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The most recent attempt (cfr hahe) to describe the structure of the Tahua text suggests the existence of a calendar beginning at Aa3-8 and ending some 400 glyphs later:

398
Aa3-8 Aa3-9 Aa3-10 Aa7-84 Aa7-85 Aa8-1
400

Kara etahi in Aa5-10 should be possible to integrate in this structure:

157 239
Aa3-10 (185) Aa5-10 (343) Aa5-11 Aa7-84 (584)
160 = 4 * 40 240 = 6 * 40
400 = 5 * 80

Ordinal number 10 in a glyph line presumably is a day of Venus, which also happens to be the case with haś in Aa7-84. Subtracting the days at the beginning (Mercury, Jupiter, and Venus) from 584 results in 581 which is equal to 7 * 83.

Presumably 160 is a number connected with the moon and 240 a number associated with spring sun:

Aa5-8 Aa5-9 Aa5-10 Aa5-11
Aa5-12 (345) Aa5-13 Aa5-14 Aa5-15 Aa5-16

5 * 12 = 60 and 345 could refer to the basic Pythagorean triangle for measuring the height of the sun.

The throat of the moe bird (Aa5-15) is open in front while the 'spirit rising' (manu rere) in Aa5-16 has a crack in the past (left wing open).

Henua ora in Aa5-14 indicates it is time for 'recycling' and the planet 'costume' is Mars, the spring garment of the Sun. Mercury will take over (moe in Aa5-15).

The character of manu rere in Aa5-9 is drastically different from that in Aa5-16:

Aa5-9 (342) Aa5-16

342 = 18 * 19, a number which in a way is reversing 18 * 18 = 324 (by changing 24 into 42), the ordinal number of the hua glyph preceding manu rere in Aa4-74:

Aa4-73 (324) Aa4-74 Aa4-75
Aa4-76 Aa4-77 Aa4-78

Possibly the type of manu rere which in Tahua has a 'cracked wing' at left indicates the 'spirit of spring'.