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Outside March has arrived and I can hear my own manu tara singing for joy. The local species is Sitta europea (European Nuthatch):

"The Eurasian Nuthatch, Sitta europaea, is a small passerine found throughout temperate Europe and Asia, although not in Ireland. It belongs to the nuthatch family Sittidae. This bird is the most common and most widespread nuthatch, and is often referred to just as the Nuthatch.

It is a resident bird of deciduous woods and parkland, with some old trees for nesting. It feeds on insects, seeds and nuts. Its old name “nut-hack” derives from its habit of wedging a nut in a crevice in a tree, and then hacking at it with its strong bill. It has the ability, like other nuthatches, to climb down trees, unlike species such as woodpeckers which can only go upwards. It will come to bird feeding tables, and is then very aggressive, driving other species away.

The Eurasian Nuthatch is 14cm long and has the typical nuthatch big head, short tail and powerful bill and feet. It is blue-grey above, with a black eyestripe. Asian and north European birds (S. e. asiatica and S. e. europaea respectively) are white below except for chestnut in the vent area. The western European S. e. caesia has generally reddish underparts. Young birds are 'washed out' versions of the adults.

Nests are in holes or crevices, lined with bark or grass. The size of the hole’s entrance may be reduced by the building of a neat mud wall. Five to eight eggs are laid, white speckled with red. This is a noisy bird, often located by its repeated tui-tui-tui call." (Internet - Wikipedia)

The old name 'nut-hack' - just a descriptive label - has been changed by the powers of myth into 'nuthatch', the hatcher of 'nuts'. I did not think about that until today, but already long before today I have felt that this bird was mythological because of its ability to climb up and down the trees (like Ratatosk in Nordic mythology).

"In Norse mythology, Ratatoskr (drilling tooth, sometimes anglicized Ratatosk) is a red squirrel who runs up and down with messages in the world tree Yggdrasill and spreads gossip. In particular he ferried insults between the eagle at the top of Yggdrasill, and the dragon Níðhöggr beneath its roots.

This image from a 17th century Icelandic manuscript shows Ratatoskr with a horn." (Internet - Wikipedia)

Though I can see that he has two horns, two tara. One at each end.

There are no eggs (nuts) - as far as I can see - in the four calendars of the day we have investigated. That is understandable, because the diurnal cycle is not exactly like the perennial one - only the general outlines of light and darkness, dawn and dusk, noon and midnight etc give comparable points of association.

Although a.m. sun may be growing from an egg (or nut) in e.g. Ha5-56:

and in the early night Qa5-30 may show an egg:

and just before midnight the sun itself (?) may be like a ripe fruit (Ha5-42):

Shoots there may be, as in Ha5-47--48

but that is a different business. Birds fly, vegetables and trees do not.

On the other hand, in the presumed perennial calendars, e.g. in Small Santiago Tablet (Ga2-27 -- Ga7-10) we have GD53 (maitaiki), which I believe is a mark corresponding to the three 'eggs' of Motu Nui, Motu Iti and Motu Kaukau.

I replaced the name Kaokao with Kaukau as a yoke:

Kaukau

1. Horizontal poles of a frame (of a hare paega, or a paina statue): he-hakatu'u te tama o te paina, he-kaukau, they erect the vertical poles of the paina then they lay upon them the horizontal ones. 2. Group of people: e-tahi tuitui reipá i Te Pei, ekó rava'a e-varu kaukau; i-garo ai i Hiva, i te kaiga, a necklace of mother-of-pearl is on te Pei, few will find it (lit: eight groups of people); it has remained in Hiva, in our homeland. 3. To go through, to pass through in unison; he-hogi-mai te ûka i te e'eo o te pua kaukau-á i roto ite hare, the girl smelt the fragrance of the pua wafting inside the house. 4. Newborn baby's first hand and feet movements (kaukau or kau). The five stages of a baby's development are: kaukau, puepe, tahuri, totoro, mahaga. Puepue = said of a newborn baby when, a few weeks old, it begins to distinguish people and objects: ku-puepue-á te poki. Tahuri = of a new-born baby, to move from side to side: ku-tahuri-á te poki. Totoro = to crawl; ki totoro te poki, when the baby crawls. Mahaga = baby when able to stand by itself. Vanaga.

 

Ga3-17 Ga3-18 Ga3-19

Just like the three great pyramids are placed not exactly in a straight line but their locations adjusted to the Belt of Orion:

In Nilsson's book I found many strange pieces of information, e.g.: 'Among the Nahyssan of S. Carolina time was measured and a rude chronology arranged by means of strings of leather with knots of various colour, like the Peruvian quipos. The Dakota use a circle as the symbol of time, a smaller one for a year and a larger one for a longer period: the circles are arranged in rows, thus: OOO or O-O-O. The Pima of Arizona make use of a tally. The year-mark is a deep notch across the stick...'

About the Ibo-speaking tribes' in Africa: ...they seem to be singularly incurious about heavenly bodies and occurrences; however names were got for the following constellations: - The Pleiades ('Hen and Chicken'), the belt of Orion ('Three and Three')...

But Tautoru is the belt of Orion. 'Three and Three' is more like the Pleiades, Tauono. I guess that first was the belt of Orion named Tautoru and after that the Pleiades were named Tauono. Even the three great pyramids in Gizeh were connected with the belt of Orion, as shown by their locations in relation to each other on the ground.

The concept of two 'years', summer and winter, could then result in the belt of Orion being seen as a mark between those two 'years'. Moving then to the idea of three double months in each such 'year', they could identify the belt of Orion with a 'year'.

And as the last step in this logic the Pleiades - about two thousand years later when the equinoxes had moved away from Orion - would have taken over the role of mark between the two half-years of three double-months. And we then have Tauono.

so the three islets outside Orongo may have influenced the creator of Ga3-17 to reflect a somewhat assymetric design.

(In the map we find Rano Kao, not Lanu Kau.)

In Ga3-18 we find two straight-billed birds united. These birds presumably are of the manu tara kind. Already in Barthel we find the distinction betwee the normal GD11 (manu rere) with crooked beak (600 according to Barthel's nomenclature) and the special case with a straight beak (400, manu tara):

"Schließlich sei noch auf die Darstellung der Seevögel hingewiesen. Abgesehen von den ungeklärten Species, die duch die Zeichen 650 ff und 660/670 ff vertreten werden7),

7) Vielleicht eine Pelikan-Art oder gar ein Kormoran? Knoche (1925, 143) beobachtete den Pelicanus fusais auf hoher See in der Nähe der Osterinsel. - Das Zeichen wird jedoch nicht ornithologisch, sondern mit einer symbolhaften Qualität verwendet.

handelt es sich um die Symbole des Fregata minor und Sterna lunata.

Der Fregattvogel kommit in den Tafeltexten wesentlich häufiger vor; seine Zeichen8)

8) Zeichen 600-648. - Jaussenliste 'taha' (Fregate); gewöhnlich aber 'makohe' genannt (Métraux 1940, 18).

werden oft qualifizierend benutzt. Anscheinend hat man in ihm den heiligen Vogel (manu kura) und Götterboten der Polynesier zu erblicken. Eine Verwendung mit der Eigenschaft 'kura' ist in vielen Kombinationen evident9).

9) Zu 'manu kura' vgl.: Beleg in der Jaussenliste 'manu kura rere' für Zeichen 600 (oiseau rouge qui vole). - 'Manu ku'a'-Ornamente an den Priesterhäusern auf den Marquesas (Handy 1923, 232); dort auch Götterbote, der den Geist des gestorbenen Priesters zum Himmel trägt (233). Handy 1927, 130-137: 'Manu kura' (red or sacred bird) ... in both the Marquesas Islands and New Zealand ... ceremonial and artistic figure ... with long beak and three claws ... one of the figures most frequently seen in Maori carving.' - Zu 'kura' vgl. Hiroa 1938, 418 für Mangareva: 'the word kura (red, precious) meant divine'; Emory 1947, 28 fûr Tuamotus: 'sacred redfeather vehicle for the god', 'the spirit of the god'. - Das bigramm 67-600, 'niu kura' (Pr10 und Na2) erinnert an den gleichlautenden Ausdruck von den Tuamotus, mit dem die heilige Plattform des Marae bezeichnet wurde (Emory 1947, 52). Auf Mangareva war 'Niukura' der alte Stammesname der Ati-hoi (Hiroa 1938, 141). - Charakteristisch sind ferner die Paare 3 und 600 (maro kura), 4 und 600 (ahu kura) sowie 7 und 600 (rei kura).

Interessant is die Beobachtung, daß sein Zeichen allmählich durch das der Seeschwalbe abgelöst worden zu sein scheint1).

1) Der Übergang vom Fregattvogel zur Seeschwalbe ist deutlich zu erkennen, wenn man die 'klassische' Version auf dem Recto der Kleinen Santiagotafel mit der 'verderbten' Paraphrase der Londoner Tafel vergleicht.

Die Rauch-Seeschwalbe, 'manu tara'2),

2) Zeichen 400-415. - Jaussenliste 'kukurutou' (Mouette).

mit denen Ankunft der so wichtige Vogelkult von Orongo verbunden war, nimmt einen vergleichsweise bescheidenen Platz auf den Schrifttafeln ein.

Nur gelegentlich verrät sich ihre besondere Bewertung, etwa wenn sie als handelnde Person beim Regenmachen und bei der Einsetzung des Königspaares genannt wird ..."

We recognize 'kukurutou' as no. 6 in Barthel's table (kukuru toua) and 'makohe' as no. 7 (makohe):

1 manu tara 9 tavake
2 pi riuriu 10 ruru
3 kava eoeo 11 taiko
4 te verovero 12 kumara
5 ka araara 13 kiakia
6 kukuru toua 14 tuvi
7 makohe 15 tuao
8 kena 16 tavi

I have painted the main 'persons' with red here. As to the kena I have earlier suggested this bird to be involved with Anakena:

'Another type of bird looks like this:

where the difference lies in the form of the beak, no bird of prey this. Possibly it is a kena:

Kena = A sea bird, with a white breast and black wings, considered a symbol of good luck and noble attitudes. The first month is called He Anakena. And Anakena is the place where the legendary Hotu Matu'a is said to have come ashore. Ana means cave, i.e. a place for birth ...'

In Barthel 2 we can read:

"Kena, the name for the booby, is also an eastern Polynesian name. Line 18 of the creation chant lists as the mythical parents of kena 'Vie Moko' and 'Vie Tea' (PH:520).

The 'lizard woman' (vie moko) and her younger sister the 'booby woman' (vie kena) were considered the originators of tattooing (ME: 367-368).

The 'white booby woman' (vie kena tea), together with other deities, protected the eggs of sea birds (RM:260). She might even be considered to be the female counterpart of the supreme god Makemake.

In modern Hangaroa, vie kena tea is a term of endearment for a beloved wife whose well-rounded body and light skin is being praised."

"The Masked Booby, Sula dactylatra, is a large seabird of the gannet family, Sulidae. This species breeds on islands in tropical oceans, except in the eastern Atlantic; in the eastern Pacific it is replaced by the Nazca Booby, Sula granti, which was formerly regarded as a subspecies of Masked Booby (Pitman & Jehl 1998, Friesen et al. 2002).

This is the largest booby, at 81-91 cm length, 152 cm wingspan and 1500 g weight. Adults are white with pointed black wings, a pointed black tail, and a dark grey facemask. The sexes are similar, but the male has a yellow bill, and the female's is greenish yellow; during the breeding season they have a patch of bare, bluish skin at the base of the bill. Juveniles are brownish on the head and upperparts, with a whitish rump and neck collar. The underparts are white. Adult plumage is acquired over two years.

The Masked Booby is silent at sea, but has a reedy whistling greeting call at the nesting colonies. While on the breeding grounds, these birds display a wide range of hissing and quacking notes. It nests in small colonies, laying two chalky white eggs on sandy beaches in shallow depressions, which are incubated by both adults for 45 days. Normally only one chick fledges.

Masked Boobies are spectacular divers, plunging diagonally into the ocean at high speed. They mainly eat small fish, including flying fish. This is a is fairly sedentary bird, wintering at sea, but rarely seen far away from the breeding colonies ..." (Internet - Wikipedia)

45 days they need for the two 'chalky white' eggs to hatch, i.e. 1/8 of 360 days. One of the two chicks is sure to die. "If both eggs hatch, the elder chick will push its sibling out of the nest area, leaving it to die of thirst or cold ..."

The kena is white on her back (and black on the lower part of the wings), while manu tara is white on her chest (and grey or black on her back).

Which reminds me about moa tu'a ivi raá, the hen with a bright yellow back.

Boobies are 'spectacular divers, plunging diagonally into the ocean at high speed', a description which is quite suitable if we consider them to be symbols for how the sun dives down in the evening at the western horizon.

They lay their eggs 'on sandy beaches in shallow depressions', e.g. such a beach as is found at Anakena.