It is of central importance to be in the middle. The central 20 glyphs on side a of H are therefore worth listing again:

If we have use for the appellation 'cosmic number', then we also ought to have use for 'cosmic glyphs '- Ha6-125 and Ha6-135 (redmarked) could be examples.

What should we read in these 20 glyphs? Maybe we should compare with the central 20 on the opposite side? They are located from Hb7-7 up to and including Hb7-26:

The logic seems to be that where the Q text ends, we must have a break point also in the flow of glyphs in H and P. Can we get support from the glyphs? No, at least not immediately. Because behind the table above was another kind of reasoning:

H and P continued (without Q) like this:

Hb6-33	Hb6-34	Hb6-35	Hb6-36		Hb6-37		Hb6-38
Pb8-12	Pb8-13	Pb8-14	Pb8-15	Pb8-16	Pb8-17	Pb8-18	Pb8-19	Pb8-20

Immediately before these glyphs we have the end of a long calendar (studied at level 5):

The presumed break in the texts of H and P, because Q ends, therefore are located at Hb6-33 (respectively at Pb8-12), not at Hb7-7.

At Hb7-7, though, there is - supposedly - a break because of an external parallel sequence of glyphs involving Small Washington Tablet:

 In R the immediately preceding glyphs indeed indicate a kind of break:

The double-headed GD58 (manu kake) birds may stand at cardinal points (of some kind). We remember for instance new year in Keiti:

So, then, we may guess that the 20 glyphs Hb7-7--26 (nice 'cosmic' numbers: 7, 7 and 26) are central and flanked by 314 glyphs on each side. To be cautious, though, we should look at the glyphs immediately preceding Hb7-7:

			Hb6-52 (notice 6 and 52) is the 20th glyph counted from Hb6-33, Hb7-6 is the 28th. Hb6-52 is looking backwards and Hb7-6 may be some kind of henua (cfr Hb6-39 and Hb6-47).
Hb6-33	Hb6-34	Hb6-35
Hb6-36	Hb6-37	Hb6-38	Hb6-39	Hb6-40	Hb6-41	Hb6-42
Hb6-43	Hb6-44	Hb6-45	Hb6-46	Hb6-47	Hb6-48	Hb6-49
Hb6-50	Hb6-51	Hb6-52	Hb6-53	Hb6-54
Hb7-1	Hb7-2	Hb7-3	Hb7-4	Hb7-5	Hb7-6

OK, there is nothing in the glyphs Hb6-33--Hb7-6 which suggest they continue beyond Hb7-6. Let us therefore list the 20 central glyphs:

 It is not easy to find something in common with the 20 central glyphs on side a:

Looking ahead, beyond the 20 central glyphs on side b, we have:

Nothing suggests that the 20 central glyphs should continue beyond Hb7-26. Both the signs of maro and number 26 imply 'end'.

To complete the investigation of Hb7-7 -- 16 we must certainly also mention another external parallel, this time with Aruku Kurenga: