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The arms held high in the first two columns possibly are drawn to illustrate the shape of the waning moon sickle as seen from south of the equator, a sign (presumably) that 'noon' has passed.

If we compare the ihe shapes in the last two columns with the sickle-shapes in the first two columns, we can see that in P both shapes are shorter and thicker than the parallel shapes in Q (and presumably also in H). Maybe the correlation means that we should interpret ihe as half a moon sickle.

Half of waning moon means ½ of the 4 periods of waning moon, which could explain why there are two ihe-maro glyphs.

The 8-fold structure could mean that the 8 glyphs (in the four parallel texts) represent a short moon calendar.

But the structure could equally well be used to map the yearly voyage of the sun. 360º (360 days) for 8 equally long periods would result in 45º (45 days) for each such period / glyph.

I think that the structures for moon and sun very well may be the same. The 8 periods of the moon may be an influence from the fact that dividing 360 repeatedly by 2 is not possible more than 4 times - after that a further division would result in the unacceptable 22½.

364 does not have room for more than 3 successive such divisions; is that one of the reasons why the measure of 'earth' is 3 from a 'female' view, but 4 from a 'male' view?

Given that ihe is a picture of ½ a waning moon sickle, it is understandable that ihe is associated with death.

In Hawaii 'The-Companion-of-the-King', the one who is also known as Death-is-Near (Koke-na-make) is the king's 'living god' (Kahoali'i), a close kinsman and the king's double during the New Year ceremonies.

In ancient Egypt the sungod was accompanied during his 'night' journey by a strange figure, here sitting in front of him:

According to Wilkinson this figure (schemset) symbolized the king's acestors from a far away time, his 'follower'. This notion reminds me about the way the Polynesians always in their minds keep their ancestors close in front of them.

The picture shows a schemset with the sign of a knife (top right). The knife (says Wilkinson) is fastened with a rope to a staff and the leg (bottom right) is the handle of the knife (a leg as a kind of wordplay on 'follower').

I doubt that we can see a rope coiled 7 times around the staff, instead I see 7 henua on top of each other.

In the hieroglyphic sign of schemset the midpart may be interpreted - I guess - as illustrating 2 squares ('earths') divided in 2 by diagonals, i.e. two half-years each containing 2 quarters:

Maybe we should imagine this hieroglyph as a boat by turning it 90º around:

Another picture (from Wilkinson) showing 'the follower' is this:

Here there are 6 semschet and each has 6 henua-like signs at their middles, i.e. 36 altogether.

The knives have different lengths and the 3 at right are longer than the first 3. The knives seem to have severed the 6 hanging heads.

There are also 6 'inverted double Y:s' in the picture. Such an 'inverted double Y' shows the hieroglyphic sign menchet:

Wilkinson tells us that this hieroglyph represents 'cloth'. Immediately I think (like a Polynesian) of cloth as a sign of the female. Semschet seems to be male (arriving first) and menchet female (arriving as second).

Is it possible that the rongorongo Y-sign has been designed after having seen menchet?

Now we will have a quick look at Mafdet, a catlike ancient Egyptian creature similar to what we often can see climbing henua (e.g. Eb3-19):

According to Wilkinson Mafdet was a goddess and a 'manifestation of the protecting and punishing aspect' of semschet: