TRANSLATIONS
A 'reversed' sign
(not a reversed toga but what possibly could be a reversed ihe tau sign in
toga) is also found in the 20th henua period in Keiti:
20 |
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Eb5-14 |
Eb5-15 |
Eb5-16 |
Eb5-17 |
Here there is no 'dry
Y' toga sign but a 'living' (though empty-handed) arm. The
fingers maybe are alluding to the upper half of the following ua sign, I
think.
Number 20 for the
period suggests the end of the sun season. But a 'reversed'
ihe tau and the absence of the normal Y-sign - together
with a possible allusion to the following ua glyph - are
signs which do not indicate
a dry old body upon a wooden platform. It cannot be dry if rain is
pouring down.
Tagata at Eb5-14 suggests
that Mars - in his 2nd weak 'face' -
has ended. In Eb5-15 toga
could illustrate by way of the empty
hand the empty state of light which
ought to be associated with Mercury.
Maybe Jupiter at ua shows
how Sun's 'life force' is running
away, viz. that his body fluid (the
rain) is leaving him. Then he will
be a dry corpse ready for the wooden
platform.
We need to
examine the glyphs closer. We will do it by way of a few
added pages.
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The first of the 'few added pages':
If we use as a model
counting only to 20 in a glyph line (following the Gilbertese who
counted only to 20 nights in a month), and if we then continue with
1 once again instead of 21 etc, my colours for the planets
will indicate that Mercury and Jupiter at Eb5-15 respectively Eb5-16
'regroups' into Eb5-21 respectively Eb5-22:
20 |
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Eb5-14 |
Eb5-15 |
Eb5-16 |
Eb5-17 |
21 |
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Eb5-18 |
Eb5-19 |
Eb5-20 |
22 |
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Eb5-21
(1) |
Eb5-22
(2) |
Eb5-23
(3) |
Eb5-24 (4) |
One set of fingers
followed by two sets (Eb5-15--16) changes into two sets of 'fingers'
followed by one set (Eb5-21--22) - there may be a connection between
the fingers on a hand, the 'fingers' of ua, and the 'tail feathers' of
this moa.
The moa crying
out (Jupiter) is followed by Venus where the night sky (ragi)
is rising high above
a sun in a low position.
Alternatively we can read the 'regrouping' as a development from one empty Mercury hand (Eb5-15) to two empty
Mercury hands (Eb5-21). And his toes pointing upwards perhaps will
change direction to
become the tail feathers of the moa.
A consequence of only
counting to 20 for the ordinal numbers of a glyph in a line is that
Mars will have only 2 days (7 and 14). 7 could then refer to the
strong waxing season of spring and 14 to the waning season. At top
right in Eb5-14 there is a sign of waning moon.
Mars is the only
planet which in this model will have 2 days only, the other 6
planets will have 3 each.
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The disappearance of Mars (from
where we expect him to be at
Eb5-21) suggests has become
Mercury.
His 2nd week is also empty, thus he
must be Mercury (which is next
'garment' of the sun).
The Jupiter moa has a head
which could allude to a horizontal
puo sign. The left hand of
Mars has transformed into the
bulbous head and the right hand into
the open beak. But the right hand
has twisted around so that the thumb
becomes the crooked top half of the
beak. Or maybe the thumb has become
the crooked limb in front?
The second suggestion
is easier, I suppose - no need to
'twist around'. If the thumb should
be changed into the crooked top half
of the beak the operation is not
possible to manage by a simple
rotation.
Day number
3 for Venus could very well be
connected with the 3 fingers
(excepting the thumb) on the hands
of gods.
Next we can try with
assigning ordinal numbers counted from Ea1-1:
20 |
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Eb5-14 (489) |
Eb5-15 |
Eb5-16 |
Eb5-17 |
21 |
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Eb5-18 |
Eb5-19 |
Eb5-20 |
22 |
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Eb5-21 |
Eb5-22 |
Eb5-23 |
Eb5-24 (499) |
490 at toga is equal to
49 * (5 + 5). A square of Mars (7 * 7 = 49) seems to have
reached to its end, which ought to mean there is a need for a new such 'fire' (or
rather shadow of a 'fire' because Mars like the moon is only
reflecting the light from the sun).
Toga at Eb5-15
is located just beyond this end of 'fire'. 499 at Eb5-24 is similarly
the 500th unit of time (whatever it might be), not the 499th. Time
counts only when the unit for measuring has reached its end, like
when you turn the hour-glass around.
Mercury at toga
is therefore at a position of 'limbo' ('zero') - the old period has
ended but the new one has not yet begun to be counted. Moreover -
not even when ua arrives in the following glyph can there be
a new 'light'. Rain will not allow it.
So only with Venus at
Eb5-17 will sun light have a chance to return. We should notice the
similarity with the first glyphs in K:
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Ka1-1 |
Ka1-2 |
Ka1-3 |
Ka1-4 |
Ka1-5 |
Ka1-6 |
In Ka1-5 (a Sun day)
light has begun to grow (eat, kai). We recognize
a play with fingers, here in a constellation which is reversed
compared to that in Eb5-21.
If we count from
Eb1-1, we will have 6 * 29 = 174 instead of 500, side a has 326
glyphs. And toga will be number 490 - 326 = 164, with Venus at
Eb5-17 as day number 166.
If we count from the
beginning of the henua calendar (from Eb1-37) we must reduce
with a further 36 days. 174 - 36 = 138, 164 - 36 = 128, and 166 - 36
= 130. Toga will now be twice 64 = half 256,
which hardly is a coincidence. For instance can we find glyph number
256 at the end of line 7 on side a designed with another constellation
of sun and sky (cfr Eb5-23):
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These comparisons allow us to deduce
that the bottom of Ka1-6 is like the
disc of the sun:
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Eb5-23 |
Ka1-6 |
Moon it should be, though, by force
of number. When the fire of the Sun
has consumed whatever it is that is
burning, only Moon remains to light
up the sky. Also, the top of Ka1-6
is the same 'individual' as the
bottom disc.
6 means sun has no fingers
left.
Moa at Eb5-22 seems to be the
main sign, though, because 22 is the
number of the henua period
(or 2 if you wish). Dawn is breaking
he says.
The word limbo
conveys the idea of a land of nowhere, out of sight. Jokingly we can
say that instead of a limb like a beam of light there is now a zero,
the opposite.
Let us find support
from English Etymology:
limb¹ ...
part of the body, spec. a member such as the arm, leg, wing; branch
(l. of Satan, etc., imp, mischievous person; in OE.
dēofles limu 'devil's limbs'; whence simply limb ...
limb² ...
A. †limbo of Hell ... B. edge or boundary of a surface or instrument
...
limbo
... region on the border of Hell ... prison, confinement ...
neglect, oblivion ...
Significantly there
seems to be a hole at this boundary border:
limber²
... pl. holes in timbers for the passage of water ... (O)F.
lumière ... light, hole ...
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