TRANSLATIONS

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The model predicts we should search for Hanga Te Pau beyond Hatinga Te Kohe:

Gb5-6 (360) Gb5-7 Gb5-8 Gb5-9
Gb5-10 (364) Gb5-11 Gb5-12 (366) Gb5-13

But  the numbers (360, 364, 366 etc) must first be reduced by 1, because the counting has here been done from the last glyph on side b of G. Therefore, Hanga Te Pau in A should be found at glyph number 2 * (366 - 1) = 730.

730 - 42 = 688 is Ab1-18:

Ab1-13 Ab1-14 Ab1-15 Ab1-16
Ab1-17 Ab1-18 (730) Ab1-19 Ab1-20

A pure glyph is expressing the 'empty shell' and is at least as good a sign as pau for the fact that old sun has left. The shape is created by two bent henua, which here will represent two half years.

To pray (pure) at the end of the year could have its opposite at midsummer. I guess we here have the reason why Metoro said hakaturou (to blaspheme) at noon (Aa1-26). He could have thought about the word turu, which in Hawaiian was kulou. To turn (turu) and to pray (pure) - we can hear the echoes of the Polynesian words in the English words - may have the basic meanings to turn down respectively to look up. When you pray, you look up to the powers above, when you become disgusted with them you turn your back and look to the earth instead for answers.

There are no pure glyphs in G. Maybe the glyph type had not yet been invented. In Tahua there are 18, 12 of which are 'pure':

 

Aa1-70 Aa2-60 Aa3-70 Aa4-6 Aa4-12
Aa5-69 Aa7-3 Aa7-41
4 + 7 = 11
Aa7-51 Aa7-62 Aa7-69
Ab1-7 Ab1-18 Ab1-69 Ab7-9 Ab7-80
5 + 2 = 7
Ab8-3 Ab8-63

Next page is the last one in the 'Excursion':

Without numbers and counting it would have been nearly impossible to identify where the cardinal points in G can be coordinated with those in A. The examples so far show very different approaches:

Te Pei
Gb1-6 Gb1-7 (236) Aa6-13 Aa6-14 (472)
Te Pou
Gb2-10 Gb2-11 (266) Aa6-73 Aa6-74 (532)
Hatinga Te Kohe
Gb4-33 Gb5-1 (354) Aa8-80 Aa8-81 (708)
Hanga Te Pau
Gb5-11 Gb5-12 (366) Ab1-17 Ab1-18 (730)

And without the kuhane stations it would have been very difficult to first identify the cardinal points in G. But the model for coordinating A and G has now been established, and secured fairly well so far. It can - with caution - be used.

The four stations used for coordinating the texts of A and G are certainly important cardinal points. It is not certain that the rest of the kuhane stations (in G and beyond) are documented in A.

These four stations are distributed unevenly over the year. All refer to the 2nd half of the cycle. The 1st half of the cycle is more difficult - the kuhane moved against her natural dispostion (from west to east), and the text on side a of G is difficult to understand with the order being half withershins, half with the sun.

I intend to here (not in the glyph dictionary - at least not under vae kore) try to extend the points of coordination, beginning with the rest of the kuhane stations on side b of G.

Doubting, for a moment, if really Ab1-18 had anything to do with Hanga Te Pau, I decided to add a page by hyperlink from the previous page:

... A pure glyph is expressing the 'empty shell' and is at least as good a sign as pau for the fact that old sun has left. The shape is created by two bent henua, which here will represent two half years."

 

There is no sign of haga rave, nor of rising 'fishes' following Hanga Te Pau, in the Tahua text:

Ab1-13 Ab1-14 Ab1-15 Ab1-16
Ab1-17 Ab1-18 (730) Ab1-19 Ab1-20

An empty shell contains no germ of future life, it is not like a 'fist' with 'fingers' inside waiting to be 'counted'. It just whispers of life that was. Different glyph types tell different stories.

Empty paua do suggest, though, the pau in Hanga Te Pau.

"Paua or pāua is the Māori name given to three species of large edible sea snails, marine gastropod molluscs which belong to the family Haliotidae (genus Haliotis), known in the USA as abalone, and in the UK as ormer shells ..." Wikipedia