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Ca1-1 is 1 day after the northern spring equinox, therefore it is glyph number 1 in the text. It means 1 day has passed since March 21.

Saad Al Saud 12 (310) 13
March 22 (81) 23
Ca1-1 Ca1-2
koia ki te hoea

Aquarius (the 'Great One') precedes equinox in the age of Pisces.

The beginning of the Arabic manzil Saad Al Akhbia ('the happy tent raisers') coincides with day 448 counted from the beginning of the previous Gregorian year, 83 + 365 = 448:

Saad Al Akhbia 1 2 3 (314) 4 5
March 24 (448) 25 (84) March 26 27 28
Ca1-3 Ca1-4 Ca1-5 Ca1-6 Ca1-7
ki te henua te rima te hau tea haga i te mea ke  ki te henua - tagata honui te ika
Saad Al Akhbia 6 7 8
March 29 30 31 (90)
Ca1-8 Ca1-9 Ca1-10
te honu te manu te henua
  Deneb Kaitos (9.4)

Saad Al Akhbia 9 10 11 12 13 (324)
April 1 2 3 (93) 4 5 (460)
Ca1-11 Ca1-12 Ca1-13 Ca1-14 Ca1-15
te Rei kua hakagana te henua honu te henua
        1h (15.2)
Almuqaddam 1 (325) 2 3
April 6 7 8
Ca1-16 Ca1-17 Ca1-18
koia ka hua koia ki te henua kiore kikiu - te henua
Almuqaddam 4 5 (329) 6
April 9 (464) 10 11 (101)
Ca1-19 Ca1-20 Ca1-21
te maitaki - te kihikihi hakaraoa - te henua tagata huki
Spica, Alcor (202.7)    
Almuqaddam 7 8 9
April 12 13 (468) 14
Ca1-22 Ca1-23 Ca1-24
manu rere - -
Almuqaddam 10 11 (700)
April 15 16 (471)
Ca1-25 Ca1-26
kiore ki te huaga kua moe ki te tai.

South of the equator March-April corresponds to September-October and it is not spring but autumn. Metoro's kua moe ki te tai seems so indicate how 'Land' returns to 'Sea'. On Hawaii, on the other side of the equator compared to Easter Island, the last night in the month describes the opposite phenomenon:

Muku is the night on which the Moon does not rise. The name means 'finished' and it refers to the 'dying' of the Moon. It is a day for planting crops, a day of low tide, when the sea gathers up and returns the sand to its place, a day of diving for sea-urchins, small and large, for gathering sea-weed, for line-fishing by children, squid-catching, uluulu [uruuru] fishing, pulu [puru] fishing and so forth. Such is the activity of this day.

Mutu

1. Cut short, shortened, amputated; at an end, ceased; anything cut off short; short, brief, quick (rare). Ua muku ko'u lole, my dress is shortened. He kanaka wāwae muku, a person with amputated foot. Huli muku a'ela nā wa'a, the canoes turned sharply. (PPN mutu.) 2. A measure of length from fingertips of one hand to the elbow of the other arm, when both arms are extended to the side. 3. Broken section of a wave or crest. See lala 1. 4. Same as Mumuku, a wind. 5. Thirtieth night of the moon, when it has entirely disappeared (muku). 6. Starboard ends of 'iako (outrigger booms), hence starboard sides of a canoe. Wehewehe.

Ca1-26 has its picture in the vertical centre, probably to indicate equinox because this is where the ecliptic path descends below the Sky equator.

From a point south of the equator Spica will be the highest point of Virgo, which is illustrated in the flag of Brazil:

April 9 is day 99 from the beginning of the Gregorian year, and by adding 184 we will reach day 283, which is October 10 in an ordinary year, but October 9 in a leap year:

178 182
Cb8-7 (570) *Ca14-21 (384) *Ca14-22 *Ca14-23 Cb8-6
October 11 (285) 178 April 8 (464) 9 10 (100) 182 October 10
180 Spica 183 Spica

By first adding 181 to the heliacal position - to reach the night when the star is close to full moon - and then by adding another 184 days we have come the whole cycle around.

From the perspective of Easter Island - one of the names of which was Mata ki te Rangi (eyes towards the sky) - Spica could be seen close to full moon early in April. This 'Spike' of the Virgin was not on Land (south of the sky equator) but in the Sea (north of the equator).

Taranga means the place of the spike (tara-ga), or we could say the origin of Maui:

 

"Maui was the fifth and youngest of his parents' sons, yet when he was born his brothers knew nothing of it. They first learned that they had a brother when he was discovered one night standing behind them in the great meeting house.

Everyone was present, the four brothers, their mother Taranga, and all the relations, and there was dancing going on, when little Maui crept into the house unseen, and went and sat behind his brothers. When it came to their turn to dance, and their mother stood them up and counted the so as to be ready, he stood up with them.

'One, that's Maui mua; two, that's Maui roto; three, that's Maui taha; four, that's Maui pae', she said; these names mean Maui the first, Maui the middle, Maui the side, and Maui the edge. Then she saw this other child standing with them, and cried out, 'Hullo, where did this one come from?'

'I'm your child too', Maui replied. So she counted them again and said, 'Oh no, there ought to be only four of you. This is the first I've seen of you.'

And so there was a scene, with little Maui and the old woman arguing about it in the middle of the rows of dancers. In the end she became annoyed with him. 'Now, come on, out of the house!' she said. 'You are no child of mine, you belong to someone else. Go home!'

But little Maui stood up for himself. 'Well then, I'd better go, I suppose', he said. 'Since you say so, I must be someone else's child. But I did think I was yours, because I know I was born at the edge of the sea, and you cut off a tuft of your hair and wrapped me in it and threw me in the waves. After that the seaweed took care of me and I drifted about in the sea, wrapped in long tangles of kelp, until a breeze blew me on shore again, and some jelly-fish rolled themself around me to protect me on the sandy beach. Clouds of flies settled on me and I might have been eaten up by the maggots; flocks of seabirds came, and I might have been pecked to pieces. But then my great-ancestor Tama nui ki te rangi arrived. He saw the clouds of flies and all the birds, and he came and pulled away the jelly-fish, and there was I, a human being! Well, he picked me up and washed me and took me home, and hung me in the rafters in the warmth of the fire, and he saved my life. And I grew, and  eventually I heard about the dancing you have here in this house, and that is what brought me here tonight.'

Now Taranga listened to all this in amazement. For in the custom of our people, if a child was born before it finished growing in its mother's womb and died without knowing any of the pleasures of life, it was supposed to be buried with special prayers and ceremonies, otherwise it became a kind of evil spirit, always doing mischief to the human race and hurting them out of spite, because of having missed the happiness that they enjoy. All the evil spirits had a beginning of this sort. So Maui was a little demi-god of mischief. The story he had told was true, and as his mother listened she remembered it all.

'From the time I was in your womb,' Maui went on, 'I have known the names of these children of yours. Listen,' he said as he pointed to his brothers in turn. 'You are Maui mua, you are Maui roto, you are Maui taha, and you are Maui pae. And as for me, I am Maui potiki, Maui-the-last-born. And here I am.'

When he had finished, Taranga had to wipe her eyes because there were tears in them, and she said: 'You are indeed my lastborn son. You are the child of my old age. When I had you, no one knew, and what you have been saying is the truth. Well, as you were formed out of my topknot you can be Maui tikitiki a Taranga.'

So that became his name, meaning Maui-formed-in-the-topknot-of-Taranga. And this is very strange, because women in those days did not have topknots. The topknot was the most sacred part of a person, and only men had them."

(Antony Alpers, Maori Myths & Tribal Legends.)

Quite possibly the creator of the Mamari text thought of this story when he placed a little head as the very last glyph of the previous year, the head of Maui potiki at the border between the living and the dead:

Almuqaddam 11 (700)
April 16 (471)
Ca1-26
kua moe ki te tai.

If I have guessed right regarding the meaning of the rhombs of different sizes in Gb8-30 and Gb11-19, then we can deduce the rhomb in Ca1-26 should represent a period of intermediate size:

3 * 59 = 177
59 < x < 295
1½ * 295 + 180 = 622

Then we know the names of the older brothers, and we can assume their perids are equal and that they are parts of the solar year. To make room for Maui I guess each brother has 365 / 5 = 73 days:

Maui mua 73 292
Maui roto 73
Maui taha 73
Maui pae' 73

At Ca1-26 (where Maui could be) we can count 12 * 6 = 72. This makes the solar year 72 + 292 = 364 days long. The first day of the year should not be counted when measuring time.

The above was just an example. We could, for instance, instead count 4 * 100 + 72 = 472. Neither of these explanations is acceptable, though. Maui is superior to his brothers and cannot have a lower value.

Maui is the 5th corner in the pyramid of time, high up and possibly at Polaris. 4 * 73 + 144 (= 12 * 12) = 436. 144 = 2 * 72 and Polaris appears twice in the G text:

Gb7-22 Gb7-23 Gb7-24 Gb7-25 (436) Gb7-26
no stars listed Polaris, Baten Kaitos (26.6), Metallah (26.9), Segin, Mesarthim (27.2), Sheratan (27.4)
April 14 15 16 17 (107) 18
Almuqaddam 9 10 11 12 (336) 13
Gb4-6 Gb4-7 (328) Gb4-8 (*392) Gb4-9
   Polaris, Baten Kaitos (26.6), Metallah (26.9), Segin, Mesarthim (27.2), Sheratan (27.4)
April 15 16 17 (107) 18
Almuqaddam 10 11 12 (336) 13