TRANSLATIONS

next page previous page up home

Next page:

 

 

Moving ahead from Aa2-18 (which presumably should be counted as number 17 of the glyphs in line Aa2) the subject could be the Sun rather than the Moon:

Aa2-11 Aa2-12 Aa2-13 (12) Aa2-14
16 Hanga Takaure 17 Poike 18 Pua Katiki 19 Maunga Teatea
Aa2-15 Aa2-16 Aa2-17 (16)
20 Mahatua 21 Taharoa 22 Hanga Hoonu
Aa2-18 Aa2-19 Aa2-20
23 Rangi Meamea 24 Peke Tau O Hiti 25 Maunga Hau Epa
Aa2-21 Aa2-22
26 Oromanga 27 Hanga Moria One

I assume Aa2-18 is the first glyph of a new 'season'. Vaega is now oriented forward.

According to Manuscript E the kuhane made a curve at Maunga Hau Epa.

... The dream soul moved along a curve from Peke Tau O Hiti to the mountain Hau Epa, which she named 'Maunga Hau Epa A Hau Maka O Hiva' ...

We must remember Aa2-2:

Aa2-2 (1) Aa2-20 (19)
7 Te Piringa Aniva (?) 25 Maunga Hau Epa

There is 'break' at right in Aa2-2 but not in Aa2-20. 2 * 2 = 4 suggests 400 - the cycle is closed, which could explain why the kuhane moved along a curve. In the preceding Aa2-19 there are 2 'breaks', causing the whole tip of the 'arm' in front to come loose.

The mauga ('last') glyph type is here not connected with Maunga Hau Epa. In Aa2-16 mauga could suggest the end of another cycle, viz. one which is measuring 2 * 16 = 32(0). Possibly mauga in Aa2-16 refers to the sun, while the two haga rave in Aa2-2 and Aa2-20 could refer to the moon:

2
Aa2-14 Aa2-16 (15)
19 Maunga Teatea 21 Taharoa
Aa2-18 Aa2-20 (19)
23 Rangi Meamea 25 Maunga Hau Epa

The creator of the text has added a little sign at bottom left in the two haga rave signs. We must notice this and try to understand why.

 

 

The general shape of the two 'Sunday' glyphs (Aa2-13 and Aa2-20) could be the reason for the extra little sign at bottom left in Aa2-20 - it could be a way to draw attention to the similarity between these two glyphs:

6
Aa2-13 (12) Aa2-20
18 Pua Katiki 25 Maunga Hau Epa

Glyph number 12 (counted from Aa2-2) can be read as 2 * 12 = 24. Alternatively it can be counted from Aa2-1 as glyph number 13 and result in 2 * 13 = 26. Both numbers indicate measures for Sun.

Aa2-20 could refer to Moon in several ways. Not only is 2 * 20 = 400 a number for a cycle based on Moon but she is characterized also by 2 (coming in 2nd place after spring sun). Furthermore, the Easter Islanders may have counted the nights of the Moon only up to 20.

If the 18th station (Pua Katiki) represents the apex and final of spring sun, then there could be a gap in time until the arrival of the 26th station (Oromanga), where the ruler should reside.

... The dream soul went to the other side of the mountain Hau Epa. As soon as the dream soul looked around, she saw the sand (beach), which was very white and light. She remained there and explored everything. After she had looked around carefully, the dream soul of Hau Maka said, 'Ah! This is the place that will serve as a residence for the king. She named the place 'Oromanga A Hau Maka O Hiva' and also named the neighboring bay 'Hanga Moria One A Hau Maka O Hiva' ...

 

The final page in 'proving' a connection with the kuhane journey as described in Manuscript E:

 

The 20th glyph (counting from Aa2-2) is a strange 'person':

Aa2-21 (4) Aa2-22
26 Oromanga 27 Hanga Moria One
kua moe ku hakarava

If Manuscript E can be followed it should be the station where the current ruler is residing, and his Queen should be at Hanga Moria One. Although she is perishing at One Tea time does not stop but goes on in cycles:

11
Aa2-10 Aa2-22
15 One Tea 27 Hanga Moria One

The words of Metoro can be understood. Among several possible translations I will choose the following: Moe here means 'cohabiting' and rava is 'to be satisfied'. Hakarava hakaturu is 'quadrangular':

Turu

To come down, to go down, to descend; ka-turu-age koe ki tai, go down to the sea now; turuga, coming down, descent. Vanaga.

1. To fall in drops, to flow, to leak, to descend, a drop; turu ki tai, to take refuge at sea; hakaturu, to cause to descend, to lower, to take soundings; hakaturuturu, to heave and pitch. Turuga, declivity. Turuvai, water conduit. P Mgv.: akaturu, to conduct water in a drain. Ta.: tuturu, to fall in drops. 2. To stay, to prop. T Pau.: turu, a post, pillar, to sustain. Mgv.: turu, a support, rod, stay, to sustain. Ta.: turu, stay, support; turuturu, posts of a house. Ha.: kukulu, a pillar, a post.  3. To come, to arrive, to overcome; tehe e turu, through and through; hakarava hakaturu, quadrangular. Churchill.

The following two glyphs ought then to be the stations for next ruler respectively for the retired king:

Aa2-23 Aa2-24
28 Papa O Pea 29 Ahu Akapu
koia ko te tuu o te toga

... Wooden platform for a dead chief: ka tuu i te toga (Bb8-42), when the wooden platform has been erected. Barthel 2 ...

At Papa O Pea a sign of 'eating' (kai) can be read, but at Ahu Akapu (the dark number 29 station) the hand is empty. 2 * 23 = 46 (= 20 + 26) and 2 * 24 = 48.

The kai sign in Aa2-23 is not securely attatched to the arm. Neither is it so in the following Aa2-25:

Aa2-25 Aa2-26 Aa2-27
koia ka rogo ia ki toga

These 5 glyphs clearly belong together. Notably Metoro saw Rogo in Aa2-26 (where 2 * 26 = 52).

The toga glyphs are not exactly alike, a single high such is followed by a pair of broader quality:

10 2
Aa2-13 (12) Aa2-24 Aa2-27
18 Pua Katiki 29 Ahu Akapu ?
ki te rima ko te tuu o te toga ki toga
14

Metoro said hakarava at 27 Hanga Moria One, but at Aa1-26 he said hakaturou (a word close to hakaturu):

Aa1-26 Aa1-27
ko te ahi - hakaturou ki te henua