584
 

28  It was all very a-mazing:

... and then, with stunning abruptness, at a crucial date that can be almost precisely fixed at 3200 BC (in the period of the archaeological stratum known as Uruk B), there appears in this little Sumerian mud garden - as though the flowers of its tiny cities were suddenly bursting into bloom - the whole cultural syndrome that has since constituted the germinal unit of all the high civilization of the world.

And we cannot attribute this event to any achievement of th mentality of simple peasants. Nor was it the mechanical consequence of a simple piling up of material artifacts, economically determined. It was actually and clearly the highly conscious creation (this much can be asserted with complete assurance) of the mind and science of a new order of humanity, which had never before appeared in the history of mankind; namely, the professional, full-time, initiated, strictly regimented temple priest.

The new inspiration of civilized life was based, first, on the discovery, through long and meticulous, carefully checked and rechecked observations, that there were, besides the sun and moon, five other visible or barely visible heavenly spheres (to wit, Mercury, Venus, Mars, Jupiter, and Saturn) which moved in established courses, according to established laws, along the ways followed by the sun and moon, among the fixed stars; and then, second, on the almost insane, playful, yet potentially terrible notion that the laws governing the movements of the seven heavenly spheres should in some mystical way be the same as those governing the life and thought of men on earth.

The whole city, not simply the temple area, was now conceived as an imitation on earth of the cosmic order, a sociological 'middle cosmos', or mesocosm, established by priestcraft between the macrocosm of the universe and the microcosm of the individual, making visible the one essential form of all. The king was the center, as a human representative of the power made celestially manifest either in the sun or the moon, according to the focus of the local cult; the walled city was organized architecturally in the design of a quartered circle (like the circles designed on the ceramic ware of the period just preceeding), centered around the pivotal sanctum of the palace or ziggurat (as the ceramic designs around the cross, rosette, or swastika); and there was a mathematically structured calendar to regulate the seasons of the city's life according to the passages of the sun and moon among the stars - as well as a highly developed system of liturgical arts, including music, the art rendering audible to human ears the world-ordering harmony of the celestial spheres.

It was at this moment in human destiny that the art of writing first appeared in the world and that scriptorially documented history therefore begins. Also, the wheel appeared. And we have evidence of the development of the two numerical systems still normally employed throughout the civilized world, the decimal and the sexigesimal; the former was used mostly for business accounts in the offices of the temple compounds, where the grain was stored that had been collected as taxes, and the latter for the ritualistic measuring of space and time as well. Three hundred and sixty degrees, then as now, represented the circumference of a circle - the cycle of the horizon - while three hundred and sixty days, plus five, marked the measurement of the circle of the year, the cycle of time. The five intercalated days that bring the total to three hundred and sixty-five were taken to represent a sacred opening through which spiritual energy flowed into the round of the temporal universe from the pleroma of eternity, and they were designated, consequently, days of holy feast and festival.

Comparably, the ziggurat, the pivotal point in the center of the sacred circle of space, where the earthly and heavenly powers joined, was also characterized by the number five; for the four sides of the tower, oriented to the points of the compass, came together at the summit, the fifth point, and it was there that the energy of heaven met the earth. The early Sumerian temple tower with the hieratically organized little city surrounding it, where everyone played his role according to the rules of a celestially inspired divine game, supplied the model of paradise that we find, centuries later, in the Hindu-Buddhist imagery of the world mountain, Sumeru, whose jeweled slopes, facing the four directions, peopled on the west by sacred serpents, on the south by gnomes, on the north by earth giants, and on the east by divine musicians, rose from the mid-point of the earth as the vertical axis of the egg-shaped universe, and bore on its quadrangular summit the palatial mansions of the deathless gods, whose towered city was known as Amaravati, 'The Town Immortal'. But it was the model also of the Greek Olympus, the Aztec temples of the sun, and Dante's holy mountain of Purgatory, bearing on its summit the Earthly Paradise.

For the form and concept of the City of God conceived as a 'mesochosm' (an earthly imitation of the celestial order of the macrocosm) which emerged on the threshold of history circa 3200 BC, at precisely that geographical point where the rivers of Tigris and Euphrates reach the Persian Gulf, was disseminated eastward and westward along the ways already blazed by the earlier neolithic. The wonderful life-organizing assemblage of ideas and principles - including those of kingship, writing, mathematics, and calendrical astronomy - reached the Nile, circa 2800 BC; it spread to Crete on the one hand, and on the other, to the valley of the Indus, circa 2600 BC; to Shang China, circa 1600 BC; and, according to at least one high authority, Dr Robert Heine-Geldern, from China across the Pacific, during the prosperous seafaring period of the late Chou Dynasty, between the seventh and fourth centuries BC, to Peru and Middle America ...

And there was one rung missing in the ladder up to heaven:

Law of Bode and Titus:

Observations:

4 + (0 * 3) / 10 = 0,4

Mercury

0,39

4 + (1 * 3) / 10 = 0,7

Venus

0,72

4 + (2 * 3) / 10 = 1,0

Moon

1,00

4 + (4 * 3) / 10 = 1,6

Mars

1,52

4 + (8 * 3) / 10 = 2,8

Ceres

2,77

4 + (16 * 3) / 10 = 5,2

Jupiter

5,20

4 + (32 * 3) / 10 = 10,0

Saturn

9,54

Instead of 8 planets there were only 7. I.e. just as Seven Hunaphu and One Hunaphu - who had lost in the game and then been placed like a fruit at the top of The Skeleton Tree.

... The state of the tree loomed large in their thoughts, because it came about at the same time the head of One Hunaphu was put in the fork. The Xibalbans said among themselves: 'No one is to pick the fruit, nor is anyone to go beneath the tree', they said. They restricted themselves, all of Xibalba held back ...

The fate of One Hunaphu was to die in order to be reborn, to germinate the next count.

... And then the bone spoke; it was there in the fork of the tree: Why do you want a mere bone, a round thing in the branches of a tree? said the head of One Hunaphu when it spoke to the maiden. You don't want it, she was told. I do want it, said the maiden. Very well. Stretch out your right hand here, so I can see it, said the bone. Yes, said the maiden. She stretched out her right hand, up there in front of the bone. And then the bone spit out its saliva, which landed squarely in the hand of the maiden.

And then she looked in her hand, she inspected it right away, but the bone's saliva wasn't in her hand. It is just a sign I have given you, my saliva, my spittle. This, my head, has nothing on it - just bone, nothing of meat. It's just the same with the head of a great lord: it's just the flesh that makes his face look good. And when he dies, people get frightened by his bones. After that, his son is like his saliva, his spittle, in his being, whether it be the son of a lord or the son of a craftsman, an orator. The father does not disappear, but goes on being fulfilled. Neither dimmed nor destroyed is the face of a lord, a warrior, craftsman, an orator. Rather, he will leave his daughters and sons. So it is that I have done likewise through you. Now go up there on the face of the earth; you will not die. Keep the word. So be it, said the head of One and Seven Hunaphu - they were of one mind when they did it ...

... The mythic landscape was an 'implex', by which term is meant a world of implications. ... Fanciful, assuredly, but neither the Milky Way nor the terrestrial Ganges offered any basis for the imagery of a river flowing to the four quarters of the earth 'for the purification of the three worlds'. One cannot get away from the 'implex' and it is now necessary to consider the tale of a new skeleton map, alias skambha: the equinoctial colure had shifted to a position where it ran through stars of Auriga and through Rigel. Skambha, as we have said, was the World Tree consisting mostly of celestial coordinates, a kind of wildly imaginative armillary sphere. It all had to shift when one coordinate shifted ...

... Fanciful, assuredly, but neither the Milky Way nor the terrestrial Ganges offered any basis for the imagery of a river flowing to the four quarters of the earth 'for the purification of the three worlds'. One cannot get away from the 'implex' and it is now necessary to consider the tale of a new skeleton map, alias skambha: the equinoctial colure had shifted to a position where it ran through stars of Auriga and through Rigel. Skambha, as we have said, was the World Tree consisting mostly of celestial coordinates, a kind of wildly imaginative armillary sphere. It all had to shift when one coordinate shifted ...

... There is no need to go into detail regarding the further creeds and customs [in addition to the belief in Kane / Tane] in which various Maori-Polynesian tribes follow the pattern of their Northwest Coast neighbors, such as nose rubbing as a salute, topknots as masculine coiffure, feathers of big birds as hair decoration, head flattening, body tattooing, finger severance, fire walking, armor for combat, the tongue as a symbol of defiance, and weapons carved as stylized heads with an outstretched tongue as the blade, the ignorance of stringed musical instruments which had their main world center between India and Indonesia, and a Maori repetition of the Northwest Coast rattles, percussion instruments, and the wooden flute or flageolet carved as a grotesque human face with sound issuing from its wideopen mouth, the system of taboo, the dread of burial in the ground and preference in both areas of placing the dead on wooden platforms raised on poles, the dried-up remains or skeletons wrapped in bark blankets and deposited in a sitting position with knees below chin in caves, trees, or (also in both areas) in part of a canoe ...

... The Mayan 20-day skeleton tree month Kankin was beginning with day 261 (= 9 * 29) and ending with day 280. 261 - 20 = 241 and therefore we might guess the previous 'red meat' month (Mac) was beginning not with day 241 but with day 242 because that was the position of Vathorz Posterior. Here the Tree was still living and in good shape - not a skeleton but still with meat on ...

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