TRANSLATIONS

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The link 'Excursion' leads to a chain of pages. The first one:

I have classified these three glyphs as belonging to the kava type:
Gb5-25 Gb6-3 Gb7-31

The kava signs are far from evident, though. The undulating 'limbs' caught my attention.

All three glyphs are on the 'dark side':

208 9 * 29
Ga1-26 Gb1-6
210 261
471

210 glyphs presumably reflect the half year when sun is 'present', 26 weeks = 182 days, while 261 is the number of nights when sun is 'absent', 26 weeks + 1 night = 183 nights. The limited size of the tablet necessitated a shortening from 521 to 471 glyphs.

50 further summer glyphs couldn't be lodged, and with 210 = 5 (fingers, fire) * 6 (sun) * 7 (moon) a message of light ought to be read. Especially as 261 = 9 (dark) * 29 (dark). Furthemore, 210 = half 420 ('the 7th flame of the sun', the cycle of conjunction between the two great lights in the sky).

Of course, looking at the glyphs without counting would also inform the observant reader that Ga1-26 and Gb1-6 defined the time between the solstices. The 'feathers' in Gb1-6 on the standing figure would immediately tell which was summer solstice, or - seeing Ga1-26 first - the figure sunk very low would immediately tell about winter solstice.

10 * 5 summer glyphs were not drawn on the tablet, while the dark season was drawn in full. I think the creator of the text decided to tell about the poor country:

kainga kino / kahukahu o heke / rimurimu roroa / mai te unu / mai te vere / ka toe / kainga kino hoki / tai ua / ka okooko / tai papaku / ka ora
The land is bad. / The growing shoots cannot spread. / Too long is the tangle (of weeds) / when one pulls it out, / when one weeds it. / Leave (this bad land) behind (you)!
The uterus is bad. / The original yam cannot slide out / because of the long seaweeds. / Let's have a drink! / Let's have a bit (of food)! / Leave something behind!
The food is bad. / The octopus is hiding in his ink. / His tentacles sway like seeweeds / when one tries to pull him (from his hiding place) / when his tentacles / are parting.
A bad meal. / The hymen will not be deflowered / in the long tangle (of the pubic hair) / when one thrusts back and forth. / Let's have the fold (of the female genitals). / Tear open (the hymen)!

Next page:

On all the glyphs at the end of the 31 periods in the G calendar we have looked at earlier there are 'feathers'
6 5 5 5 5 5
5 5 5 6 6 6
6 6 4 6 5 5
5 5 4 5 5 4
4 5 5 4 5 4
6 * 4 + 18 * 5 + 7 * 6 = 24 + 90 + 42 = 156 'feathers'
5

Probably these 156 'feather' signs are at least partly drawn in order to secure a correct reading of the K text. 521 (= 260 + 261) minus 156 = 365, a message that the year is the subject of the text (securing a correct reading by 56 being the reverse of 65).

It may also be a hint that the 261 glyphs in the dark area form a complete calendar. Or, alternatively, that glyphs which do not belong in the 31-period long calendar together form another complete calendar. All the 156 'feathers' are in the light area (between Ga1-26 and Gb1-6).

521 + 156 = 677 = 13 * 52 + 1 is a fact which alludes to 13 * 28 + 1 = 365 (because there are 52 weeks in a year).

The distribution of the 'feathers' certainly is not arbítrary.

5 * 18 = 90 obviously refers to the sunny half of the year. 56 (in 156) being the reverse of 65 (in 365) initiates thinking about the relationship between 24 and 42. Possibly 24 can be regarded as 6 * 4, with 6 the sun and 4 the square earth we live on, conveniently to be used measuring the time here on earth. 42 can similarly be imagined as 6 * 7, once again with 6 being the sun but this time with moon (7) as the other part. 24 implies sun and earth, 42 implies sun and moon.

Remarkably 521 - 156 = 13 * 28 + 1 and 521 + 156 = 13 * 52 + 1.

28 = 4 * 7 and 52 = 4 * 13. To add 156 to 365 results in 521 = 260 + 261 = 13 * 40 + 1.

To add another 156 to 365 results in 13 * 52 + 1, because 13 * 12 = 156:

209

13 * 16 + 1

365

13 * 28 + 1

521

13 * 40 + 1

677

13 * 52 + 1

I have added 209 to the set, so we will recognize it in case it appears somewhere among the rongorongo texts.

Next page follows from the link 'distribution of the feathers':

Dividing into groups with 5 glyphs (for fingers and fire) in each can result in this pattern:
52
26
26
28
28
30
46
23
23

The first 10 periods have 2 * 26 = 52 'feathers' together. Then comes 5 periods with together 28 'feathers'. In order to let the 10 last periods (22-31) generate 2 * 23 = 46 'feathers' I have extended the 4th group to have 6 periods, together generating 30 'feathers'. 26 + 26 + 28 + 30 + 46 = 156.

However, another and better solution is to let also the 4th group have 5 periods, in which case the 4th group will have 26 'feathers'. It is a nice solution with the first 4 groups  accumulating 20 periods and a total of 26 + 26 + 28 + 26 = 106 'feathers'.

The rest will then be 11 periods with 50 'feathers', distributed as 1 + 10 periods with 4 + 46 'feathers':

1 - 5 26 1 and 10 both have 6, thereby defining a 10-period group with 52 'feathers'.
6 - 10 26
11 - 15 28 slanting henua top in 15 isolates 28 from the following 26
16 - 20 26 'ghostly' henua in 11 and 16 knit 28 and 26 together into a 10-period group with 54 'feathers'
21 4 betwen the 20th period and the last 10
22 - 31 46 46 is not possible to divide into 26 + 20
sum 156 52 + 54 + 50

In other words: 156 can be regarded as thrice 52. Or, rather as 12 * 13, a calendar for the sun.

Period 21 stands out and I have blackmarked it because it seems to have a central function:

21
Ga5-30 Ga6-1 Ga6-2 Ga6-3 Ga6-4

The 20th period ought to describe the end of a great season and the 22nd period the beginning of another great season:

20
Ga5-22 Ga5-23 Ga5-24 Ga5-25 Ga5-26 Ga5-27 Ga5-28 Ga5-29
22
Ga6-5 Ga6-6 Ga6-7 Ga6-8

Ordinal numbers in Ga5-29 suggest a final (29) of 'fire' (5). The 20th period has in K its parallel in form of the 18th period and there, we have suspected, maybe a point of departure (pito) in the west:

... Such a calendar ought to show divisions into periods, 2 * 90 = 180 or 3 * 60 = 180 (or possibly both):

58 29 29 58
Ka1-5 Ka3-18 Ka5-11 Ka5-12 Kb2-6 *Kb5-12
1 60 90 1 60 90

Clearly it is possible to combine a lunar perspective with a solar one. Between the 29-period distances it is easy to add 1 glyph to reach 30. In the middle of summer we have to add 2 glyphs, which presumably explains why both July and August have 31 days.

Interesting is the appearance of a semi-repetition of Ka1-3 at Kb2-6:

Ka1-3 Kb2-6

Ka1-3 has its figure high, while in contrast Kb2-6 has its figure low. And 1-3 is doubled into 2-6. Kb2-6 is glyph number 125 in the K text and maybe it signifies the end of sun (summer) by way of 5 * 5 * 5 (which we have had reason to point out several times earlier when discussing the structure of the K text). The suggestion could then be that we should divide summer into 5 parts with 25 glyphs in each, and begin from the beginning, leaving 192 - 125 = 67 glyphs for 'winter'. But 67 cannot be intended. Subtracting those 8 glyphs at the end of the text results in a more reasonable result with 59 glyphs. 192 = 125 + 59 + 8. 125 - 29 (viri at Ka2-5) = 96 = 8 * 12.

Another interpretation is to regard Ka1-3 and Kb2-6 as the 'posts' within which 'summer' is located in the calendar. Number 124 should be the last glyph of summer and number 4 the first. That would give 121 glyphs for summer (120 + 1).

118 ...
Ka1-3 Ka1-4 Kb2-4 Kb2-5 Kb2-6
71 1 120 121 1

Interestingly, the vanished glyph (Kb2-5) maybe never was incised on the tablet - it could be te pito, immediately beyond the end of summer (which could be measured out as 12 * 10 glyphs or as 10 * 12 glyphs or as 5 * 24 glyphs or as 24 * 5 glyphs etc). Kb2-5 could mean 2 * 5 = 10 = end of sun. Already Kb2-4 seems to illustrate his weakness.

Te pito may be the point of birth (navel) but birth implies death. Sun presumably departs at autumn equinox.

Inspired by the marvellous 156 I have included a link '156' which leads to:

Remarkably 521 - 156 = 13 * 28 + 1 and 521 + 156 = 13 * 52 + 1.

28 = 4 * 7 and 52 = 4 * 13. To add 156 to 365 results in 521 = 260 + 261 = 13 * 40 + 1.

To add another 156 to 365 results in 13 * 52 + 1, because 13 * 12 = 156:

365

13 * 28 + 1

521

13 * 40 + 1

677

13 * 52 + 1

The table can be extended. 209 = 13 * 16 + 1 is an obvious addition.

Number 1 may be te pito for the numbers to count with. When added to an even number it takes on the other side of the Janus sign - the exit.

209 = 13 * 16 + 1 in a way illustrates how beyond full moon there is a pito for the growing moon season. 20 is a final number (4 hands) and 9 is a final number (1 more than the perfect 8 - i.e. te pito for counting to 8).

Zero (0) illustrate te pito, too. The full moon in this case. Omotohi is the end of 'sucking' (growing):

 

Omo

To suck; omoaga, bulky cloud;  ragi omoaga cumulus; omoomo; to suck repeatedly, to suckle; omotahi, to win everything at a game (lit: to suck whole): omotahi-mai-á e au, he has cleaned me out; omotohi, full (of the moon); ku-omotohiá te mahina, the moon is full. Vanaga.

Rima omo, infidelity, faithless, unfaithful. Omoomo, to smack the lips, to suck the breast, to smoke tobacco, to taste of; hakaomoomo, to suckle, to paint. Churchill.

Ta.: Omotu, an ember, a coal. Mq.: komotu, omotu, firebrand. Churchill.

Tohi, we remember from the myth about Maui meeting death:

... 'My child', said Makea now in a tone of deep sorrow, 'there has been a bad omen for us. When I performed the tohi ceremony over you I missed out a part of the prayers. I remebered it too late. I am afraid this means that you are going to die ...

Probably the person in the Omotohi glyph is not sitting and eating but sucking his thumb, a rebus for omo (top part) and tohi (bottom part), while the full moon oval acts as a determinant for the moon and also illustrats pito ('zero'):

Ca7-24

7 is moon and 24 means measuring sun time (6) down here on earth (4). The glyph is number 36 counted from the beginning of the calendar - exit time.