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The new page inserted from the 'Butterflies' link:

Butterflies undergo marvellous metamorphoses during their life cycles and this phenomenon caught the attention of the ancient peoples:

A butterfly is an insect of the order Lepidoptera. Like all Lepidoptera, butterflies are notable for their unusual life cycle with a larval caterpillar stage, an inactive pupal stage, and a spectacular metamorphosis into a familiar and colourful winged adult form ...

According to the 'Butterflies' chapter in Kwaidan: Stories and Studies of Strange Things, by Lafcadio Hearn, a butterfly is seen as the personification of a person's soul; whether they be living, dying, or already dead ... The Ancient Greek word for 'butterfly' is ψύχη (psychē), which primarily means 'soul', 'mind' ...

The Taoist philosopher Zhuangzi once had a dream of being a butterfly flying without care about humanity, however when he woke up and realized it was just a dream, he thought to himself 'Was I before a man who dreamt about being a butterfly, or am I now a butterfly who dreams about being a man?' In some old cultures, butterflies also symbolize rebirth into a new life after being inside a cocoon for a period of time ...

(Wikipedia)

The butterfly has 4 life stages: egg, caterpillar, pupa, and imago. The beautiful last stage - symbolizing the 'soul' or 'spirit' - arrives after a period of stillness (pupa). The egg stage is also a period of stillness, while on the other hand the voracious caterpillar eats and eats in order to grow.

The 4 life stages of the butterfly were chosen to illustrate how during the yearly cycle of the sun (also yellow as butter) the beginning comes at winter solstice (egg) and how at the midstation (summer solstice, pupa) another season of rest arrives.

When 'in some old cultures' rebirth was likened to the emergence from a pupa, the pupa - presumably - in turn was likened to the egg. Birth originates from an egg, rebirth from a pupa.

Spring is like the caterpillar, a season of growth, while autumn is the opposite, a season of decline. Spring is a season of life, autumn a season of death. According to English Etymology:

pupa ... chrysalis ... modL. use by Linnæus (1758) of L. pūpa, doll; cfr PUPPET.

puppet ... †doll; (human) figure jointed and moving on strings or wires ... lathe-head ...

chrysalis ... form taken by an insect in the stage between larva and imago ... L. chrysal(l)is ... Gr. khrūsallis gold-coloured sheath of butterflies, f. khrūsós gold ...

imago ... (entom.) final stage of an insect ... Mod. use (by Linnæus, 1767) of L. imāgō IMAGE.

image ... artificial representation of an object, likeness, statue; (optical) counterpart ... mental representation ... rel. to IMITATE ...

The imago stage is just an imitation of the spring stage. Ghosts are just mirages. The stone statues on Easter Island are not real persons, only representations of them.

Why is it forbidden in some cultures to make images of the god(s)? Answer: Because that would threaten to kill them.

If Ana-mua (Antares) marks the entrance to the 'full-moon' season of the year, then we should expect its opposite, Ana-muri (Aldebaran) to mark the entrance into the dark half of the year. The 'rear pillar', 'at the foot of which was the place for tattooing' is a suitable name:

 01h 49 10

Ana-nia, pillar-to-fish-by

North Star, α Ursae Minoris
04h 33 2

Ana-muri, rear pillar (at the foot of which was the place for tattooing)

Aldebaran, α Tauri

05h 52 8

Ana-varu, pillar to sit by

Betelgeuse, α Orionis

07h 37 7

Ana-tahua-vahine-o-toa-te-manava, pillar for elocution

Procyon, α Canis Minoris

 09h 25 5

Ana-heu-heu-po, the pillar where debates were held

Alphard, α Hydrae

11h 01 4

Ana-tipu, upper-side-pillar (where the guards stood)

Dubhe, α Ursae Majoris

11h 51 9

Ana-iva, pillar of exit

Phaed, γ Ursae Majoris

13h 23 3

Ana-roto, middle pillar

Spica, α Virginis

14h 13 6

Ana-tahua-taata-metua-te-tupu-mavae, a pillar to stand by

Arcturus, α Bootis

16h 26 1

Ana-mua, entrance pillar

Antares, α Scorpii

The distance between Ana-mua and Ana-muri is 16h 26 minus 04h 33 = ca 12 hours, i.e. the stars are ca 180º apart. Once they marked the equinoxes, now they have moved to November (Ko Ruti) respectively to May (Vaitu poru):

2nd quarter

4th quarter

Tagaroa uri (October)

Vaitu nui (April)

Cleaning up of the fields. Fishing is no longer taboo. Festival of thanksgiving (hakakio) and presents of fowl.

Planting of sweet potatoes.

Ko Ruti (November)

Vaitu poru (May)

Cleaning of the banana plantations, but only in the morning since the sun becomes too hot later in the day. Problems with drought. Good month for fishing and the construction of houses (because of the long days).

Beginning of the cold season. No more planting. Fishing is taboo, except for some fishing along the beach. Harvesting of paper mulberry trees (mahute). Making of tapa capes (nua).

Ko Koró (December)

He Maro (June)

Because of the increasing heat, work ceases in the fields. Time for fishing, recreation, and festivities. The new houses are occupied (reason for the festivities). Like the previous month, a good time for surfing (ngaru) on the beach of Hangaroa O Tai.

Because of the cold weather, nothing grows (tupu meme), and there is hardly any work done in the fields. Hens grow an abundance of feathers, which are used for the festivities. The time of the great festivities begins, also for the father-in-law (te ngongoro mo te hungavai). There is much singing (riu).

Vaitu poru is the month for making tapa capes (nua). We remember the noise:

... There was noise at night at Marioro, it was Hina beating tapa in the dark for the god Tangaroa, and the noise of her mallet was annoying that god, he could endure it no longer. He said to Pani, 'Oh Pani, is that noise the beating of tapa?' and Pani answered, 'It is Hina tutu po beating fine tapa.' 

Then Tangaroa said, 'You go to her and tell her to stop, the harbour of the god is noisy.' Pani therefore went to Hina's place and said to her, 'Stop it, or the harbour of the god will be noisy.' But Hina replied, 'I will not stop, I will beat out white tapa here as a wrapping for the gods Tangaroa, 'Oro, Moe, Ruanu'u, Tu, Tongahiti, Tau utu, Te Meharo, and Punua the burst of thunder'. So Pani returned and told the god that Hina would not stop.  

'Then go to her again', said Tangaroa, 'and make her stop. The harbour of the god is noisy!' So Pani went again, and he went a third time also, but with no result. Then Pani too became furious with Hina, and he seized her mallet and beat her on the head. She died, but her spirit flew up into the sky, and she remained forever in the moon, beating white tapa. All may see her there. From that time on she was known as Hina nui aiai i te marama, Great-Hina-beating-in-the-Moon ...

While Tane belongs to the spring time when the sky is being pushed up, Tangaroa belongs to the 'spirit season'. He was the father of the summer and winter maids:

... Hamiora Pio once spoke as follows to the writer: 'Friend! Let me tell of the offspring of Tangaroa-akiukiu, whose two daughters were Hine-raumati (the Summer Maid - personified form of summer) and Hine-takurua (the Winter Maid - personification of winter), both of whom where taken to wife by the sun ...

Tangaroa was also the father of Tane:

... From Ta'aroa and Atea, who figures in the early part of this mythological period as a female, the god Tane was born as a viable mass without form. Skilled artisans were called to shape Tane. They came in pairs, carrying their kits of stone tools slung over their shoulders, but at the sight of the majesty of Atea, they retired in fear. Then Atea herself assumed the task of shaping Tane, and successively formed all the anatomical details associated with the human body, including the boring of the external ear passages with a fine spiral shell. After these many plastic operations, duly enumerated in myth, Tane assumed perfect form and became the god of beauty (te atua o te purotu). Ta'aroa exalted Tane in power, and he became the god of craftsmen ...

We should notice how the ear passages are specially mentioned, and how they are connected with a spiral shell. The Milky Way is a spiral galaxy and the ears (instead of the eyes) are used in the dark. The ear passages cannot refer to the equinoxes if Tane represents the half-year from winter solstice to summer solstice, the ear passages must refer to the solstices. Tane is born from the winter solstice egg and leaving (reborn) as a spirit from the summer solstice pupa.

But May and November are not located at the solstices. And the festivities will not begin until June respectively December, when work also ceases, a magic sign connected with how the sun is slowing down.

The birth must come after the rebirth. The 9th, exit, pillar (Ana-iva, Phaed) is located high (δ = 53° 58') and close to Polaris (Ana-nia), the 10th and last pillar. The distance between them is ca 10 hours (= 11h 51 - 01h 49), a number agreeing with the ancient count of 10 for the months in a year. In the moon calendar 10 occurs immediately after full moon:

waxing full moon waning
period 1 8 period 4 8 period 6 7
period 2 11 full moon period 7 11
period 3 9 period 5 10 period 8 8
sum 28 sun 18 sum 26

The glyph numbers (25--29) affirm a season of decline, yet another glyph line (a8) also has these numbers:

5
Ca7-25 Ca7-26 Ca7-27 Ca7-28 Ca7-29
Ca7-30 Ca7-31 Ca8-1 Ca8-2 Ca8-3
6
Ca8-4 Ca8-5 Ca8-6 Ca8-7
Ca8-8 Ca8-9 Ca8-10
7
Ca8-11 Ca8-12 Ca8-13 Ca8-14 Ca8-15
Ca8-16 Ca8-17 Ca8-18 Ca8-19 Ca8-20 Ca8-21
8
Ca8-22 Ca8-23 Ca8-24 Ca8-25 Ca8-26
Ca8-27 Ca8-28 Ca8-29

The month is divided in two parts, the 'Tane' half and the 'Tangaroa' half, with 36 glyphs in each part.

Next page in the glyph dictionary:

4. If the spirits of the recently dead had to wait for their leader before they could go up into the sky, then the path they would follow probably was the starstudded Milky Way. The movement of earth around the sun during the year would at one and only one point be in touch with the galactic path. The different calendars for the year with two halves, summer and winter (or - alternatively - with the halves equal to the events between the solstices) cannot rule over what happens in the sky. There is only one time in the year when the path for the spirits will be in touch with the earth. I quote from Allen:

... This Snake-river of sparkling dust, the stream of the abyss on high through which it runs, the golden cord of the heaven-god ... connected alike with the hill of the Sun-god and with the passage of ghosts, is the Milky Way ... The Norsmen knew it as the Path of the Ghosts going to Valhöll (Valhalla), in the region Gladsheimr, - the palace of their heroes slain in battle;  and our North American Indians had the same idea, as witness the 'wrinkled old Nokomis', when, teaching the little Hiawatha, she

Showed the broad white road in heaven, / Pathway of the ghosts, the shadows, / Running straight across the heavens, / Crowded with the ghosts, the shadows, / To the Kingdom of Ponemah, / To the land of the hereafter;

the brighter stars along the Road marking their camp-fires ...

... Our aborigines and the Eskimo also called it the Ashen Path, as did the Bushmen of Africa, - the ashes hot and glowing, instead of cold and dark ...

A panoramic picture of the Milky Way as seen from Death Valley. (Wikipedia)

The 'Snake-river' in the sky surely must run in a valley - a valley of death. The dream soul (kuhane) of Hau Maka named the 6th place (on her journey chartering Easter Island) Te Piringa Aniva. The word aniva means 'people', and the 'shadows' of the recently dead people are presumably travelling along the Milky Way. According to Makemson the Milky Way was called Aniva in the Samoan Islands. Te Piringa Aniva is the last half-month of He Maro (June), in which winter solstice occurs:

1st quarter

2nd quarter

3rd quarter

4th quarter

He Anakena (July)

Tagaroa uri (October)

Tua haro (January)

Vaitu nui (April)

Te Pei

Te Pou

Tama

One Tea

Mahatua

Taharoa

Nga Kope Ririva

Te Pu Mahore

Hora iti (August)

Ko Ruti (November)

Tehetu'upú (February)

Vaitu poru (May)

Hua Reva

Akahanga

Hanga Takaure

Poike

Hanga Hoonu

Rangi Meamea

Te Poko Uri

Te Manavai

Hora nui (September)

Ko Koró (December)

Tarahao (March)

He Maro (June)

Hatinga Te Kohe

Roto Iri Are

Pua Katiki

Maunga Teatea

Peke Tau O Hiti

Mauga Hau Epa

Te Kioe Uri

Te Piringa Aniva