TRANSLATIONS
At last I may be
prepared to go
forward and
leave hua
poporo. The
nagging doubts
have vanished.
My extremely
slow and
painstaking
efforts seem to
work - reliable
results are
reached.
I will now
present the
first
(preliminary)
pages at ragi
in the glyph
dictionary:
A
few
preliminary
remarks
and
imaginations:
1.
The
sky
(the
'tree'
in
the
middle)
is
adorned
with
the
crescent
of
the
moon,
sailing
along
like
a
canoe
(as
it
looks
when
observed
from
a
point
close
to
the
equator).
Another
interpretation
is
that
this
canoe
is
the
ship
of
the
sun,
sailing
on
top
of
the
air,
as
if
it
was
sailing
on
water.
The
ship
of
the
sun
can
be
regarded
as
the
crescent
of
the
moon,
but
the
moon
sign
in
GD22
presumably
indicates
that
we
are
looking
at
the
night
sky.
The
'horns'
of
this
crescent
canoe
are
the
only
parts
visible
and
they
are
like
the
'adornments'
(rei)
at
the
bow
(mui)
and
stern
(mura)
of a
Polynesian
vessel.
The
illuminated
part
of
the
moon,
the
crescent,
is
in
GD22
always
oriented
in
'living'
position,
i.e.
looking
like
a
travelling
canoe
(with
upside
open
against
the
sky
and
bottom
closed
against
the
sea).
A
canoe
turned
upside
down
is a
'dead'
canoe,
not
moving.
Movement
is a
sign
of
life.
Death
means
being
still.
Waxing
moon
appears
in
the
west
close
to
the
horizon,
looking
as
if
riding
on
the
waves.
Waning
moon
is
instead
to
be
seen
in
the
east.
Moon
is
'born'
in
the
west
and
'dies'
in
the
east,
travelling
in
the
opposite
direction
compared
to
the
diurnal
path
of
the
sun.
Waning
moon
could
then
be
expected
to
look
like
a
canoe
turned
upside
down.
However,
waning
moon
in
the
east
still
looks
as
if
riding
right
side
up,
because
the
eastern
horizon
-
which
the
eye
now
is
using
as a
reference
- is
below
the
moon.
The
moon
canoe
is
never
turned
upside
down,
it
is
always
'living'.
When
GD22
glyphs
are
without
any
sign
of
the
crescent,
Metoro
never
said
ragi,
e.g.
Cb7-19:
Mostly
he
instead
said
vero
(the
season
of
the
'spear'
-
when
'light
is
killed').
The
vero
glyph
type
was
used
to
indicate
the
time
at
the
beginning
of
autumn
when
sun
'disappears'.
GD22
with
crescent
sign
therefore
ought
to
mean
the
opposite
of
vero
-
i.e.
'light
is
being
born'.
Sun
is
being
born
at
new
year,
at
winter
solstice,
and
'lives'
- it
seems
-
during
10
'sunlit'
lunar
months
(280
nights).
Around
autumn
equinox
sun
'dies'. |
The vero
type of glyph
was discovered
and documented
earlier (at
henua ora in
the glyph
dictionary):
Metoro's readings are helpful in this instance, because at Eb4-2 he said vero:
|
|
|
Eb4-2 |
Eb5-10 |
Ga5-17 |
te vero |
kua tu te Ao |
- |
11 |
19 |
19 |
Eb4-2 (in period 11) follows upon henua ora (period 10) and Eb5-10 (in period 19) follows upon the autumn equinox (17-18). (Metoro did not have the opportunity to read tablet G for Bishop Jaussen.)
Vero has three meanings: 1) a spear or dart, 2) to turn upside down, 3) name of a lunar month (the 10th on Marquesas, about April on Hawaii).
To turn upside down symbolizes death (... Ulu fell on his face and died ...). Spears lead by way of association to the obsidian spear heads (matá) on Easter Island, an instrument for killing in the tribal wars. The 10th month on Marquesas (veo) suggests that rongorongo writers may have used this glyph type to indicate the 'death' of a season.
In the 10th period of E the same story is told by henua ora - the sun canoe has been drawn up on the beach and does not move. It is still, i.e. 'dead'. There is no vero glyph in G here (midsummer), because only half of the 6-month long summer 'year' has passed. In the E calendar the 'years' are defined by the solstices in G by the equinoxes.
As to 'kua tu te Ao' at Eb5-10 we need not worry too much about that for the moment, but ao means, among other things, 'nightfall'. It is strange how 'fall' in nightfall (and in the season fall = autumn) is English picture language quite similar to that used in the expression: Ulu fell on his face - i.e. the 'black cloth' covered his head (as when a black cloth is put over a bird-cage to silence the bird).
The little moon sickle (like a reaping-hook) at the bottom of Eb5-10 indicates darkness - the time of the moon. Presumably the moon sickle has been added to intensify the idea of 'darkness'. Autumn equinox means not only the 'death' of sun's canoe but also that the dark season has arrived and moon now is fully in command.
|
The
discovery of
this
important
glyph type
persuaded me
to create a
special
'door' in
the glyph
dictionary
(though not
in the glyph
catalogue)
for vero:
|
pito |
ure |
humu |
vero |
takaure |
tamaiti |
hakaua |
ihi |
In the glyph
dictionary
vero
glyphs are
to be
discussed
later on,
not at ragi.
My statement
that sun is
being born
at new year,
at winter
solstice,
and 'lives'
- it seems -
during 10
'sunlit'
lunar months
(280 nights)
is not
securely
established.
But I wrote
'it seems'.
If every
statement
must be
firmly
'proven',
then the
process of
'reading'
the rongorongo
texts cannot
go on fast
enough.
At honu
I wrote:
... The
modern
calendar of
Easter
Island has
two autumn
months
Vaitu nui
(April) and
Vaitu
poru
(May).
Equally,
there are
two early
spring
months with
similar
names:
Hora iti
(August) and
Hora nui
(September).
Probably
there once
were only
10 months
and 12 names
was
introduced
by splitting
up the old
months
Vaitu
and Hora
...
Next page:
2. The form of the 'tree' in GD22 may depict a spear used as a gnomon. If GD22 really means the sky (ragi), we should expect observations to be done in the night (not in the daytime when the stars are drenched in the light from the sun). Van Tilburg: "In Hawaii, the rising of the Pleiades was the signal for the beginning of the Makahiki major harvest festival which centered upon Lono (Rongo). For Rapa Nui, as for the Maori, the Mangarevans and the rest of the people of the Southern Hemisphere, the rising of the Pleiades is almost simultaneous with the Austral June solstice. The Rapa Nui calendar begins with the month of Anakena (the name of the landing site of Hotu Matu'a). Anakena was said by Thomson to mean August, but Métraux corrected that to July. Taking into consideration the conflicting evidence of the timing of Orongo ceremonies and based upon consultation with noted Pacific astronomer Will Kyselka, I think it is probable that the Rapa Nui ritual calendar, as that of the Maori, Mangarevans, Samoans, Tongans and other Polynesians began in July following the rising of the Pleiades. On Rapa Nui and many other islands, the Pleiades were called Matariki."
"The Orongo rituals are thought to have begun in the AD 1400-1500s, and the use of Orongo as a ritual site intensified some fifty years later. If we take AD 1500 as a baseline, we find that the sun's declination was 23º26', while the declination of the Pleiades was 22º37'. This means that the Pleiades led the sun into the sky by about two hours, and that the two risings were over the same geographical feature a mere 0º49' apart. The ethnographies do not mention Orongo as a site from which the skies were watched. Let us presume however, on the basis of the site's special qualities and uses, that the old men may have watched the skies from Orongo. In the year AD 1500, they would have seen the Pleiades at 18º above the horizon at the end of astronomical twilight on hua, the twelfth night of the moon in the Rapa Nui month of Te Maro (The Loincloth). The Rapanui word hua means 'the same, to continue' and 'to bloom, to sprout, to flower', with a germ sense of both plants and human progeny growing and thriving."
"The rising Pleiades led a twinkling procession of bright stars into the sky: Aldebaran first, then the stars of Orion (called Tautoru by the Rapa Nui). Sirius (Reitanga in Rapanui), at a declination of 16º 42', is the brightest star in the sky on this and every other morning, and travels a path that takes it over the centre of Polynesian culture, Tahiti.
The Pleiades set at 2:00 pm in the afternoon of that day and in the direction of the solstitial sunset, but the event was not visible. If the sunset was viewed from Poike it would have taken place in the direction of Anakena, the name of the first month of their calendar, the landing place of Hotu Matu'a, the birth place of the island culture and the traditional home of the ariki mau."
If the ragi glyph type was used in such parts of the rongorongo texts which describe or allude to star watching, we can expect to find GD22 glyphs around midwinter (and at night when sun does not interfere). The beginning of the year (Anakena) ought to be located at the beginning of calendars for the year and there we also ought to find ragi glyphs. |
"I became curious about this star ... called Nuutuittuq [= 'never moves'] ... So, on the lee side of our uquutaq (a snow windbreak) I positioned a harpoon pointing directly at this particular star to see if it would move. In the morning I checked it and discovered that the Tukturjuit (Ursa Major) had changed their position completely but the harpoon still pointed at this star ... I had discovered the stationary star ... " (Abraham Ulayuruluk of Igloolik according to Arctic Sky.)
"The most ancient of all astronomical instruments, at least in China, was the simple vertical pole. With this one could measure the length of the sun's shadow by day to determine the solstices ... and the transits of stars by night to observe the revolution of the sidereal year. It was called pei or piao, the meaning of the former being essentially a post or pillar, and the latter an indicator. Pei can be written with the bone radical ... or with the wood radical, in which case it means a shaft or handle. Ancient oracle-bone forms of the phonetic component show a hand holding what seems to be a pole with the sun behind it at the top ...
so that although this component alone came to mean 'low' in general, it may perhaps have referred originally to the gnomon itself. This is after all an object low on the ground in comparison with the sun, and shows the long shadow of a low sun at the winter solstice, the moment which the Chinese always took as the beginning of the tropic year." (Needham 3)
This picture (from Needham 3) shows how even today in Borneo they measure the shadow of the sun with a gnomon and a gnomon template to determine summer solstice. Notice the little figure on top of the gnomon, maybe a representation of the sun (with protruding belly?).
"gnomon ... indicator, esp. of a sundial ... Gr. gnōmikós (perh. through F. gnomique), f. gnōmē opinion, judgment, f. *gnō- ... see KNOW." (English Etymology) |
The little
figure on
top of the
gnomon ought
to be the
sun himself.
At summer
solstice he
is like the
Chesire Cat
smiling at
the top of
the 'cosmic
tree'. Then
he slowly
vanishes,
until only
his smile is
left.
The smile,
it seems, is
not just a
product of
Carroll's
imagination,
but a part
of human
culture. We
remember how
the wife of
'Mercury'
(The Mad
Hatter)
according to
Inuit
myth tried
to make the
victims
smile:
...
Finally, at
one time, he
could really
be heard to
enter to
them, he,
the poor
cousin of
the Moon,
the
entrail-snatcher,
carrying a
dish and a
large knife,
in order to
try to
snatch the
entrails of
the human
being. And
look! At the
window his
wife stood
and kept on
saying: 'She
smiles!' The
entrail-snatcher
began to
dance a drum
dance, with
ridiculous
movements,
and they
only looked
at him,
while he
sang:
My little
dogs, I get
them food, /
My little
dogs, I get
them food, /
ha-ahing,
ha-ahing,
ha-ahing.
While he
acted thus,
his poor
wife all
along stood
at the
window
saying: 'She
smiles, she
smiles, she
smiles!' ...
To smile
means to be
like the
sun. The
equality
would enable
'the poor
cousin' to
use his
knife.
I identify
the Mad
Hatter with
Mercury not
only because
of his
position (at
autumn -
where water
falls from
heaven,
running
downwards
like the
heavy
mercury
liquid), but
also because
of Carroll's
decision to
include the
character at
the T table:
"The '10/6'
on the
Hatter's hat
means ten
shillings
and six
pence, the
price of the
hat in
pre-decimalised
British
money and
acts as a
visual
indication
of the
hatters
trade. The
name 'Mad
Hatter' was
undoubtedly
inspired by
the phrase
'as mad as a
hatter'.
There is
some
confusion as
to the
origins of
this phrase,
however
there is
scientific
evidence
behind the
link between
the hatters
and
insanity.
Mercury was
used in the
process of
curing felt
used in some
hats. It was
impossible
for hatters
to avoid
inhaling the
mercury
fumes given
off during
the hat
making
process.
Hatters and
mill workers
often
suffered
mercury
poisoning as
residual
mercury
caused
neurological
damage
including
confused
speech and
distorted
vision. It
was not
unusual then
for hatters
to appear
disturbed or
mentally
confused,
many died
early as a
result of
mercury
poisoning
..."
(Wikipedia)
A gnomon is
formed like
an L:
"... Gnomon is also a mathematical term that describes the part of a parallelogram that remains when a similar parallelogram is removed from one of its corners. Also, gnomon is the name given to an aesthetic process utilized by James Joyce in his set of short stories Dubliners, whereby the whole of the character is revealed by a single part ..." (Wikipedia)
Inevitably,
my
imagination
turns to the
letter
system in
the Latin
alphabet:
A |
Α |
I |
Ι |
Q |
Ρ |
Y |
B |
Β |
J |
Κ |
R |
Σ |
Z |
C |
Γ |
K |
Λ |
S |
Τ |
D |
Δ |
L |
Μ |
T |
Υ |
E |
Ε |
M |
Ν |
U |
Φ |
F |
Ζ |
N |
Ξ |
V |
Χ |
G |
Η |
O |
Ο |
W |
Ψ |
H |
Θ |
P |
Π |
X |
Ω |
G = Θ, i.e. the table for the Latin alphabet ought to have 7 (not 8 as in the Greek alphabet) letters in each column. |
A |
Α |
H |
Θ |
O |
Ο |
V |
Χ |
B |
Β |
I |
Ι |
P |
Π |
W |
Ψ |
C |
Γ |
J |
Κ |
Q |
Ρ |
X |
Ω |
D |
Δ |
K |
Λ |
R |
Σ |
Y |
E |
Ε |
L |
Μ |
S |
Τ |
Z |
F |
Ζ |
M |
Ν |
T |
Υ |
G |
Η |
N |
Ξ |
U |
Φ |
J is inserted into the Greek order, creating a displacement, as seen for instance in K and M. L, the gnomon, is lambda.
Xi (Ξ), on the other hand, is deleted, thereby firmly establishing the position of O also in the Latin alphabet.
In Q we can imagine the 'tadpole' of rho (ς). The portal of pi (Π) is referred to with P (as in portal).
T is in position 20 ('finished') and 20 + 1 is U (= Φ, the Greek version of hua poporo).
26 letters in the Latin alphabet and 24 in the Greek alphabet are numbers we recognize from the rongorongo texts. |
The gnomon
(L) has
position 12,
the time
when sun
(☺) has
reached his
halfway
station. At
that time a
little part
of the sun
(with the
same form)
is removed,
creating a
gnomon.
Later,
beyond
the U (20 +
1) station
also his
smile
(canoe,
gnomon) will
have
vanished
into
darkness (☻).
J maybe was
inserted to
indicate the
turnover due
with the
10th
position? T
(as in
Twenty)
makes us
remember the
fate of
Hercules:
... The
manner of
his death
can be
reconstructed
from a
variety of
legends,
folk-customs
and other
religious
survivals.
At
mid-summer,
at the end
of a
half-year
reign,
Hercules is
made drunk
with mead
and led into
the middle
of a circle
of twelve
stones
arranged
around an
oak, in
front of
which stands
an
altar-stone;
the oak has
been lopped
until it is
T-shaped. He
is bound to
it with
willow
thongs in
the
'five-fold
bond' which
joins
wrists,
neck, and
ankles
together,
beaten by
his comrades
till he
faints, then
flayed,
blinded,
castrated,
impaled with
a mistletoe
stake, and
finally
hacked into
joints on
the
altar-stone.
His blood is
caught in a
basin and
used for
sprinkling
the whole
tribe to
make them
vigorous and
fruitful.
The joints
are roasted
at twin
fires of
oak-loppings,
kindled with
sacred fire
preserved
from a
lightning-blasted
oak or made
by twirling
an alder- or
cornel-wood
fire-drill
in an oak
log.
The trunk is
then
uprooted and
split into
faggots
which are
added to the
flames. The
twelve
merry-men
rush in a
wild
figure-of-eight
dance around
the fires,
singing
ecstatically
and tearing
at the flesh
with their
teeth. The
bloody
remains are
burnt in the
fire, all
except the
genitals and
the head.
These are
put into an
alder-wood
boat and
floated down
the river to
an islet;
though the
head is
sometimes
cured with
smoke and
preserved
for oracular
use. His
tanist
succeeds him
and reigns
for the
remainder of
the year,
when he is
sacrificially
killed by a
new Hercules
...
His head was
sometimes
used for
oracular
purposes,
just as the
turtle shell
was used for
predicting
the future
in ancient
China.
During the
dark
(tanist)
season the
future will
be
determined.
Y is,
though, the
proper place
to put the
head. The
dry tree
must be made
to flower.
|