13.  Once again. The Hindu view was dual - like the Phoenician alphabet (and twin vision is necessary for perceiving in depth):

In the illustration above there is a sitting male figure (top center) and here is broad daylight - visualized as a broad band upraised in the central region (high summer, noon).  And also the foundation below is double.

... Long ago in the very beginning of time there dwelt within a shell an infant god whose name was Ta'aroa. He was Ta'aroa the unique one, the ancestor of all gods, the creator of the universe whose natures were myriad, whose backbone was the ridgepole of the world, whose ribs were its supporters. The shell was called Rumia, Upset. Becoming aware at last of his own existence and oppressed by a yearning loneliness Ta'aroa broke open his shell and, looking out, beheld the black limitless expanse of empty space. Hopefully, he shouted, but no voice answered him. He was alone in the vast cosmos. Within the broken Rumia he grew a new shell to shut out the primeval void ...

In the illustration below, on the other hand, there is a central upraised female and the outline of the mountain in the background is irregular. Here we can count to 7 (1 head, 4 arms, 2 legs) in contrast to the rule of 5 - no legs are needed when resting at noon according to the daylight view above.

And in the night a cloud fence will cloak the precise location of the celestial background (and irregular curves are irrational, not possible to count). The Turtle is oriented towards the horizon of descent in the west:

Double lines were necessary in order to illustrate the broad daylight spreading out from the horizon in the east. And it was forbidden to play with strings when the Sun was still in his infancy in the early morning.

... string games could be resumed after it was clear that the Sun had managed to leave the horizon and was rapidly gaining in altitude: 'Before the sun starts to leave the horizon ... when it shows only on the horizon, ... then string games were no longer allowed as they might lacerate the sun. Once the sun had started to go higher and could be seen in its entirety, string games could be resumed, if one so wished. So the restriction on playing string games was only applicable during the period between the sun's return and its rising fully above the horizon ...

Moving from daytime into the night side implied a vertical inversion:

	*7			ANTARES
Kb4-12 (165)		Kb4-19 (172)	Ga7-15 (184 = 176 + 8)
"Oct 7 (*200 = *177 + *23)		"Oct 14 (*207 = *184 + *23)		"Oct 15 (288)
SEPT 14 (*177)		SEPT 21 (*184)		Nov 25 (329)

We can already in Kb4-12 see how the central line no longer is vertical and how the line up in front has begun to turn back. Here the creator of the K text had inscribed a full stop point.

Indeed, in Ga7-7 the central line and the line in front have together closed up the daylight view completely, and looking closely we can find the full stop sign also here: