Following the other hyperlink 'the end of the text' (to investigate the surroundings of the only reversed bent henua in K) we find the following pages:

 

Kb4-5, the single glyph in K which has a henua bent with its concave side to the right, is located at the end of the 27th period of the 2nd calendar: 27 Kb4-1 Kb4-2 Kb4-3 Kb4-4 Kb4-5 Kb4-5 may refer to a season where light is waning. Kb4-1 initiates the penultimate text line of the tablet. Arms held high without hands in Kb4-4 suggest the opposite to summer solstice. Counting glyphs from *Kb2-16 we find Kb4-5 to be number 24: 21 *Kb2-16 *Kb2-18 3 3 22 Kb3-1 Kb3-6 6 9 23 Kb3-7 Kb3-8 2 11 24 Kb3-9 Kb3-10 2 13 25 Kb3-11 Kb3-13 3 16 26 Kb3-14 Kb3-16 3 19 27 Kb4-1 Kb4-5 5 24 28 Kb4-6 Kb4-9 4 28 10 of these glyphs are covered by what can be called the 'humpback season' (periods 21, 22 and the first glyph in period 23). The 14 following are beyond that season: *52 glyphs Ka4-15 *Kb2-15 summer? 8 glyphs 12 glyphs *Kb2-16 Kb3-7 Kb3-8 Kb4-5 'humpback season' 4th quarter?

Kb4-5 has ordinal number 5, and period 27 is together with period 29 the only periods in the 2nd calendar with 5 glyphs. Number 5 suggests 'fire' (by way of the number of fingers on a hand). Rima means both 5 and hand. 27 Kb4-1 Kb4-2 Kb4-3 Kb4-4 Kb4-5 28 Kb4-6 Kb4-7 Kb4-8 Kb4-9 29 Kb4-10 Kb4-11 Kb4-12 Kb4-13 Kb4-14 30 Kb4-15 Kb4-16 Kb4-17 Kb4-18 5 is also the difference between 365 and 360, and from the darkest 5 days at the end of the old year somehow a new 'sun' will emerge. The 5 internal markings in Kb4-8 indicate these 5 days. In the 1st calendar there are 5 glyphs between Ka3-7 and the 'fire generators': Ka3-7 Ka3-8 Ka3-9 Ka3-10 Ka3-11 Ka3-12 Ka3-13 Ka3-14 5 glyphs

Counting glyphs from Ka2-7 up to and including Kb4-5 we reach *128 glyphs. Taking away the 3 Rei glyphs there remain *125 (= 5 * 5 * 5) glyphs. Considering e.g. the 6 'feathers' in Kb4-5 it is probable that the 'end of sun' in some way is defined to be at Kb4-5. Ka2-7 Ka2-8 Ka2-9 Ka2-10 Readjusting our calendar table according to the new ideas we get: 1st calendar: 6 A Ka2-1--6 6 4 B Ka2-7--9 3 28 B Ka2-10 1 24 C Ka2-11--16 6 12 24 D Ka2-17--22 6 E Ka3-1--4 4 12 F Ka3-5--8 4 G Ka3-9--12 4 2nd calendar: 2 0 Ka3-13--14 2 *100 1 1 Ka3-15 1 20 1-5 Ka3-16--Ka4-12 18 20 6 Ka4-13--14 2 *52 6-16 Ka4-15--Kb1-10 26 *52 16-20 Kb1-11--*Kb2-14 *26 1 20 *Kb2-15 1 24 21-23 *Kb2-16--Kb3-7 10 24 23-27 Kb3-8--Kb4-5 14 Here the two glyphs in period 0 are both regarded as belonging to the 2nd calendar. The 'fire generators' belong to the calendar of sunlight, we can guess.

What more can be said? Earlier we reached *100 as the sum of 26 (1st calendar) and *74 (2nd calendar), when counting from (inclusive) the 1st Rei to *Kb2-15:

	*98
Ka2-10		*Kb2-15	*Kb2-1
1		*100	*101

*100 now emerges as the natural sum from the 1st glyph beyond last of the toga glyphs to the reversed bent henua, or couldn't we instead count *100 between Ka3-12 and viri:

	*99
Ka3-12		Kb4-5	Kb4-6
0		*100

In Tahua, we have learnt, counting by way of viri is important. Let us take a look at K:

4		81		*47		*27		*5
	Ka2-5		Kb1-14		Kb4-6		Kb5-304
	5		87		*135		*163
	0		82		*130		*158

81 = 9 * 9, while *47 = prime number. Counting long from the 1st viri to the 3rd we get 1 + 81 + 1 + *47 + 1 = 131 (a prime number). Counting short we get 129 (= 3 * 43), counting normal 130 (= 10 * 13 = 5 * 26).

4 + 81 + *47 + *27 + *5 = 164. Then adding the 4 glyphs we reach 168 = 2 * 84.

In other words from line Ka2 to the end of the text we have 8 groups of 21 glyphs (or 4 of 42 glyphs).

The summer half of the year is - it seems - defined by the equinoxes (mago and 'humpback'), but also by the positively bent henua in Ka4-15 respectively *Kb2-15:

 

		*52 glyphs
Ka4-14	Ka4-15		*Kb2-15	*Kb2-16

Beyond *Kb2-15 follows the 10 glyphs of the 'humpback season' (autumn equinox):

 

	8 glyphs
*Kb2-16		Kb3-7

The last regular season of the year (14 glyphs) then appears to be defined by negatively bent henua:

 

	12 glyphs
Kb3-8		Kb4-5

The one at left in Kb3-8 has a straight vertical right side, while in Kb4-5 both vertical sides are bent (and the henua is thin).

Beyond Kb4-5 we will, I think, pass beyond 360 days into the critical 5 day darkness. Possibly the end of the K text can be presented as follows:

 

27
	Kb4-1	Kb4-2	Kb4-3	Kb4-4	Kb4-5
28
	Kb4-6	Kb4-7	Kb4-8	Kb4-9
	1	2	3	4
29
	Kb4-10	Kb4-11	Kb4-12	Kb4-13	Kb4-14
	5	6	7	8	9
30
	Kb4-15	Kb4-16	Kb4-17	Kb4-18
	10	11	12	13
31		...
	Kb4-19	*Kb5-1	*Kb5-2	*Kb5-3
	14	*15	*16	*17
32					...
	*Kb5-4	*Kb5-5	*Kb5-6	*Kb5-7	*Kb5-8
	*18	*19	*20	*21	*22
33			...
	*Kb5-9	*Kb5-10	*Kb5-11	*Kb5-12
	*23	*24	*25	*26
34
	*Kb5-13	*Kb5-14	*Kb5-15	*Kb5-16
	*27	*28	*29	*30
	*Kb5-17	*Kb5-18	*Kb5-19	*Kb5-20
	*31	*32	*33	*34

*Kb5-12 (Kb5-301) has a sign of viri horizontally at bottom, and the ordinal number is *12 in the last line of the text (Kb5), and the glyph is the *26th counted long from *Kb4-6 (viri).

Note the similarity in form between *Kb5-12 and Kb4-7. The 1st viri (Ka2-5) has in the parallel G text a similar glyph type:

Ka2-1	Ka2-2	Ka2-3	Ka2-4	Ka2-5
Ga1-22	Ga1-23	Ga1-24	Ga1-25	Ga1-26

*Kb5-16 (vai) agrees in general meaning with the inverted henua ora in Kb4-19 - life (light) is present again.

 

12 ... *10 Kb4-6 Kb4-19 *Kb5-1 *Kb5-12 1 14 15 *26 ... *Kb5-13 *Kb5-14 *Kb5-15 *Kb5-16 *27 *28 *29 *30 *Kb5-17 *Kb5-18 *Kb5-19 *Kb5-20 *31 *32 *33 *34

In short:

 

	*24		*7
Kb4-6		*Kb5-12		*Kb5-20
1		*26		*34
end of year

The importance of 24 and 7 is, maybe, why Ga7-24 is the parallel to *Kb5-15:

 

-
	*Kb5-14	*Kb5-15	*Kb5-16
	*28	*29	*30
			-
Ga7-22	Ga7-23	Ga7-24

Rei in Ga7-22 appers to be another way of presenting the idea of a new season of light beginning, and then vai is not a necessary glyph.