TRANSLATIONS
"CHANT TO IO
Io dwelt within the breathing-space of immensity. // The
universe was in darkness, with water everywhere. // There was no
glimmer of dawn, no clearness, no light.
And he began by saying these words,
That he might cease remaining
inactive:
'Darkness, become a light-possessing darkness.' And at once a
light appeared.
He then repeated these self-same words in this manner,
That he might cease remaining
inactive:
'Light, become a darkness-possessing light.' And again an intense
darkness supervened.
Then a third time He spake, saying:
'Let there be one darkness above. Let
there be one darkness below. Let there be a darkness unto Tupua.
Let there be a darkness unto Tawhito. A dominion of light. A
bright light.' And now a great light prevailed.
Io then looked to the waters which compassed him about,
and spake a fourth time, saying:
'Ye waters of Tai kama, be ye
separate. Heaven be formed.' Then the sky became suspended.
'Bring forth thou Te Tupua horo nuku.'
And at once the moving earth lay stretched abroad."
(Tiwai Paraone, New Zealand (c. 1880). Translated by
Hare Hongi. Legends of the South Seas.)
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From the comments given by Alpers:
"More than fifty years after Christianity reached New
Zealand it was suddenly disclosed by certain Maori elders that the
pantheistic mythology hitherto revealed was not in fact the full
story, and that according to an esoteric or 'higher' learning -
withheld till then because of its sanctity - the Maori did have a
single, Supreme Creator, whose name was Io.
The first reference in
print to Io seems to have been made in 1876, by C. O. Davis,
who said a member of the Ngapuhi tribe had told him 'that the
Maoris in olden times had worshipped a Supreme Being whose name was
so sacred that none but a priest might utter it at certain times and
places ...' (70: 32).
The only complete
account was given much later, in a manuscript dictated by the Maori
elder Te Matorohanga and published in 1913
(Smith, 82). But both this elder and his scribe Te
Whatahoro were converted to Christianity long before the
manuscript was composed.
The little word 'io'
or 'kio', as Buck points out in an amused survey of the
principal evidence and claims (69: 526f.), can sometimes mean the
squeak of a rat or bird, at other times muscular twitches of the
body that were regarded as omens by the Maori.
Even so, Io-Jehovah
caused some excitement in an age which wished to persuade itself
that primitive peoples had really been Believers all along, and His
revelation soon led to further discoveries elsewhere in Polynesia -
notably in the Tuamotu, where Stimson believed as late as
1933 that he had unearthed a cult of 'Kiho'.
The reader, ever alert,
will have noticed already that a minor deity named Io is
listed among the 'progeny of Tu' in Shand's Creation myth
from the Chatham Islands ... which was first published in 1894. But
in view of the date he could easily have been one of the 'un-Moriori
interpolations' which Shand's rival William Baucke (91: 384) asperly
charges Shand with having made ..." |
Kio 1. Defeated; one
who has taken refuge in a house or in a cave. 2. To come out a
winner, to win, to be victorious in war, in a quarrel, in a race:
ku-kio-á te taûa i a Miru, the war was won by the Miru;
ku-kio-á te toru vaka, the third boat won. Kiokio, to
smell of smoke, to smell smoky (of food). Vanaga.
1. Stick wherewith to rake things into a heap. 2.
Slave, servant, inferior, of low estate, husbandsman. Hakakio,
to enslave, to reduce to subjection; tagata hakakio, master.
Mgv.: kio, a servant, slave, tiller of the soil. 3. To
discourage; also kioa. Kiokio, foul smelling smoke. 4.
Pau.: kiokio, to chirp. Mgv.: kio, id. Ta.: ioio,
to cry, said of a baby. Mq.: kiokio, to chirp. Sa.: 'io,
id. Ha.: ioio, id. 5. Mgv.: kio, little, small, said
of birds and animals. Mq.: kio, young of birds. 6. Mgv.:
kiokio, a fish. Mq.: kiokio, id. 7. Mq.: kio, said
of women and children who run away to the mountain shelters in time
of war. Ha.: kio, to flee, to hasten away in fear. Churchill.
Hakakio, festival of thanksgiving. Barthel
2.
Kiore. Rat. Vanaga. Rat, mouse; kiore hiva, rabbit.
P Pau., Mgv.: kiore, rat, mouse. Mq.: kioē,
íoé, id. Ta.: iore,
id. Churchill.Iore. Indistinctly.
Churchill.
Io. Mgv.: At the
house of. Ta.: io, id. Mq.: io, id. Aka-ioio,
feeble, lean and thin. Mq.: hakaioio, to be wrinkled, flabby
flesh of the aged. Churchill.
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The defeated one (kio), who has taken
refuge in a cave (or a house), may refer to the old year. Only the
smell of his smoke (kiokio) remains. Like women and children
who run away to the mountain shelters in time of war (kio) he
has hastened away in fear (kio).
But to flee is to survive, and he will come out as a
winner (kio). In the meantime, in the dark cave, he has
changed apparel into a new 'costume' and will emerge as a little one (kio),
crying like a baby (ioio).
And the people on Easter Island will have their
hakakio festival of thanksgiving. They are thanking the power
above for the return of spring light. The time of this festival is
when winter has been driven away and the new year sun has won the
battle. It is Tangaroa Uri.
The Black Rat (Te Kioe Uri) is the 5th
kuhane station and it is located a quarter earlier. The new fire
is alighted in midwinter. Here we can add the important information
that kio = 'stick wherewith to rake things into a heap'. To
which can be added that kio is also a 'tiller of the soil'.
Working earth with a stick has to do with making it fertile. The
'heap' is presumably referring to the primordial mound:
... Ta'aroa tahi
tumu, 'Ta'aroa origl. stock' - most commonly Ta'aroa
or Te Tumu - existed before everything except of a rock (Te
Papa) which he compressed and begat a daughter (Ahuone)
that is Vegetable Mole.*
* Ahuone means
'earth heaped up' - a widespread name for the Polynesian first
woman. It sounds as if Cook also heard the term applied to the banks
of humus and rotting material on which taro is grown. In the
English of his day this was known as 'vegetable mould' ...
Tama is the 13th kuhane station and
then comes One Tea. 'Earth' is equal to 'sand'. When the baby
has been born it is time for 'tilling the soil' again. The rat is a
symbol for the land (which has once again reappeared over the
surface of the water).
Myths all over the world agree on the general
scenario. Cinderella hides in the corner where the old fire has
turned into ashes, but she has a magic stick - inside which is gold.
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In Hamlet's Mill focus is
single-mindedly on the
precession of the equinoxes.
I have always felt this view
halting. A much closer
explanation for the battle
between the forces of light
and darkness is simply to
look outside at mother
nature. The tug of war is
basically that between
summer and winter:
The
two-hormed 'beasts' rule
spring and they have two
arms each. The front part of
the 5-headed serpent belongs
to them.
The tail is
held by the cultured people
at left, those who are represented
by the
humanity and the gods. They
are 4 in number and their
arms are (from left to
right) 2 + 2 + 4 + 4 = 12.
The pair at
left (with only 2 arms)
resemble the 3 beasts at
right. Presumably 3 + 2 = 5
refer to the 5 solar
double-months of summer. The
first 'real person' at left
could represent Venus and
her husband would then be
the following Saturn.
He has a
crown with 3 'counters'. If
also Venus counts as a
double-month, being close to
the beasts in position and
also in character, then she
will have number 8. For
Saturn we can then count 3
and 8 + 3 = 11, a number
which could mean 'one more'
(i.e. together with Venus he
generates a new sun, son).
The curious
triple-headed god which
follows ought to refer to
Janus and he stands at the
threshold to the new
calendar year. Beyond Saturn
we have the Sun. At the top
of the mountain rules
another female, viz. the
Moon.
The Moon is ruling over time
and therefore she is at the
top and the turtle at the
bottom. Top and bottom are
interconnected. When the
cosmic tree turns at the top
(the 'mill') then also the
bottom is turning. On the
turtle the friction will
then generate a new fire:
Turtles are curiously able
to withstand fire for a long
time without beeing cooked.
The 3 stones probably
represent the 3
double-months of spring (and
also the 3 counters in the
crown of Saturn).
Tangaroa Uri is the
month October, corresponding
to April north of the
equator. April 1 is the date
when we must be aware lest
somebody fools us. Only by
trickery can summer win
over winter. As a little
child there is no other way
to succeed.
The fishing taboo is over
and it is now OK to lift the
fishes up (reva) from
the sea, haul them onto
land. In French they have a
saying 'donner une
poission' (give a fish
[as a present to somebody])
which is said on April 1.
The winter season is the
season of Tangaroa
and when he has been
defeated by the summer
season there is no longer
any danger connected with
handling fishes. The taboo
is over. Thank you for that!
Hakakio should mean
make (haka) summer (kio).
The 'land' has won, has
returned, and Te Kioe Uri
is another expression for
this. The Black Rat is the
land rising above the sea.
It is ebb again and the
tidal flats can be scavenged
to fill the stomachs. Also
small fishes can be caught
in the tidal pools.
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