could be what the creator intended, alluding to the three islets.

The end of growth, as measured by 64 ending at 184, suggests Gb5-14--16 could refer to the three islets:

Gb5-14 Gb5-15 Gb5-16
368 369 370

They arrive 4 glyphs beyond vaha kai and 8 glyphs beyond tagata at 360. Like Nga Kope Ririva the triplet of fishes are beyond the sun measure (183 respectively 366). 5-14 is in harmony with 'end of sun'. 368 = 300 + 68.

The 'tail fish' (ika hiku) is connected to vaha kai, the swallower of time. The mouth is in front, the tail is at the end.

In a table Barthel has correlated the 2nd list of place names with moon phases. I have reordered his list according to the places (while Barthel has an order according to the moon nights):

1 Apina Iti

2 Hanga O Ua

21-23

21 Roto Kahi

22 Papa kahi

1-3

3 Hanga Roa

4 Okahu

22-24

23 Puna Atuki

24 Ehu

2-4

5 Tahai

6 Ahu Akapu

23-25

25

26

3-5

7 Kihikihi Rau Mea

8 Renga Atini

24-26

27 Hakarava

28 Hanga Nui

4-6

9 Vai A Mei

10 Rua Angau

25-27

29 Tongariki

30 Rano Raraku

5-7

11 Roro Hau

12 Vai Poko

26-28

31 Oparingi

32 Motu Humu Koka

6-8

13 Hereke

14 Hatu Ngoio

27-29

33 Hanga Maihiku

34 Maunga Toatoa

7-9

15 Ara Koreu

16 Hanga Kuokuo

28-30

35 Pipi Horeko

36 Hanga Tetenga

8-10

17 Opata Roa

18 Vai Tara Kai Ua

29-31

37 Ahu Tutae

38 Oroi

9-11

19 Hia Uka

20 Hanga Ohiro

30-32

39 Akahanga

40 Hua Reva

10-12

Uncertainty is the reason for a standard interval of 3 nights for each pair of localitites.

Uncertainty is also the reason for the vacant place names. The names may be shifted one position forward or backward and are therefore not recorded in the table.

59 Ata Ahiahi (the location of the turtle) may by an educated guess be referred to the 21th night, because Haga Hônu is number 21 in the kuhane voyage.

41

42

11-13

43

44

12-14

45

46

13-15

47

48

14-16

49 Hanga Te Pau

50 Rano Kau

15-17

51 Mataveri O Uta

52 Mataveri O Tai

16-18

53 Vai Rapa

54 Vai Rutu Manu

17-19

55 Hivi

56 Puku Ohu Kahi

18-20

57 Hanga Piko

58 Ata Popohanga

19-21

59 Ata Ahiahi

60 Apina Nui

20-22

The death of sun at Hanga Te Pau is followed straightaway with Rano Kau, and triplets of nights means uncertainty. 7 * 7 = 49 and 50 = 10 * 5. It is full moon, with Hanga Te Pau representing Ohua and Rano Kau the day when childhood is over, Omotohi. The two following stations confirm the reading - from uta to tai.

20 stations earlier is Rano Raraku. Its number is 30, in agreement with how the dark night of the moon (29) just has been passed. The birth place of a new sun ruler should have number 30.

29 is Tongariki, which we now immediately will understand as tonga-ariki, i.e. the end of the king:

Toga

1. Winter season. Two seasons used to be distinguished in ancient times: hora, summer, and toga, winter. 2. To lean against somehing; to hold something fast; support, post supporting the roof. 3. To throw something with a sudden movement. 4. To feed oneself, to eat enough; e-toga koe ana oho ki te aga, eat well first when you go to work. Vanaga.

1. Winter. P Pau., Mgv.: toga, south. Mq.: tuatoka, east wind. Ta.: toa, south. 2. Column, prop; togatoga, prop, stay. Togariki, northeast wind. Churchill.

Wooden platform for a dead chief: ka tuu i te toga (Bb8-42), when the wooden platform has been erected. Barthel 2.

The expressions Tonga, Kona, Toa (Sam., Haw., Tah.), to indicate the quarter of an island or of the wind, between the south and west, and Tokelau, Toerau, Koolau (Sam., Haw., Tah.), to indicate the opposite directions from north to east - expressions universal throughout Polynesia, and but little modified by subsequent local circumstances - point strongly to a former habitat in lands where the regular monsoons prevailed. Etymologically 'Tonga', 'Kona', contracted from 'To-anga' or 'Ko-ana', signifies 'the setting', seil. of the sun. 'Toke-lau', of which the other forms are merely dialectical variations, signifies 'the cold, chilly sea'. Fornander.