TRANSLATIONS

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Moko is evidently responsible for 'reincarnating' the 'spirit' of the previous spring, after Mars has disposed of the intruder (his 'tanist') who took his place as 'star' in the top of the Tree.

... The divine names Bran, Saturn, Cronos ... are applied to the ghost of Hercules that floats off in the alder-wood boat after his midsummer sacrifice. His tanist, or other self, appearing in Greek legend as Poeas who lighted Hercules' pyre and inherited his arrows, succeeds him for the second half of the year; having acquired royal virtue by marriage with the queen, the representative of the White Goddess, and by eating some royal part of the dead man's body - heart, shoulder or thigh-flesh.

He is in turn succeeded by the New Year Hercules, a reincarnation of the murdered man, who beheads him and, apparently, eats his head. This alternate eucharistic sacrifice made royalty continous, each king in turn the Sun-god beloved of the reigning Moon-goddess. But when these cannibalistic rites were abandoned and the system was gradually modified until a single king reigned for a term of years, Saturn-Cronos-Bran became a mere Old Year ghost, permanently overthrown by Juppiter-Zeus-Belin though yearly conjured up for placation at the Saturnalia or Yule feast ...

This once in a year occurrence explains why in G there is only one glyph line with moko glyphs:

Gb3-11 Gb3-12 Gb3-13
Gb3-14 Gb3-15 Gb3-16
Gb3-17 Gb3-18 Gb3-19
Gb3-20 Gb3-21 Gb3-22 Gb3-23

The major structure of the G text is determined by the 'conjunction' of 8 lunar months and the duration of Venus as morning star and it has no room for the midwinter moko. Yet a kind of Sun cycle apparently is beginning at Ga3-6:

235 60
Ga3-6 (66) Ga3-7 Gb3-13 Gb3-14 (305) Gb5-12 (366)
300

The 'eyes' in hanau moko (Gb3-13) are decisive - it cannot be pitch black. But glyph line Gb3 is where the takaure season is beginning:

116 8 107
Ga7-8 Gb3-4 (295) Gb3-5 Gb3-13 Gb3-14 (305) Gb7-2
118 = 4 * 29.5 118 = 4 * 29.5

When Sun has been turned into an 'insect' he will not be swallowed by moko at once, it will happen 4 months later, at winter solstice. Manu rere without eye in Gb3-14 could instead illustrate how Moon is 'reincarnated' (after having been in the background only) - she will presumably rule alone during the following 4 months (a quarter of 16 months).

10 * 29.5 indicates that the end of Sun's rule has been reached and his 'bamboo staff' has been broken (Hatinga Te Kohe). Escaping from his corporal form his takaure will rise to heaven and from inside the hollow bamboo Moon will come out:

... Several Asian cultures, including that of the Andaman Islands, believe that humanity emerged from a bamboo stem. In the Philippine creation myth, legend tells that the first man and the first woman were split open from a bamboo stem that emerged on an island created after the battle of the elemental forces (Sky and Ocean). In Malaysian legends a similar story includes a man who dreams of a beautiful woman while sleeping under a bamboo plant; he wakes up and breaks the bamboo stem, discovering the woman inside.

The Japanese folktale 'Tale of the Bamboo Cutter' (Taketori Monogatari) tells of a princess from the Moon emerging from a shining bamboo section. Hawaiian bamboo ('ohe) is a kinolau or body form of the Polynesian creator god Kane ...

 

 

We must mention the moko accumulation beginning in glyph line Ca10:

Ca10-8 Ca10-16 Ca10-23 Ca11-5 Ca11-15
Ca11-22 Ca11-26 Ca11-30 Ca12-1

We have seen these moko before, at kara etahi where 'trees with thumbs' were noted:

Aa3-64 Aa3-65 (240)
 
Ca10-10 Ca10-11 Ca11-7 Ca11-8
Ca10-18 Ca10-19 Ca11-17 Ca11-18
Ca10-25 Ca10-26 Ca12-3 Ca12-4)

And even earlier, at rima, it was concluded that the little thumb sign indicates 'return of light'. Metoro said te kava at all 6 glyphs. Maybe these 'kava trees' correspond to 'bamboo sections':

... An ancient Vietnamese legend tells of a poor, young farmer who fell in love with his landlord's beautiful daughter. The farmer asked the landlord for his daughter's hand in marriage, but the proud landlord would not allow her to be bound in marriage to a poor farmer. The landlord decided to foil the marriage with an impossible deal; the farmer must bring him a 'bamboo tree of one-hundred sections'. The benevolent god Bụt appeared to the farmer and told him that such a tree could be made from one-hundred sections from several different trees. Bụt gave the him four magic words to attach the many sections of bamboo: 'Khắc nhập, khắc xuất', which means 'put in immediately, take out immediately'. The triumphant farmer returned to the landlord and demanded his daughter. The story ends with the happy marriage of the farmer and the landlord's daughter ...

We need to look once again on the structure and numbers of line Ca10.

 

 

This time we will begin with the 4 last glyphs in line Ca9:

Ca9-24 (252) Ca9-25 Ca9-26 Ca9-27

In Ca9-24 we can count 9 * 24 = 216 = 12 * 18 and 252 = 14 * 18. Perhaps it means 26 * 18 = 468?

In Ca9-25 Saturday is appropriately illustrated by mea ke (a sign of darkness). As to the following (and preceding) inoino signs we must wait until that chapter.

But the triplet of tagata figures in Moon day means hakaariki ('to make a king'), we can learn from Metoro. The triplet is a unity, and the square of 3 is 9 while its cube is 27. It is the last glyph in the line which accentuates its importance. Line Ca9 is also conspiciously short in its number of glyphs.

The first 16 glyphs in line Ca10 ought to form a group (with the 16th glyph being number 20 counted from Ca9-24):

Ca10-1 Ca10-2 Ca10-3 Ca10-4 Ca10-5 (260)
Ca10-6 Ca10-7 Ca10-8 Ca10-9 (264)
Ca10-10 Ca10-11 Ca10-12 Ca10-13 (268)
Ca10-14 Ca10-15 Ca10-16

But at Ca10-6 Metoro seems to have read a new beginning because here we find a Capital letter: Tupu te toromiro. Maybe he had counted the glyphs from the beginning of side a and saw the end of 10 times 26 in Ca10-5. Or maybe he read the glyphs.

Anyhow, his capital letter made me separate Ca10-6--9 into a quartet. Moko in Ca10-16 will then be number 4 + 7 = 11 counted from Ca10-6. The open mouth of moko in Ca10-16 presumably made Metoro infer it was moving (te moko oho mai), although he said nothing similar at the open mouth of moko in Ca10-8. Perhaps there it is a sign of 'regeneration':

Ca10-8 poporo kahi Egyptian sky pillars

Maybe Metoro realized that a Wednesday cannot open up a season, a day of Mecury is the opposite - it closes the 'morning light'. The ordinal numbers in the line determines Mercury respectively Jupiter as the day rulers for the moko glyphs:

Ca10-6 Ca10-7 Ca10-8 Ca10-9
Ca10-10 Ca10-11 Ca10-12 Ca10-13
Ca10-14 Ca10-15 Ca10-16

 

 

There are 29 glyphs in line Ca10 and counting from Venus in Ca10-17 there are 13 glyphs to the end of the line:

Ca10-17 Ca10-18 Ca10-19 Ca10-20 Ca10-21 Ca10-22 Ca10-23
Ca10-24 Ca10-25 Ca10-26 Ca10-27 Ca10-28 Ca10-29

We should notice the change in order from the preceding sequence of glyphs. Now it is Sun who has taken on the 'costume' of eyeless manu rere from Saturn:

Ca10-10 Ca10-11 Ca10-12 Ca10-13 Ca10-14 Ca10-15 Ca10-16

And in Ca10-26 (where we of course will count to 260) a kara etahi seems to announce the beginning of spring. The rule of 4 also makes it into the first glyph of next month:

Ca10-26 (281) Ca10-27 Ca10-28 Ca10-29

281 is a prime number and the idea evidently is to make kara etahi to be 'one more' than 10 * 28 = 280. Saturn in Ca10-25 is the last glyph among 14 * 20.

Moko in Ca10-23 has no left leg and has closed its mouth. Otherwise it is very much like moko in Ca10-16:

7 6
Ca10-8 Ca10-16 Ca10-23 (278)
Mercury Jupiter Jupiter

However, we must notice that its arms are now held equally high - its arm in front is longer than before and its left arm is shorter. Furthermore, moko in Ca10-16 has its leg in front uplifted (as also moko in Ca10-8 has), but not so in moko in Ca10-23.

These minor changes possibly are meant to signify that moko in Ca10-23 has reached a point of equilibrium, whereas the two preceding moko are inclining forward.

 

 

Possiby the first 20 glyphs from kara etahi should be regarded as twice 10:

Ca10-26 (281) Ca10-27 Ca10-28 Ca10-29 Ca11-1 Ca11-2 Ca11-3
Ca11-4 Ca11-5 Ca11-6
Ca11-7 Ca11-8 Ca11-9 Ca11-10 Ca11-11 (295) Ca11-12 Ca11-13
Ca11-14 Ca11-15 Ca11-16

Comparing the moko glyphs we can in Ca11-15 see that 'the point of equilibrium' now is in the past. In the Sun moko (Ca11-5) there are fingers visible and it has been drawn powerful. The missing left foot continues:

7 6 10 9
Ca10-8 Ca10-16 Ca10-23 Ca11-5 Ca11-15
Mercury Jupiter Jupiter Sun Mercury

The Mercury moko glyphs (Ca10-8 and Ca11-15) both have 'male members'.

 

 

Glyph line Ca11 has 32 glyphs, which I guess means Spring Sun now is once again in charge (4 + 32 = 36).

The ihe tau sign appears together with the moko glyphs, which possibly means the season of moko is over:

Ca11-17 Ca11-18 Ca11-19 Ca11-20 Ca11-21 Ca11-22
Ca11-23 Ca11-24 Ca11-25 Ca11-26

5 moko glyphs are followed by 2 'negative' (ihe tau + moko) ones:

7 6 10 9
Ca10-8 Ca10-16 Ca10-23 Ca11-5 Ca11-15
Mercury Jupiter Jupiter Sun Mercury
5 2
Ca11-21 Ca11-22 Ca11-25 Ca11-26 (310)
Mars Mercury Saturn Sun

Beyond Sun in Ca11-26 follow 6 further glyphs in the line:

Ca11-27 Ca11-28 Ca11-29 Ca11-30 (314) Ca11-31 Ca11-32

Moko in Ca12-1 is of a different kind, more like those on side b:

Ca12-1 Ca12-2 Ca12-3 Ca12-4 (320) Ca12-5 Ca12-6 Ca12-7 Ca12-8

If we consider the first 92 glyphs on side a as belonging to the end of the text on the back side of the tablet and if we also consider the glyphs in line Ca12 to belong on the back side, then the number of glyphs of the back side will be 348 + 92 + 29 = 469.

And 29 is the 'mirror' number of 92. 29 + 92 = 121 = 11 * 11, cfr inoino in position 10 * 29.5:

Ca11-7 Ca11-8 Ca11-9 Ca11-10 Ca11-11 (295) Ca11-12 Ca11-13
Ca11-14 Ca11-15 Ca11-16

469 can be read as 46 * 9 = 414 (or 'one more' than 14 * 29.5 = 413). And, we should remember, in Ca9-24 we can count to 26 * 18 = 468 (= 9 * 24 + 252), i.e. Saturn in Ca9-25 can be regarded as 'one more' (= 469 - 468):

Ca9-24 (252) Ca9-25 Ca9-26 Ca9-27
468 = 18 * 26 1 2 3

 

And the summary page:

 

 

Evidently moko glyphs appear at the end of calendar cycles, or to be more exact - after Old Sun has been 'killed' and a New Sun must arrive.

In C there is a moko which is followed by a peculiar manu rere without eye:

end of Old Sun 4 black nights birth of New Sun
Ca4-20 Ca4-21 Ca4-22 Ca4-23 Ca4-24 Ca4-25

Manu rere apparently means a free-moving spirit and this 'bird' can be interpreted as an insect:

... From a religious point of view, the high regard for flies, whose increase or reduction causes a similar increase or reduction in the size of the human population, is interesting, even more so because swarms of flies are often a real nuisance on Easter Island, something most visitors have commented on in vivid language. The explanation seems to be that there is a parallel relationship between flies and human souls, in this case, the souls of the unborn. There is a widespread belief throughout Polynesia that insects are the embodiment of numinous beings, such as gods or the spirits of the dead, and this concept extends into Southeast Asia, where insects are seen as the embodiment of the soul ...

When the eye has been removed from manu rere it presumably means the spirit is no longer 'alive', i.e. it has been reincarnated. The function of moko is to 'swallow the eye of the insect'. Thereby the life spirit becomes 'incorporated' again. The mythical moko probably is referring to the gecko lizard, who lives on insects high up in the ceiling:

On Hawaii the swallowing procedure was entrusted to the ceremonial double of the king:

... The Makahiki effigy is dismantled and hidden away in a rite watched over by the king's 'living god', Kahoali'i or 'The-Companion-of-the-King', the one who is also known as 'Death-is-Near' (Koke-na-make). Close kinsman of the king as his ceremonial double, Kahoali'i swallows the eye of the victim in ceremonies of human sacrifice ...

Yet, also on Hawaii moko was known as the one who knew when time was ripe:

... When the man, Ulu, returned to his wife from his visit to the temple at Puueo, he said, 'I have heard the voice of the noble Mo'o, and he has told me that tonight, as soon as darkness draws over the sea and the fires of the volcano goddess, Pele, light the clouds over the crater of Mount Kilauea, the black cloth will cover my head ...

The other side of death is the growth of a new generation, which explains the growing '3-fingered' (spring) maro sign at top right in Ca4-24:

Ca4-23 Ca4-24 (100)