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In general we can draw the conclusion from the Makoi cycle of place names that the intention was to bring down to earth the sky structure up above in order to facilitate remembering for the people by connecting the present which was close by with the far away ancient cosmos up above - which contained all worth remembering because time itself would have eliminated all non-essentials. This method had always been used:

... Most ingenious Thoth, said the god and king Thamus, one man has the ability to beget arts, but the ability to judge of their usefulness or harmfulness to their users belongs to another; and now you, who are the father of letters, have been led by your affection to ascribe to them a power the opposite of that which they really possess. For this invention will produce forgetfulness in the minds of those who learn to use it, because they will not practise their memory. Their trust in writing, produced by external characters which are no part of themselves, will discourage the use of their own memory within them. You have invented an elixir not of memory, but of reminding; and you offer your pupils the appearance of wisdom, not true wisdom, for they will read many things without instruction and will therefore seem to know many things, when they are for the most part ignorant and hard to get along with, since they are not wise, but only appear wise ...

Memory is vitalized by smells, sounds, etc but also by the recognition of ideas (pictures) and by the proper names which had incorporated such ideas.

One of the names of Easter Island was Mata-ki-te-rangi: (Eyes-towards-the-sky).

... On the late afternoon of the June solstice, towards sunset, we reached Ahu Akivi near the centre of the western side of Easter Island. This is an inland site, 3 kilometers from the coast. Like Ahu Nau Nau at Anakena, it has seven Moai, but in this case none of them have topknots and, uniquely, all face west towards the sea - which is clearly visible from the high point on which they stand.

There is a curious tradition concerning these grizzled, otherworldly statues, solemn and powerful, with their blank, aloof eye-sockets gazing out over the limitless ocean. Like most of the other Moai of Easter Island the local belief is that they died, long ago, at the time when mana - magic - supposedly fled from the island never to return. However, in common with only a very few of the other Moai, it is believed that these particular statues still have the power, twice a year, to transform themselves into aringa ora - literally 'living faces' - a concept startingly similar to the ancient Egyptian notion that statues became 'living images' (sheshep ankh) after undergoing the ceremony of the 'opening of the mouth and the eyes'. Statues at Angkor were likewise considered to be lifeless until their eyes had been symbolically 'opened'.

The great stone Moai of Easter Island were at one time equipped with beautiful inlaid eyes of white coral and red scoria. In a number of cases - though not at Ahu Akivi - sufficient fragments have been found to make restoration possible, showing that the figures originally gazed up at an angle towards the sky. It is therefore easy to guess why this island was once called Mata-Ki-Te-Rangi, 'Eyes Looking at Heaven'. On a moonlit night its hundreds of 'living' statues scanning the stars with glowing coral eyes would have seemed like mythic astronomers peering into the cosmos. And in the heat of the day those same eyes would have tracked the path of the sun, which the ancient Egyptians called the 'Path of Horus' or the 'Path of Ra'. This was also the 'path' pursued by the Akhu Shemsu Hor, the 'Followers of Horus', for whom the exclamation Ankh'Hor - 'the god Horus Lives' - would have been an everyday usage.

The principal astronomical alignments of the great temple of Angkor Wat in Cambodia are towards sunrise on the December solstice and sunrise on the March equinox - respectively midwinter and the beginning of spring in the northern hemisphere. The two moments in the year when Easter Island traditions say that the Moai of Ahu Akivi come alive and are 'particularly meaningful' are the June solstice and the September equinox - respectively midwinter and the beginning of spring in these southern latitudes. Rigorous archaeoastronomical studies by William Mulloy, William Liller, Edmundo Edwards, Malcolm Clark and others have confirmed that the east façade of Ahu Akivi does have a very definite equinoctial orientation and, indeed, that 'the complex was designed to mark the time of the equinoxes' ...

The cycle of Makoi ended at Apina Nui, which I have connected to DAY 60 = right ascension day 60 at the time of rongorongo:

1 Ko Apina Iti 27 29 Ko Te Rano A Raraku (30)

29

30

31 Oparingi 11 (43) 1 45 Vai ngaere 8 54 Vai Rapa (55) 4 60 Apina Nui

12

11

5

24

Niu moe te goe

Niu. Palm tree, coconut tree; hua niu, coconut. Vanaga. Coconut, palm, spinning top.  P Pau., Ta.: niu, coconut. Mgv.: niu, a top; niu mea, coconut. Mq.: niu, coconut, a top. Churchill. The fruit of miro. Buck. T. 1. Coconut palm. 2. Sign for peace. Henry. The sense of top lies in the fact that the bud end of a coconut shell is used for spinning, both in the sport of children and as a means of applying to island life the practical side of the doctrine of chances. Thus it may be that in New Zealand, in latitudes higher than are grateful to the coconut, the divination sense has persisted even to different implements whereby the arbitrament of fate may be declared. Churchill 2.

Goe. Milky Way. Vanaga.

Cb2-8 (424 = 392 + 32) Cb2-9 Cb2-10
CLOSE TO THE FULL MOON:
May 18

ZAURAK (The Boat) = γ Eridani (58.9)

19

λ Tauri (59.3), ν Tauri (59.9)

20 (140)

4h (60.9)

JĪSHUĬ (Piled-up Waters) = λ Persei (60.7)

COR CAROLI (α Canum Ven.)

... Väinämöinen set about building a boat, but when it came to the prow and the stern, he found he needed three words in his rune that he did not know, however he sought for them. In vain he looked on the heads of the swallows, on the necks of the swans, on the backs of the geese, under the tongues of the reindeer. He found a number of words, but not those he needed. Then he thought of seeking them in the realm of Death, Tuonela, but in vain. He escaped back to the world of the living only thanks to his potent magic. He was still missing his three runes. He was then told by a shepherd to search in the mouth of Antero Vipunen, the giant ogre. The road, he was told, went over swords and sharpened axes. Ilmarinen made shoes, shirt and gloves of iron for him, but warned him that he would find the great Vipunen dead. Nevertheless, the hero went. The giant lay underground, and trees grew over his head. Väinämöinen found his way to the giant's mouth, and planted his iron staff in it. The giant awoke and suddenly opened his huge mouth. Väinämöinen slipped into it and was swallowed. As soon as he reached the enormous stomach, he thought of getting out. He built himself a raft [cfr The Heavenly Raft, θ Aquilae, *305], and floated on it up and down inside the giant. The giant felt tickled and told him in many and no uncertain words where he might go, but he did not yield any runes. Then Väinämöinen built a smithy and began to hammer his iron on an anvil, torturing the entrails of Vipunen, who howled out magic songs to curse him away. But Väinämöinen said, thank you, he was very comfortable and would not go unless he got the secret words. Then Vipunen at last unlocked the treasure of his powerful runes. Many days and nights he sang, and the sun and the moon and the waves of the sea and the waterfalls stood still to hear him. Väinämöinen treasured them all and finally agreed to come out. Vipunen opened his great jaws, and the hero issued forth to go and build his boat [cfr Zaurak, the Boat, γ Eridani, *305 + *118 = *58 + *365] at last ...

ºMay 14 15 16 (136)
'April 21 (111) 22 23
"April 7 8 (98) 9 (365 + 99 = 464)
MARCH 15 16 (75 = 98 - 23) 17 (464 - 23 = 441)
DAY 58 59 = 75 - 16) 60
58 Ata Popohanga 59 Ata Ahiahi 60 Apina Nui

58 ata Popohanga toou e to ata hero e

59 ata ahiahi toou e honu e

60 apina nui a Papa nihoniho a vere nua-

nua a Papa o rae i te ngao o te moai o hina-

riru.

Barthel: 'Yours is the morning shadow' refers to an area in Ata Hero where the house of Ricardo Hero is now located. 'Yours is the evening shadow' belongs to a 'turtle'. I could not obtain any information about the location, but I suspect that the 'turtle' refers to a motif in the narration of Tuki Hakahevari (the turtle is carved in stone in a cave along the bay of Apina) ...

Ata 1. Dawn, first light before sunrise; ku-hamu-á te ata , dawn has broken; ku-tehe-á te ata, it's already dawn (lit.: the lights have flown). 2. Particle inserted between the imperative prefix ka and the verb to signify 'well, carefully, intelligently': ka-ata-hakarivariva, prepare it well. Between the prefix e and kahara it expresses 'to make sure that, to take good care that...' : e-ata-kahara koe o oona, be careful not to get dirty; e-ata-kahara koe o kori te moa o te tahi pa, be sure not to steal chickens of another property. 3. More: iti, small; ata iti, smaller; he-ata-ata iti-iti ró, the smallest of all. Vanaga. Âta 1. Shadow: he-veveri te poki, ana tikea toona âta, the child is frightened at seeing his shadow; person's reflection (in mirror, in water): he âta oou-á, it's your own reflection. 2. To be frightened by a shadow: he-âta te îka, the fish are frightened (and they flee) by people's shadows. Vanaga. 1. Image, picture, portrait, design; to draw, to paint (shadow sense). P Mgv: ata, image, likeness, portrait, shadow of a human being, form, shape, appearance, imprint, impression. Mq.: ata, image, statue, portrait, shadow, surface; to design, to mark. Ta.: ata, shade, shadow appearance, form, representation of an object, cloud, cloudy. 2. Transparency, end of day, sunset (bright sense); e ata, red clouds; ku ata, transparent; ata mea, ata tea, ata tehe, dawn, daybreak, sunrise; ataata, end of day, sunset. P Mgv.: ata, morning or evening twilight, daybreak, dawn; ata haihai, evening twilight, a beautiful sunset; ataiai, twilight, clouds red with the sunset; atakurakura, a beautiful sunrise or sunset; atareureu, dawn, the first peep of day, morning twilight. Mq.: ata, to appear, to rise, to shine (of stars); ata uá, morning twilight; ataata, diaphanous, transparent. Ta.: ata, twilight. 3. A designation of space; ata hakahohonu, abyss; ata hakaneke mai, nearby, close at hand; ata tapa, lateral, marginal. 4 ? Ata kimikimi, to inquire; ata puo, to hill a plant; ata ui, to examine, to taste. Churchill. Atahenua (ata 3 - henua 1), landscape, countryside. Atakai: 1. Generous, hospitable, beneficent, indulgent, liberal, obliging; prodigality, indulgence; rima atakai, benevolent, generous, open-handed; gift, liberality. 2. Calm, unperturbed, grateful. Churchill. Ata-ta T, evening (? ataata). Atatehe (ata 2 - tehe 1), dawn; popohaga atatehe, morning, early in the morning. Churchill.

Hero. Herohero. 1. Crimson, bright red; he varu i te ki'ea ka herohero ró te hakari, to paint one's body red with ki'ea; ku hú á te huka-huka, ku herohero á i roto i te ahi, burning wood shows red in the fire. 2. The colour of ripe fruit, the yellow of ripe bananas. 3. Figuratively: angry: ku herohero á te manava = ku ká te manava. Vanaga. Herohero. Scarlet, suffocating T. Ura herohero, brilliance of flames. Churchill.

Ahi. Fire; he-tutu i te ahi to light a fire. Ahiahi = evening; ahiahi-ata, the last moments of light before nightfall. I te ahiahi-ata he garo te raá ki raro ki te vai kava. In the evening the sun disappears under the sea. Ku-tea-á te hetu'u ahiahi, the evening star has risen. Vanaga. 1. Candle, stove, fire (vahi); ahi hakapura, match; ahi hakagaiei, firebrand waved as a night signal. P Mgv.: ahi, fire, flame. Mq.: ahi, fire, match, percussion cap. Ta.: ahi, fire, percussion cap, wick, stove. 2. To be night; agatahi ahi atu, day before yesterday. 3. Pau.: ahi, sandalwood. Ta.: ahi, id. Mq.: auahi, a variety of breadfruit. Sa.: asi, sandalwood. Ha.: ili-ahi, id. Ahiahi, afternoon, night; kai ahiahi, supper. P Pau., Mgv., Mq., Ta.: ahiahi, afternoon, evening. Ahipipi (ahi 1 - pipi 2) a spark, to flash. Churchill.

The beginning of this cycle was at Apina Iti, which therefore ought to have been at right ascension DAY 1, where Metoro stated the landscape (te ata i te henua) was growing (kua tupu). It was the beginning of spring and the statues at Ahu Akivi would once again come alive (open their eyes).

Kua tupu te ata i te henua
*Ca14-1 *Ca14-2 *Ca14-3 (366) *Ca14-4 *Ca14-5
CLOSE TO THE FULL MOON:
March 19

η Tucanae (363.0), ψ Pegasi (363.1), 32 Piscium (363.2), π Phoenicis (363.4), ε Tucanae (363.6), τ Phoenicis (363.9)

20 (365 + 79 = 444)

θ Oct. (364.4)

21 (80)

Al Fargh al Thāni-25 (Rear Spout)

0h (365.25)

CAPH (Hand) = β Cassiopeiae, SIRRAH (Navel of the Horse) = α Andromedae (0.5), ε Phoenicis, γ³ Oct. (0.8)
22

Uttara Bhādrapadā-27 (2nd of the Blessed Feet) / Wall-14 (Porcupine)

ο Oct. (1.3), ALGENIB PEGASI = γ Pegasi (1.8)

23

χ Pegasi (2.1), θ Andromedae (2.7)

... Maui was the fifth and youngest of his parents' sons, yet when he was born his brothers knew nothing of it. They first learned that they had a brother when he was discovered one night standing behind them in the great meeting house. Everyone was present, the four brothers, their mother Taranga, and all the relations, and there was dancing going on, when little Maui crept into the house unseen, and went and sat behind his brothers. When it came to their turn to dance, and their mother stood them up and counted them so as to be ready, he stood up with them. 'One, that's Maui mua; two, that's Maui roto; three, that's Maui taha; four, that's Maui pae', she said; these names mean Maui the first, Maui the middle, Maui the side, and Maui the edge. Then she saw this other child standing with them, and cried out, 'Hullo, where did this one come from?' 'I'm your child too', Maui replied. So she counted them again and said, 'Oh no, there ought to be only four of you. This is the first I've seen of you.' And so there was a scene, with little Maui and the old woman arguing about it in the middle of the rows of dancers. In the end she became annoyed with him. 'Now, come on, out of the house!' she said. 'You are no child of mine, you belong to someone else. Go home!' But little Maui stood up for himself. 'Well then, I'd better go, I suppose', he said. 'Since you say so, I must be someone else's child. But I did think I was yours, because I know I was born at the edge of the sea, and you cut off a tuft of your hair and wrapped me in it and threw me in the waves. After that the seaweed took care of me and I drifted about in the sea, wrapped in long tangles of kelp, until a breeze blew me on shore again, and some jelly-fish rolled themself around me to protect me on the sandy beach. Clouds of flies settled on me and I might have been eaten up by the maggots; flocks of seabirds came, and I might have been pecked to pieces. But then my great-ancestor Tama nui ki te rangi arrived. He saw the clouds of flies and all the birds, and he came and pulled away the jelly-fish, and there was I, a human being! Well, he picked me up and washed me and took me home, and hung me in the rafters in the warmth of the fire, and he saved my life. And I grew, and  eventually I heard about the dancing you have here in this house, and that is what brought me here tonight.' Now Taranga listened to all this in amazement. For in the custom of our people, if a child was born before it finished growing in its mother's womb and died without knowing any of the pleasures of life, it was supposed to be buried with special prayers and ceremonies, otherwise it became a kind of evil spirit, always doing mischief to the human race and hurting them out of spite, because of having missed the happiness that they enjoy. All the evil spirits had a beginning of this sort. So Maui was a little demi-god of mischief. The story he had told was true, and as his mother listened she remembered it all. 'From the time I was in your womb,' Maui went on, 'I have known the names of these children of yours. Listen,' he said as he pointed to his brothers in turn. 'You are Maui mua, you are Maui roto, you are Maui taha, and you are Maui pae. And as for me, I am Maui potiki, Maui-the-last-born. And here I am.' When he had finished, Taranga had to wipe her eyes because there were tears in them, and she said: 'You are indeed my lastborn son. You are the child of my old age. When I had you, no one knew, and what you have been saying is the truth. Well, as you were formed out of my topknot you can be Maui tikitiki a Taranga.' So that became his name, meaning Maui-formed-in-the-topknot-of-Taranga. And this is very strange, because women in those days did not have topknots. The topknot was the most sacred part of a person, and only men had them ...

'Febr 21 22 Terminalia 24 25 (420 = 447 - 27)

... The leap day was introduced as part of the Julian reform. The day following the Terminalia (February 23) was doubled, forming the 'bis sextum - literally 'double sixth', since February 24 was 'the sixth day before the Kalends of March' using Roman inclusive counting (March 1 was the 'first day'). Although exceptions exist, the first day of the bis sextum (February 24) was usually regarded as the intercalated or 'bissextile' day since the third century. February 29 came to be regarded as the leap day when the Roman system of numbering days was replaced by sequential numbering in the late Middle Ages ...

CLOSE TO THE SUN:
Sept 18 19 20 (263 → Venus) 21 22 (equinox)
π Virginis (181.0), θ Crucis (181.5)

12h (182.6)

ο Virginis (182.1), η Crucis (182.5)

ALCHITA = α Corvi, MA WEI (Tail of the Horse) = δ Centauri (183.1), MINKAR = ε Corvi (183.7), ρ Centauri (183.9)

PÁLIDA (Pale) = δ Crucis (184.6), MEGREZ (Root of the Tail) = δ Ursae Majoris (184.9)

Hasta-13 (Hand) / Chariot-28 (Worm)

GIENAH (Wing) = γ Corvi (185.1), ε Muscae (185.2), ζ Crucis (185.4), ZANIAH (Corner) = η Virginis (185.9)

*144.0 = *185.4 - *41.4

... the bird, being sent with a cup for water, loitered at a fig-tree till the fruit became ripe, and then returned to the god with a water-snake in his claws and a lie in his mouth, alleging the snake to have been the cause of the delay. In punishment he was forever fixed in the sky with the Cup and the Snake; and, we may infer, doomed to everlasting thirst by the guardianship of the Hydra over the Cup and its contents. From all this came other poetical names for our Corvus - Avis Ficarius, the Fig Bird; and Emansor, one who stays beyond his time; and a belief, in early folk-lore, that this alone among birds did not carry water to its young ...

'Aug 22 23 24 (236 → Moon) 25 26

... Ohua. Night in the Moon calendar:

Ohua Otua
CLOSE TO THE SUN:
12h (182.6) ALCHITA PÁLIDA
DAY 182 183 184
CLOSE TO THE FULL MOON:
March 20 SIRRAH ALGENIB PEGASI
DAY 364 0h (365.25) 1

Notably the Raven, which was ascending in day 236 (= 8 * 29½) in Roman times ('August 24), had moved ahead due to the precession of the equinoxes with 27 days to 'a clean cup' in day 263 at the time of rongorongo.

CIRCUIT OF VENUS

Evening Star

263

Black

8

Morning Star

263

Black

50

Sum

584

This explains why the Mayas at their time had another layout for this table:

... The Maya and later the Central Mexicans divided the motion of Venus into four intervals. They assigned an 8-day period to the disappearance at inferior conjunction [when Venus is between sun and Earth], which is close to that observed today. But, peculiarly, Maya manuscripts recorded a disappearance interval of 90 days at superior conjunction [when Venus is behind the sun], nearly double the true value. Furthermore, they assigned unequal values to the intervals as morning and evening star: 250 and 236 days, respectively. [This must be an error as 250 days refers to evening star and 236 refers to morning star.] In fact, the true intervals are equivalent at approximately 263 days. These curious intervals betray a lunar origin: the latter three are whole or half multiples of the lunar synodic month: 

236 = 8.0 lunar synodic months - 0.24

90 = 3.0 lunar synodic months + 1.41

250 = 8.5 lunar synodic months - 1.25

In practice this means that if, for example, a first-quarter moon was visible at a morning heliacal [first appearance after having been invisible due to being close to, behind of or in front of the sun] rise of Venus, then the moon's phase, on average, would be the same on the last day that morning star Venus was seen in the east. When Venus reappeared as the evening star in the west, the moon would appear in the opposite phase (last quarter) ...

CIRCUIT OF VENUS

Morning Star

236

Black

90

Evening Star

250

Black

8

Sum

584