TRANSLATIONS
Let us begin with
ehu:
Ehu (cfr kehu)
Ehu ûa, drizzle. Vanaga.
Firebrand. Ehuehu: 1. Ashes. P
Mgv.: ehu, ashes, dust; rehu, a cinder,
ashes. Mq.: ehuahi, ashes. Ta.: rehu,
ashes, soot, any powder. 2. Brown, brownish. P Ta.:
ehuehu, red, reddish. Ha.: kehu, red or sandy
haired. Mq.: kehu, fair, blond. Mgv.:
keukeu-kura, id. Ma.: kehu, reddish brown.
Sa.: 'efu, id. To.: kefu, yellowish. Fu.:
kefu, blond, red. Niuē:
kefu, a
disrespectful term of address. Ragi ehuehu,
a cloudflecked sky. 3. Imperceptible. Churchill.
Pau.:
kehu,
flaxen-haired, blond. Ta.: ehu,
reddish. Mq.: kehu,
blond. Sa.: 'efu,
reddish, brown. Mq.: kehukehu,
twilight. Ha.: ehuehu,
darkness arising from dust, fog, or vapor. Churchill. |
Kehu (cfr ehu)
Hidden; what cannot be seen because it is
covered; he-kehu te raá, said of the sun when it
has sunk below the horizon. Vanaga.
Kehu, hakakehu, to hide,
disguise, feint, feign, to lie in wait. Kekehu,
shoulder G. Churchill. |
There is a kind of logic
here. When the great fire has ended there are only ashes left. It is
as if the fire had been covered by a carpet of dust - he-kehu te
raá. Hawaiian ehuehu means darkness arising from dust,
fog, or vapour.
Sun is no longer a force to be respected - kefu they could
have said on Niuē.
In a separate page
from the item ehu in my Polynesian dictionary is enumerated the
possible uses of ehu (and the variants in other dialects):
|
dust |
ashes |
vapor |
darkness |
twilight |
muddy |
Samoa |
efu |
lefu |
|
nefu |
|
nefu |
Tonga |
efu |
efu |
|
nefu |
nefu |
ehu |
Niuē |
efu |
efu |
lefu |
|
|
|
Uvea |
efu,
nefu |
efu,
lefu |
nefu |
nefu |
|
nefu |
Futuna |
efu |
lefu |
|
nefu |
|
|
Nukuoro |
rehu |
lefu |
|
|
|
|
Maori |
nehu |
rehu |
ehu,
nehu, rehu |
rehu,
nehu |
|
ehu |
Moriori |
|
rehu |
|
|
|
|
Tahiti |
rehu |
rehu |
|
|
rehu |
ehu |
Marquesas |
ehu |
ehu |
|
|
ehu |
|
Rarotonga |
|
reu |
|
reu |
|
|
Mangareva |
ehu,
neu |
ehu,
rehu |
|
|
|
|
Hawaii |
ehu |
lehu |
ehu |
ehu,
lehu |
|
|
All 13 dialects have the basic meaning 'ashes', which is a
concept close to 'dust' (which 11 dialects also have). Only the
Moriori fishermen kept straight on the line.
Next we must notice how nehu / nefu appears to be used for ideas
close to but not on the line.
The 'ashes' column has rehu / reu / lehu / lefu in
addition to ehu / efu. It probably means that the basic
form is rehu, not ehu.
The important star Rehua (Antares in Scorpio) announces
the beginning of summer south of the equator:
... The Maori said Rehua (Antares, Ana-mua, the
'entrance pillar' of Tahiti) 'cooks' (ripens) all fruit, because
it inaugurated summer when it rose in the morning sky ...
Rehua is not rehu, but certainly we should assume
a wordplay involving 'ashes'. North of the equator Scorpio could
signify 'ashes', but south of the equator it can hardly do so.
Next we should involve also he-rehua (of Metoro):
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|
Aa1-5 |
Aa1-6 |
Aa1-7 |
Aa1-8 |
Aa1-9 |
Aa1-10 |
ko te moa |
e noho ana ki
te moa |
e moa te erueru |
e moa te
kapakapa |
e moa te herehua |
ka hora ka
tetea |
e moa te erueru |
Oh
rooster, who scratches diligently! |
e moa te kapakapa |
Oh
rooster, who beats his wings! |
e moa te herehua |
Oh
rooster, who ties up the fruit! |
ka
hora |
Spread out! |
ka
tetea |
Have many descendants! |
... Herehua can be translated as
'ties up the fruit' (Barthel 2). The
'fruit' is presumably the 'skull' of the
Sun King, and we should remember the
fate of this skull (cfr at hua poporo
and at ua), not to mention
how the skull of One Hunaphu
fascinated Blood Moon:
... And then the bone spoke; it was
there in the fork of the tree: Why do
you want a mere bone, a round thing in
the branches of a tree? said the head of
One Hunaphu when it spoke to the
maiden. You don't want it, she was told.
I do want it, said the maiden. Very
well. Stretch out your right hand here,
so I can see it, said the bone. Yes,
said the maiden. She stretched out her
right hand, up there in front of the
bone. And then the bone spit out its
saliva, which landed squarely in the
hand of the maiden ...
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He Rehua could be Antares. Possibly this star indicates
also the end of summer, when he disappears from view in autumn:
"The generally
accepted version of the Rehua myth, according to Best, is
that Rehua had two wives, the stars on either side of
Antares. One was Ruhi-te-rangi or Pekehawani, the
personification of summer languor (ruhi), the other
Whaka-onge-kai, She-who-makes-food-scarce before the new
crops can be harvested." (Makemson)
Poike as 'the time of change of wife' fits with the
changed orientation of the head in Aa1-10, and the mention of
hora (summer) and tetea (growth) would seem to
indicate a change from winter to summer.
And then we should also notice how teatea is part of the
name of item 25, i.e. following ehu in 24 in a way
similar to how tetea follows herehua:
24 ko
ehu
ko mahatua a piki rangi a hakakihikihi mahina |
|
e moa
te herehua |
Aa1-9 |
25 ko
maunga
teatea
a pua katiki. |
|
ka hora
ka
tetea |
Aa1-10 |
|
Next basic
(polysyllabic words are open to wordplay) key word is piki:
Piki
To climb, to mount, to go up; piki
aruga, to surpass; pikipiki, to embark, to go
aboard; hakapiki, to climb. P Pau.: piki,
to climb, to ascend, to mount. Mgv.: piki, to
mount, to go up, to climb. Mq.: piki, pií,
to mount, to climb, to go aloft. Ta.: pii, to
mount. Pikiga, ascent, steps, stairs; Mgv.:
pikiga, a stair, ladder, step. Pikipiki:
rauoho pikipiki, black hair and curly. P
Pau.: tupikipiki, to curl, to frizzle. Churchill.
Pau.: pikiafare, cat. Ta.:
piiafare, id. Churchill. |
Going up (piki)
is necessary when moving eastwards from Mahatua onto the
Poike peninsula and to Maunga Teatea (item 25).
This explanation
is far too simple, though. We must first contemplate what Fornander has to
say:
"PI'I,
v. Haw., to strike upon or
extend, as the shadow on the ground or
on a wall; to ascend, go up.
N. Zeal.,
piki, to ascend. Sam.: pi'i,
to cling to, to climb. Marqu., piki,
to climb, ascend; piki-a, steps,
acclivity. Tong., piki, to adhere
to, to climb, ascend. Fiji.,
bici-bici, a peculiar kind of
marking on native cloth.
Sanskr.,
pin'j, to dye or colour;
pin'jara, yellow, tawny. Lat.,
pingo, to paint, represent,
embroider.
The
marking out or tracing a shadow on the
ground or on a wall was probably the
primary attempt at painting. In the
Hawaiian alone the sense of an ascent,
compared to the lengthening of the
shadows, has been retained. As the sun
descended the shadows were thought to
ascend or creep up the mountain-side.
The sense
of 'marking, tracing', seems only to
have been retained in the Fijian, where
so much other archaic Polynesian lore
has been retained, and thus brings this
word in connection with the Sanskrit and
Latin."
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It is remarkable
to find ehu (ashes) as an association connected with a
location in the eastern corner of the island - the sun goes down
in the west. But if we are interested in how the shadows are lengthening in late
afternoon we should look east and not west. The shadows in the east
are going up when sun is going down in the west.
These shadows could
possibly be seen creeping upwards on the slope of Poike, but
I do not think such a literal translation is the right one. Instead,
the 'shadows' could refer to how the sky in the east is growing
darker while the rest of the sky dome still is light. The dark
'wall' (or 'cloth') rising in the eastern sky in the evenings certainly was
observed fact. I guess this is what piki rangi indicates.
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With piki rangi
evidently indicating the vertical dimension - Sun going down in the
west and darkness rising in the eastern sky - kihikihi mahina
should by contrast indicate the horizontal dimension:
Kihi
Kihikihi, lichen; also: grey,
greenish grey, ashen. Vanaga.
Kihikihi, lichen T, stone T.
Churchill.
The
Hawaiian day was divided in three general parts, like
that of the early Greeks and Latins, - morning, noon,
and afternoon - Kakahi-aka, breaking the shadows,
scil. of night; Awakea, for Ao-akea,
the plain full day; and Auina-la, the decline of
the day.
The lapse of
the night, however, was noted by five stations, if I may
say so, and four intervals of time, viz.: (1.) Kihi,
at 6 P.M., or about sunset; (2.) Pili, between
sunset and midnight; (3) Kau, indicating
midnight; (4.) Pilipuka, between midnight and
surise, or about 3 A.M.; (5.) Kihipuka,
corresponding to sunrise, or about 6 A.M. ...
(Fornander) |
Lichen
lies flat on the ground. And also, kihikihi refers to ashes -
by way of the colour grey. When Sun goes down the colours disappear,
excepting those in the scale from black to white, with grey in the
center. Moon (Mahina) cannot produce any other colour than
white or gray.
Once again
Fornander delivers the necessary link between words and the cosmic
structure: The
time of sunset was Kihi according to the Hawaiians, and we
can infer it means 'the time when everything becomes grey'.
Though Moon is coloured yellow from Sun, and the stars
have all the colours. Kihikihi refers to the surface of the
earth, not to the 'inhabitants of the sky'.
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We are now ready
to look again at the whole name:
24
ko ehu ko mahatua a piki rangi a hakakihikihi mahina
First comes ehu,
presumably in order to indicate how the great fire in the sky no
longer is 'alive'.
Next comes a
'reflection', in form of the contrast with twin events in the east: rising darkness in the
sky (piko rangi) together with the colour grey (kihikihi
) covering earth below. This grey colour comes from Moon (Mahina),
she makes gray (hakakihikihi).
This contrast
between the sun event in the west and the night events in the east is - it seems - a characteristic of the place
Mahatua. The name could refer to mahatu, to fold:
Hatu
1. Clod of earth; cultivated land; arable
land (oone hatu). 2. Compact mass of other
substances: hatu matá, piece of obsidian. 3.
Figuratively: manava hatu, said of persons who,
in adversity, stay composed and in control of their
behaviour and feelings. 4. To advise, to command. He
hatu i te vanaga rivariva ki te kio o poki ki ruga ki te
opata, they gave the refugees the good advice not to
climb the precipice; he hatu i te vanaga rakerake,
to give bad advice. 5. To collude, to unite for a
purpose, to concur. Mo hatu o te tia o te nua, to
agree on the price of a nua cape. 6. Result,
favourable outcome of an enterprise. He ká i te umu
mo te hatu o te aga, to light the earth oven for the
successful outcome of an enterprise. Vanaga.
1. Haatu, hahatu,
mahatu. To fold, to double, to plait, to braid;
noho hatu, to sit crosslegged; hoe hatu,
clasp knife; hatuhatu, to deform. 2.. To
recommend. Churchill.
In the Polynesian dialects proper, we
find Patu and Patu-patu, 'stone', in New
Zealand; Fatu in Tahiti and Marquesas signifying
'Lord', 'Master', also 'Stone'; Haku in the
Hawaiian means 'Lord', 'Master', while with the
intensitive prefix Po it becomes Pohaku,
'a stone'. Fornander. |
If grey
covers the earth due to the light from Moon, she can be anywhere in
the sky. It is not necessary to have her low on the horizon in the
west (as a contrast to Sun low on the horizon in west). But if she is there, then it should be
a full
moon and a low tide. A low tide is in harmony with earth high above
the level of the sea. Which agrees with the situation on Poike.
Earth is also the meaning of hatu.
But in Barthel 2
he has coordinated the 24th Ehu item with the beginning of the
lunar cycle:
30-32 |
19 Hia
Uka |
20 Hanga
Ohiro |
1-3 |
21 Roto
Kahi |
22 Papa
Kahi |
2-4 |
23 Puna
Atuki |
24 Ehu |
3-5 |
25 |
26 |
4-6 |
27
Hakarava |
28 Hanga
Nui |
5-7 |
29
Tongariki |
30 Rano
Raraku |
I will not attempt
to revise his coordinations between lunar nights and
the items on the 2nd list of place names. But I guess he went
wrong at Hanga Ohiro:
"Hanga
Ohiro is located (north)west of Anakena, in the exact
spot where the crescent of the new moon could be seen from the royal
residence above the shore in the western sky. At this point, the
place name and the phase of the moon coincide, and the beginning of
the month is linked to the royal residence in much the same way as
the beginning of the year on the 'first list of place names'. Thus,
when the traditions tell that those versed in Rongorongo used
to come to Anakena in the first quarter of the moon (RM:246),
the accounts refer to the lunar time appropriate for such meetings,
and the statement makes sense in terms of our lunar model."
If we move
Hanga Ohiro from the last day of the lunar month to night number
20, the arguments for Anakena as a place to look for the new
moon will not be changed. Ohiro (1) is the opposite of
Hanga Ohiro (20).
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There is more to
say of course, there always is. In order to keep track of time over the year it
could be debated whether to look at the sky in the early morning to find
out which constellation or star is rising heliacally, or whether
to look in the evening to find out which constellation or star
the sun goes down with.
Neither
alternative is very good, because you must do such observations at a
certain time and you must not look straight in the face of Sun.
Maka wela the Hawaiians said, your eyes will be burnt:
... Like the sun,
chiefs of the highest tabus - those who are called 'gods', 'fire',
'heat', and 'raging blazes' - cannot be gazed directly upon without
injury. The lowly commoner prostrates before them face to the
ground, the position assumed by victims on the platforms of human
sacrifice. Such a one is called makawela, 'burnt eyes' ...
You could avoid
looking Sun in the eye by observing which star was rising before Sun
(or descended after Sun in the evening). However, there is another
complication:
...
Colonists who arrived in New Zealand from Central Polynesia during
the Middle Ages and intermarried with the tangata whenua,
'people of the land', found themselves between the horns of a
calendrical dilemma. They must either convert the aborigines to the
Pleiades year beginning in November-December or themselves adopt the
Rigel year [together with heliacal rising observations] and bring
down the wrath of their ancestors on their own heads
...
A star will rise
in the early morning at different times depending on the latitude of
the observer. Makemson thought the Rigel year was a consequence of
some island 10º south of the equator:
... can be explained only on the assumption that the very first
settlers ... brought the Rigel year with them ... some other land
10° south of the equator where Rigel acquired at the same time its
synonymity with the zenith ..
I am not
convinced. The Gilbertese sky dome said Rigel was located at 8º S,
Antares at 26º S, and the Pleiades at 24º N, numbers filled to the
brim with other 'sacred' meanings:
Once (in pyramid
times) Sun reached to 24º on either side of the equator. 8 is the
'perfect number', and 26 is twice 13 (and also where Easter Island
is located). The Gilbertese had all 3 numbers correct, including
Rigel at 8º S. They were careful with the details. Moving across
the vast ocean with an orientation 2º wrong would spell 'disaster'.
However, when
observing a star rising it was necessary to know the latitude of the
observer, to compensate for the curvature of the earth. To relate
the position of a star which is rising (or going down) to the local
horizon is possible, but not a very good method. Not for a people
making voyages up and down the latitudes.
But there is an
ingenous method to determine the time of the year independent of
latitude or other local phenomena (such as mountains hiding the
horizon), viz. to use the moon. When there
is a full moon we know there is a straight line between moon and sun
and with us somewhere in the middle. A full moon can be seen from all
latitudes, the moon is so distant that the latitude of the observer
is insignificant.
If the observer
knows his starry sky well, he will immediately be able to determine
which location the full moon occupies, i.e. which stars are close. Then
by a quick mental operation he will twirl the starry globe in his
head to find the 'antipodal' point in which sun must be, which
'station' on the path of the year sun is in, what the time of the
year is. This method gives the same result irrespective of latitude.
The method is described by Worthen.
I remembered this
when reflecting on why piki appears in item 24.
Watching the shadows created by the rays of Sun is similar to
watching the full face of Moon. There is a straight line connecting
a shadow with its source, likewise the illuminated face and its
source.
The double calendar system of India could have been used
also in the rongorongo texts. The appearance of the 3 bird
islets outside Rano Kau (at the beginning of spring) appears
to be reflected in the 3 'peaks' of Maunga Teatea (not far
from Rano Raraku):
Kau means
midnight according to Fornander. At the other end we find
noon (Ao-akea). Akea can be transcribed as atea,
presumably the central 'daytime' of Sun. The double form (teatea)
means 'heavy rain' according to the Mangarevans, which indeed agrees
with what we have understood comes at the 'back side' (side 2 of a
'tablet'). Ehu ûa (not far from Rehua) means
drizzle.
Maybe Maunga
Teatea should be crossed from right to left. The last of the
'front side' would then be item 24 (Mahatua). In the G text
day 240 is at Gb1-10 and 1-10 is the same number as in Aa1-10:
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"In Hindu legend there
was a mother goddess called Aditi, who had seven offspring.
She is called 'Mother of the Gods'.
Aditi,
whose name means 'free, unbounded, infinity' was assigned in the
ancient lists of constellations as the regent of the asterism
Punarvasu. Punarvasu is dual in form and means 'The
Doublegood Pair' ['Two Good Again' according to Allen]. The singular
form of this noun is used to refer to the star Pollux. It is not
difficult to surmise that the other member of the Doublegood Pair
was Castor.
Then the constellation
Punarvasu is quite equivalent to our Gemini, the Twins. In
far antiquity (5800 B.C.) the spring equinoctial point was predicted
by the heliacal rising of the Twins (see fig. 6.6). By 4700 B.C. the
equinox lay squarely in Gemini (fig. 6.7).
Punarvasu
is one of the twenty-seven (or twenty-eight) zodiacal constellations
in the Indian system of Nakshatras. In each of the
Nakshatras there is a 'yoga', a key star that marks a
station taken by the moon in its monthly (twenty-seven- or
twenty-eight-day course) through the stars. (The sidereal period of
the moon, twenty-seven days and a fraction [27.3] , should be
distinguished from the synodic, or phase-shift period of 29.5 days,
which is the ultimate antecedent of our month.)
In ancient times the
priest-astronomers (Brahmans) determined the recurrence of the
solstices and equinoxes by the use of the gnomon. Later they
developed the Nakshatra system of star reference to determine
the recurrence of the seasons, much as the Greeks used the heliacal
rising of some star for the same purpose.
An example of the operation of the Nakshatra system in
antiquity can be seen in figure 6.9
Here we see that the
spring equinox occurred when the sun was at its closest approach to
the star Aldebaran (called Rohini by the Hindus) in our
constellation Taurus. But, of course, the phenomenon would not have
been visible because the star is too close to the sun for
observation.
The astronomers
would have known, however, that the equinoctial point was at
Aldebaran by observing the full moon falling near the expected date
or near a point in the sky exactly opposite Aldebaran (since the
full moon is 180º from the sun), that is, near the star Antares; see
fig. 6.15.
The system of
Nakshatras, then, is quite distinct from systems that use the
appearance of heliacally rising or setting stars as the equinoctial
marker. Furthermore, the Indian system is all but unique in that two
calendar systems competed with each other - a civil system, in which
the year's beginning was at the winter solstice, and a sacrificial
year, which begins at the spring equinox. The beginning of the
former was determined by the Nakshatra method, observing the
winter full moon's apparition near the point of the summer solstice
in the sky (as explained above).
The arrival of the
beginning of the sacrificial year might be determined by the
Nakshatra method - observation of the spring full moon near to
the autumn Nakshatra in Virgo. More commonly, however, it was
determined as in the Greek system, by direct observation of the
heliacal rising of a sign star.
In the current
calendar, for example - one unchanged since the fifth century A.D. -
the yoga star of the Nakshatra Ashvini (beta
Arietis) ushers in the spring equinox at its heliacal rising."
(Worthen) |
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