GD44 glyphs are similar to GD36, e.g. as seen in the top sign of Aa1-20:
Therefore a hyperlink is inserted from GD44 to GD36. Another hyperlink goes from GD44 to GD45. Ab2-69 is an example which explains the need:
The upraised wing maybe alludes to GD44, but it could equally well allude to GD45, exemplified by Aa1-51:
There are many instances where birds or other figures have upraised arms or wings. But for practical reasons I have not inserted hyperlinks to those GD which contain such glyphs, e.g. Aa2-6 (GD15), Ab7-79 (GD84) and Aa1-65 (GD52):
Other members may also be upraised without that having caused inclusion of the glyph as GD44, e.g. Ab7-47 (GD23):
The arm (or similar) may be turned downwards in a shape similar to GD44, but that makes no difference - I have not included the glyph in GD44, e.g. Aa7-51:
Aa7-50, on the other hand is included in GD44 (but also in GD36 due to uncertainty):
Aa5-58 and similar glyphs are not included in GD36 but only in GD44 (and GD12 of course):
As there are hyperlinks both to and from GD36 it is not important whether the glyphs are located there or in GD44. Similarly figures which look as if they were on a boat have been located at GD44 but not at GD36, e.g. Ab6-14 (GD42), Ab1-15 (GD19) and Ab1-2 (GD41)
The type of combination exemplified by Aa7-70:
is not seen under GD44. A hyperlink is instead inserted from GD44 to GD22. The 'horns' protruding like the ends of moon sickles in GD22, e.g. in Aa8-1, also motivates the hyperlink:
A few combined glyphs with unclear signs, possibly alluding to GD44 and therefore included here, are Aa1-79 (GD11), Aa4-14 (GD19), Aa8-40 (GD56) and Aa8-82, -85:
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