61. Evidently a Chief actor has to follow the cosmic song and dance patterns. And from Him also the rest of us have to follow suit.
A red colour, which once upon a time had been painted on the royal castle in Stockholm for the King of Sweden, was the reason for the same red paint - a biproduct from the copper mines in Falun - being applied to so many Swedish houses (by those who could afford it). Cosmic patterns could obviously be perceived from observing the 'living stars', i.e. the planets which were moving on the ecliptic stage, with their steps being described by time-space counting, leading on to the discovery of a bunch of special number entities. ... What interests me most in conducting this argument is the difference that is constantly appearing between the poetic and prosaic methods of thought. The prosaic method was invented by the Greeks of the Classical age as an insurance agains the swamping of reason by mythographic fancy. It has now become the only legitimate means of transmitting useful knowledge. And in England, as in most other mercantile countries, the current popular view is that 'music' and oldfashioned diction are the only characteristics of poetry which distinguish it from proses: that every poem has, or should have, a precise single-strand prose equivalent. As a result, the poetic faculty is atrophied in every educated person who does not privately struggle to cultivate it: very much as the faculty of understanding pictures is atrophied in the Bedouin Arab. (T. E. Lawrence once showed a coloured crayon sketch of an Arab Sheikh to the Sheikh's own clansmen. They passed it from hand to hand, but the nearest guess as to what it represented came from a man who took the sheikh's foot to be the horn of a buffalo.) And from the inability to think poetically - to resolve speech into its original images and rhythms and re-combine these on several simultaneous levels of thought into a multiple sense - derives the failure to think clearly in prose. In prose one thinks on only one level at a time, and no combination of words needs to contain more than a single sense; nevertheless the images resident in words must be securely related if the passage is to have any bite. This simple need is forgotten, what passes for simple prose nowadays is a mechanical stringing together of stereotyped word-groups, without regard for the images contained in them. The mechanical style, which began in the counting-house, has now infiltrated into the university, some of its most zombiesque instances occurring in the works of eminent scholars and divines ... The synodic orbit of Mars is 780 days. Playing with 780, and trying to establish some relation to the orbit of Mother Earth, several possibilities could be perceived. For instance: 2 * 365 = 730 = 780 - 50. Or 2 * 364 = 728 = 780 - 52. Or 2 * 360 = 720 = 780 - 60. A next evolutionary step would then be when these special cosmic number entities took on such force on the minds as to make everyone behave accordingly. For instance: The text on the G tablet (472) + 628 (the E tablet) = 1100 = 780 + 320. This like so many other phenomena could be described as coincidences, but the perceptions of them were certainly no coincidences. Behaviour is based both on genome and cultural inheritage. ... The first of all foreign visitors on Easter Island was the Dutch admiral Jacob Roggeveen., who approached the island in the evening twilight of Easter Sunday, 1722. As the sun rose above the sea next morning the Dutchmen brought their ships close inshore and observed a mixed crowd of fair-skinned and dark-skinned people who had lit fires before some enormous statues standing in a row. The people ashore were squatting in front of the statues, with their heads bent while they alternatively raised and lowered their arms. When the sun rose they prostrated themselves on the ground facing the sunrise, their fires still flickering before the stone colossi. The statues were even then so old and eroded that Roggeveen could with his bare fingers break pieces away from the decomposed surface, wherefore he concluded that the giant figures were simply molded from clay and soil mixed with pebbles. The Dutchmen left the island after a single day's visit ... ... The eye is the symbolic site of subjection. Valeri observes that: 'The two sentiments that permit the transcendence of the self are, according to Hawaiians, desire and respect. One and the other are called kau ka maka, literally, 'to set one's eyes on' ... 'To see' (ike) in Hawaiian (as in French or English) is 'to understand', but it is also 'to know sexually'. Witness to the order, the world of forms generated by the chief, the eye, is the sacrifice of those who violate that order. The left eye of the slain tabu-transgressors is swallowed by Kahoali'i, ceremonial double of the king and living god of his sacrificial rites. Like the sun, chiefs of the highest tabus - those who are called 'gods', 'fire', 'heat', and 'raging blazes' - cannot be gazed directly upon without injury. The lowly commoner prostrates before them face to the ground, the position assumed by victims on the platforms of human sacrifice. Such a one is called makawela, 'burnt eyes' ... In our quest for perceiving the current path of Mars we have arrived not even halfways, but on the way it has been revealed for us how we can use support from the G text:
By adding 364 / 2 = 182 to Ga2-6 (36) the place of Mebsuta in Gemini the right ascension day will increase to *100 + *182 = *282, which should correspond to the position of Ga8-15. From Mebsuta located at the Sun in APRIL 26 to the place of nakshatra Mebsuta there were 182 days. Currently the Mebsuta star and the planet Mars are bound to be seen close together in the evening sky of April 14 in AD 2023:
It should not surprise us to find nakshatra Mars not 182 days ahead but 365 + 22 - 104 = 283 = 182 + 101 days ahead, i.e. in January 22 AD 2024. Because the synodic orbit of Mars was quite interesting and motivated much attention.
... Alice thought she had never seen such a curious croquet ground in her life: it was all ridges and furrows: the croquet balls were live hedgehogs, and the mallets live flamingoes, and the soldiers had to double themselves up and stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it would twist itself around and look up in her face, with such a puzzled expression that she could not help bursting out laughing; and, when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or a furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed ...
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