TRANSLATIONS
The discussion about the meaning of
koti at Ab4-36 begins with
this page:
The Tahua text is not easy
to comprehend. But we can begin with a 'global map' which we can recognize:
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Next page (with underpage):
Next we will put Rogo (as he
looks at winter solstice) into his proper place in the 'map' according to
Tahua.
A separate page 'proves' he must be in day 361:
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Among the 59 honu glyphs
listed by me for Tahua I can identify 24
Rogo glyphs, 8 of which (redmarked) have legs (cannot be at a
solstice):
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Aa1-58 |
Aa1-80 |
Aa2-25 |
Aa3-67 |
Aa4-11 |
Aa4-13 |
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Aa6-77 |
Aa7-50 |
Aa7-51 |
Aa7-69 |
Ab1-6 |
Ab1-45 |
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Ab1-56 |
Ab1-68 |
Ab1-71 |
Ab2-62 |
Ab3-43 |
Ab5-53 |
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Ab6-77 |
Ab6-82 |
Ab7-7 |
Ab7-25 |
Ab7-53 |
Ab8-62 |
After discarding
those with legs and
those which do not show
both their mata, the
rest are these:
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Aa1-80 |
Aa3-67 |
Aa4-11 |
Aa7-50 |
Aa7-51 |
Ab1-6 |
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Ab5-53 |
Ab6-82 |
Ab7-25 |
Ab7-53 |
Ab8-62 |
The three
redmarked glyphs
have holes, are
'empty', and cannot
reasonably be at winter
solstice. Therefore
the end of side b
is not at winter
solstice, rather at
the end of summer.
This agrees with 300
days as a measure
from winter solstice
to Te Pei.
But side b must
then be the 'front
side' (which
Metoro maybe
understood because
he began reading on
side b). We
should search for
winter solstice
where the 368 days are
ending (close to
Hanga Te Pau).
Only Ab1-6 is
possible:
glyph
numbers are
counted from
Ab8-41 |
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Aa8-85 |
Ab1-1 (716) |
Ab1-2 |
Ab1-3 |
Ab1-4 |
Ab1-5 |
Ab1-6 (721) |
Ab1-7 |
358 |
359 |
360 |
361 |
Rogo
at Ab1-6 has his
bulbous body
assymmetrically
oriented towards
right,
Rogo
at Aa3-67 towards
left.
Mea ke at
Aa3-68 'proves' two
important things for
us.
First, that the
hardly noticeable
koti sign at
right in pure
(Ab1-7) is no
coincidence, because
a similar 'break'
can be observed at
left in Aa3-68.
Mea ke means the
maximum of darkness
at winter solstice,
but when the glyph
is 'broken' it means
these 'shadows' are
broken. Light is
returning.
Secondly, the
ordinal number of
Aa3-68 (scounted from
Aa1-1) is equal to 36
* 8. This reinforces
my suggestion of
1336 as the length
of the Tahua
text cycle: 13 * 36 = 468, and
46 * 8 = 368, and 36
* 8 = 288.
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Next page:
Now, we can try to identify in
which day (counted from winter solstice) koti at Ab4-36 is
located.
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66 + 64 = 130. Maybe the curious top
sign at right in Ab4-38 illustrates
the topknot from where Maui
will emerge. If so, then the
remarkable manu rere in
Ab4-37 could be Tuna.
And he could be illustrated in Ga3-4
too, with Maui like a
flame-formed moa triumphantly
shouting out his victory:
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Ga2-27 |
Ga2-28 |
Ga2-29 |
Ga3-1 |
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Ga3-2 |
Ga3-3 |
Ga3-4 |
Ga3-5 |
Ga3-3 is the 3rd glyph from manu
kake, as if to say '3' is the number of the season which is beginning:
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296 |
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Ga3-1 (61) |
Gb5-4 |
Gb5-5 |
Gb5-6 (360) |
300 |
The view from the Tuna
perspective is rather that with 260
days (the ordinal number for Tuna
in Ab4-37) and he is a kind of fish
of night:
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258 |
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Ga4-21 (105) |
Gb5-10 (364) |
260 |
360 |
4 * 15
= 60 |
20 *
15 = 300 |
24 *
15 |
364 |
4 * 26
= 104 |
10 *
26 = 260 |
14 *
26 |
Vaha kai at Ga5-10 is oriented
diametrically opposed to that in Ca3-10, and formed like an ear rather than a
mouth:
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Gb5-10 |
Ca3-10 |
Ca3-11 |
Ab4-34 |
Maybe this reversed orientation
is connected with Tuna
rather than with Maui.
Ears are used in the night.
The last and summary page for
koti:
The koti glyph type probably
illustrates a broken egg-shell, meaning that a new little 'chicken'
has been released, for instance:
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Ca3-12 |
Ab4-36 |
In typical Polynesian manner
several allusions should be
understood. The 'chicken' is
a new season which is
arriving. The top and bottom
'shells' are in Ca3-12 and
Ab4-36 drawn in different
sizes, in order to
illustrate what half of the
year has 'been born'.
In Ca3-12 it is winter which
has arrived, and the top
('cap') of koti is
like the 'sky roof' in
winter low and compressed.
The bottom ('cup') is the
high summer sky, which has
been turned upside down.
In Ab4-36 (130 days after
winter solstice) the reverse
situation is described. The
high summer roof is the cap
and the low winter sky has
been turned upside down,
forming a cup.
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