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43. It may seem obvious that te rau hei in Cb7-13 was referring to the date 'February 23 (Terminalia) according to the Julian calendar, to the time when the Sun rose at Algenib Pegasi (the last of the 4 corners in the Pegasus Square):

 
Cb7-7 Cb7-8 (4 * 136) Cb7-9 Cb7-10 Cb7-11 Cb7-12 (4 * 39) Cb7-13 (157)
rere te manu te hoko huki te moko te hokohuki te maitaki te hau tea te rau hei
CLOSE TO THE SUN:
*361

March 16 (75)

*362

17

*363

18

*364

19

*365

20

  SIRRAH

0h

ALGENIB PEGASI

22

'February 17 18 19 20 21 (52) 22 TERMINALIA
"February 3 4 5 6 7 (*324) 8 9 (40)
JANUARY 11 12 13 14 (*300) 15 16 (366 + 17 = 383)
CLOSE TO THE FULL MOON:
DENEBOLA, ALARAPH (Unarmed)

September 15

*179

16

*180

17

*181

18

ο Virginis

19

  ALCHITA

20

*184

21 (264)

ºSeptember 11 12 13 14 (*177) 15 16 17 (260)
'August 19 20 21 22 23 24 (8 * 29½) 25
"August 5 6 (218) 7 8 9 10 (*143 = 11 * 13)
JULY 13 14 15 16 17 (*118) 18 19 (200)
*5 = *365 - *360    

However, dates in a Sun calendar were variables due to the precession whereas the stars stood firm. Also at the time of Hyadum II heliacal Algenib Pegasi could have been connected with a terminal date, viz. the last day in a cycle measuring 383 ½ = 13 * 29½ days. During the first 16 nights (º) in JANUARY the stars rising with the Sun in DECEMBER 31 were hardly yet visible.

Furthermore, at the time of Bharani there could have been another terminal date here, viz. at "February 9:

... On February 9 the Chorti Ah K'in, 'diviners', begin the agricultural year. Both the 260-day cycle and the solar year are used in setting dates for religious and agricultural ceremonies, especially when those rituals fall at the same time in both calendars. The ceremony begins when the diviners go to a sacred spring where they choose five stones with the proper shape and color. These stones will mark the five positions of the sacred cosmogram created by the ritual.

When the stones are brought back to the ceremonial house, two diviners start the ritual by placing the stones on a table in a careful pattern that reproduces the schematic of the universe. At the same time, helpers under the table replace last year's diagram with the new one. They believe that by placing the cosmic diagram under the base of God at the center of the world they demonstrate that God dominates the universe.

The priests place the stones in a very particular order. First the stone that corresponds to the sun in the eastern, sunrise position of summer solstice is set down; then the stone corresponding to the western, sunset position of the same solstice. This is followed by stones representing the western, sunset position of the winter solstice, then its eastern, sunrise position. Together these four stones form a square. They sit at the four corners of the square just as we saw in the Creation story from the Classic period and in the Popol Vuh. Finally, the center stone is placed to form the ancient five-point sign modern researchers called the quincunx ...

And at the time of Gregory XIII the Full Moon was in day 260.

These 5 stones brought up from the sacred spring formed the pattern of Tawantinsuyu - Land defined from its 4 coloured corners together with a 5th such (its Head) in the center standing up tall like a Tree (or a Tentpole):

 

Egyptian djed Phoenician sāmekh Greek xi Ξ (ξ) 

... In rongorongo times the last Greek lettered star in Orion (ξ) rose with the Sun in June 21. The letter seems to have originated from the Phoenician letter samekh (tent peg, supporting prop), which in turn may have been derived from the ancient Egytian djed column ...

... Nut, whom the Greeks sometimes identified with Rhea, was goddess of the sky, but it was debatable if in historical times she was the object of a genuine cult. She was Geb's twin sister and, it was said, married him secretly and against the will of Ra. Angered, Ra had the couple brutally separated by Shu and afterwards decreed that Nut could not bear a child in any given month of any year. Thoth, Plutarch tells us, happily had pity on her. Playing draughts with the Moon, he won in the course of several games a seventy-second part of the Moon's light with which he composed five new days. As these five intercalated days did not belong to the official Egyptian calendar of three hundred and sixty days, Nut was thus able to give birth successively to five children: Osiris, Haroeris (Horus), Set, Isis and Nepthys ...

... 'From the time I was in your womb,' Maui went on, 'I have known the names of these children of yours. Listen,' he said as he pointed to his brothers in turn. 'You are Maui mua, you are Maui roto, you are Maui taha, and you are Maui pae. And as for me, I am Maui potiki, Maui-the-last-born. And here I am.' When he had finished, Taranga had to wipe her eyes because there were tears in them, and she said: 'You are indeed my lastborn son. You are the child of my old age. When I had you, no one knew, and what you have been saying is the truth. Well, as you were formed out of my topknot you can be Maui tikitiki a Taranga.' So that became his name, meaning Maui-formed-in-the-topknot-of-Taranga. And this is very strange, because women in those days did not have topknots. The topknot was the most sacred part of a person, and only men had them ...

... Behind me, towering almost 100 feet into the air, was a perfect ziggurat, the Temple of Kukulkan. Its four stairways had 91 steps each. Taken together with the top platform, which counted as a further step, the total was 365. This gave the number of complete days in a solar year. In addition, the geometric design and orientation of the ancient structure had been calibrated with Swiss-watch precision to achieve an objective as dramatic as it was esoteric: on the spring and autumn equinoxes, regular as clockwork, triangular patterns of light and shadow combined to create the illusion of a giant serpent undulating on the northern staircase

There were tears in the eyes of Taranga, a Sign of the time beyond the well ordered days of the Sun calendar. There were tears in the eyes of the Sun from the time he changed his sex to become a female: