TRANSLATIONS

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The serpent of spring has 4 supporters. Together they rise the sky roof up to let in the light:

We now can understand why new houses are inaugurated at summer solstice:

Ko Koró (December)

Because of the increasing heat, work ceases in the fields. Time for fishing, recreation, and festivities. The new houses are occupied (reason for the festivities). Like the previous month, a good time for surfing (ngaru) on the beach of Hangaroa O Tai.

... There was a young man living in Riu-o-hatu. He planned to make a feast (koro) for his father. For that purpose he raised chickens and had a house built. All his people worked on it. When his koro house was finished, he left his people and went to Ahu-te-peu to call on Tuu-ko-ihu and ask him for a statue. He arrived at Tuu-ko-ihu's place and asked: 'Give me a statue, o king, in loan for the feast in honor of my father.'

The ariki said: 'It is all right.' Tuu-ko-ihu gave him an image. The young man took it and returned to his koro. He broke sugar-cane stalks, dug out yams and sweet potatoes and put bananas in a ditch. He lit the oven and put in it fowls, yams, and sweet potatoes. Some people sang riu chants, others, ei chants and others a te atua. They took all the foods - bananas, sugar cane, fowls - to the koro house. They set up the image at the door of the koro house, and the people went to admire this image. They spent three days in the koro house. This koro house was nice, and the people ate plenty of sugar cane and bananas.

When the koro was finished, the young man stayed there. The third day, the koro caught fire. Men, women, and children shouted: 'The koro is burning, the koro is burning.' This cry sounded at Hanga-roa, at Motu-tautara, at Ahu-te-peu. Tuu-ko-ihu heard it and said: 'O my brother 'The jumping-little-bird' (piu-hekerere) jump!' A servant of Tuu-ko-ihu was sent to Riu-o-hatu. When the young man saw him, he said: 'Your image is burnt up.' The servant said: 'No, it did not burn.' He looked for it and found it lying far away. The servant called the owner of the koro and said. 'Here is your image.' He returned it to Tuu-ko-ihu ...

When the serpent is 'beheaded' at summer solstice, his supporters - which represent the pillars at the 4 corners of the 'house' - will follow the spirit of the serpent in his canoe. Presumably also the 'bacabs' perished in the 'fire' when the new house 'burnt'.

... Among the multitude of gods worshipped by these people [the Maya] were four whom they called by the name Bacab. These were, they say, four brothers placed by God when he created the world at its four corners to sustain the heavens lest they fall ...

The serpent and his 4 followers make a voyage to the west, that explains hua poporo in Ka5-4:

We are now in a position to securely identify Aa1-5--8 with the 'bacabs':

The promising youths (moa) will later on follow the great Kuukuu (the 'planter') on his way west, incorporated as hua in hua poporo.

moa hua tu'a

We presumably can read the same story in the flowing skirt of Chimalman:

... His virgin mother, Chimalman - the legend tells - had been one of the three sisters to whom God, the All-Father, had appeared one day under his form of Citlallatonac, 'the morning'. The other two had been struck by fright, but upon Chimalman God breathed and she conceived. She died, however, giving birth, and is now in heaven, where she is revered under the honourable name of 'the Precious Stone of Sacrifice', Chalchihuitzli ...

3 phases in the development are depicted: swimming healthy youth, twisted mature man with his young (left) half 'dead' (not fallen on the front side but fallen on the back side), and lastly a kind of coffin adorned with 4 'knobs' at the top.

The twisted man has 3+4 ribs and 1 seems to have been lost (Eve?) in the twisting operation. His living front half carries the 'full moon' sun on his back - like a burden.

One in the party 'got away', i.e. one of them will return in some form next season:

- -
Aa1-13 Aa1-14 Aa1-15
... ... ...
Ha6-101 Ha6-102 Ha6-103 Ha6-104 Ha6-105
Pa5-67 Pa5-68 Pa5-69 Pa5-70 Pa5-71 Pa5-72
This sequence of glyphs does not appear in Q

Here - in winter - there are 3 'droplets' and they (Nut, Isis, and Hathor?) may possibly support a tamarisk or a sycomore:

... Tamarix can spread both vegetatively, by adventitious roots or submerged stems, and sexually, by seeds. Each flower can produce thousands of tiny (1 mm diameter) seeds that are contained in a small capsule usually adorned with a tuft of hair that aids in wind dispersal. Seeds can also be dispersed by water. Seedlings require extended periods of soil saturation for establishment.

Tamarix species are fire-adapted, and have long tap roots that allow them to intercept deep water tables and exploit natural water resources. They are able to limit competition from other plants by taking up salt from deep ground water, accumulating it in their foliage, and from there depositing it in the surface soil where it builds up concentrations lethal to many other plants ...

... The 'tree of life' (in the hieroglyphic sign nehet) was (according to Wilkinson) a 'sycomore' or 'mulberry fig tree', but in the two pictures above we instead see isched, probably Mimusops Schimperi. Via Wikipedia we will first take a look at the Ficus Sycomorus:

Ficus sycomorus, called the sycamore fig or the fig-mulberry (due to the leaves' resemblance to those of the Mulberry), sycamore, or sycomore, is a fig species that has been cultivated since early times ...

F. sycomorus is in the Near Orient a tree of great importance and very extensive use. It has wide-spreading branches and affords a delightful shade. The ancient Egyptians cultivated this species 'almost exclusively', according to Zohary and Hopf. Remains of F. sycomorus begin to appear in predynastic levels, and in quantity from the start of the third millennium BC. Zohary and Hopf note that 'the fruit and the timber, and sometimes even the twigs, are richly represented in the tombs of Early, Middle and Late Kingdoms. In numerous cases the parched sycons bear characteristic gashing marks indicating that this art, which induces ripening, was practice in Egypt in ancient times.' Although this species of fig requires the presence of the symbiotic wasp Ceratosolen arabicus to reproduce sexually, and this insect is extinct in Egypt, Zohay and Hopf have no doubt that Egypt was 'the principal area of sycamore fig development.' Some of the caskets of mummies in Egypt are made from the wood of this tree.'

I notice that a tree can give shadow (a possible meaning of GD28, mauga). I also read that the leaves of this tree are arranged 'spirally around the twig', that the inner bark is yellow, and that some mummy caskets were made from wood of this tree. Furthermore, that the leaves are dark green on one side and 'lighter with prominent yellow veins' on the other side. Wilkinson says that in chapter 109 of the Book of the Dead two 'turquios sycomores' are standing at the eastern gate of the sky, where the sungod Ra enters. The sycomore was a manifestation of the 3 goddesses Nut, Isis, and Hathor, a manifestation by the name 'The Sycomore Lady'.

When I searched in Wikipedia for the tree (isched) infested by the snake I had no success. But I found another internet site of possible use, Ägyptologie Forum, http://www.aegyptologie.com/forum/cgi-bin/YaBB/YaBB.pl?action=lexikon:

'Heiliger jšd-Baum im Bereich des Sonnentempels von Heliopolis, vermutlich ein Persea-baum. In einer MR Version des Kap. 17 des TB wird der jšd-Baum als der heliopolitanische Baum erwähnt, der sich in der Nacht des Kampfes gegen die Feinde des Re spaltete.'

The Cat is the one who is winning over the Snake, at least half of the time. I remember the Chesire Cat (in Carroll), who had climbed up into the tree but who slowly vanished in front of Alice, until only his smile remained - which as if by chance had the form of canoe: