Maybe both hua and toga appear basically in two shapes, one for the sun and one for the moon:
The moon hua above is distinguished by the fact that there are two 'individuals', two separate figures (which can be explained by the left one being the 'mother' and the right one being the 'son'). But no female is necessary in order to die. In K the sequence ending with a 'fire generator' has a toga glyph with a broad ihe tau, not a whole waning moon crescent but only its top:
Possibly K describes events from the perspective of the moon (nighttime) instead of from the sun (daytime) perspective. With my colour chart I have translated the ordinal numbers into colours. Ka3-14 is at an important spring station and Mars is the obvious choice. Sun is not visible in the night, but Mars is. But we will not here continue to discuss the different formulas used in K and G. We are still looking at toga glyphs with empty hands and it is time to focus on those with Y hands. |
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