TRANSLATIONS

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The third and last page of the 'explanation':

 

H has 12 glyph lines on each side, and the text follows Fischer's rule, i.e. side b has its first glyph line upside down. It is beginning with glyphs which are parallel with those we are studying in Q:

-
Hb1-1 Hb1-2 Hb1-3 Hb1-4 (652) Hb1-5
*Qb3-37 *Qb3-38 (522) *Qb3-39 *Qb3-40 *Qb3-41 (525) *Qb3-42
261 + 64 = 325 326 327

Reading glyph line Hb1 is similar to reading glyph line Qb3. Both are upside down and both indicate how darkness is growing.

Counting days in H implies dividing the number of glyphs counted from Ha1-4 by 3 and then adding 64:

Hb1-1 Hb1-2 Hb1-3 (651)
(651 - 3) / 3 + 64 = 216 + 64 = 280

There are 648 glyphs (216 days) on each side of the tablet. The creator of the H text presumably has played a 'joke' here. Vai in *Qb3-38 is connected with number 261 (because 522 / 2 = 261), while vai in Hb1-1 is connected with day 216 - in both cases before adding 64.

261 = 9 * 29 indicates complete darkness and 216 is what results from a simple reversal of the two last digits in 261. 216 = 8 * 27, where 27 = 3 * 3 * 3 is not much better, it too is a very odd number.

However, 216 is also equal to 6 * 36. And considering that 3 glyphs are needed for each day in H, we can maybe continue and divide the days by 3, in which case 216 = 3 * 72. Or why not divide the number of glyphs by 6:

 648 / 6 = 108 = 9 * 12

Maybe day 280 is not the significant number. Maybe 6 * 108 is what should be read.

The possibilities are many. But the numbers are necessary for understanding, and we will therefore involve one more chain of arguments.

Leaving numbers aside it is though clear that water (vai) will quench fire.

 

6 * 36 as the explanation for 216 seems to be the best choice. It means the first half of the year (36 periods) is over, and 6 says it is the half of the sun. But then the back side will also belong to the sun.

Vai in Hb1-1 is drawn like a waterfilled sack, or a great fruit. Vai in *Qb3-38 is not so. It seems to have a straight vertical line at left. Such straight lines occur 4-fold at left and once at right:

*Qa2-32 *Qa4-23 Qa8-47 Qa9-3 Qa9-38 Qa9-41 *Qb3-38

These vertical lines are presumably meant to make us count:

289 34 2 4
*Qa2-32 (55) Qa9-3 (345) Qa9-38 (380) Qa9-41 (383)
290 36 7
333
133 214 54
*Qb3-37 (521) *Qb3-38
135 268
403

The first page of 'one more chain of arguments':

 

12 days before our nuku (*Qb3-41 in day 261 + 64 = 325) the glyphs tell about how darkness is arriving. Ariga erua in Qb3-13 is the last glimpse of sun, it seems:

Qb3-13 Qb3-14 Qb3-15 Qb3-16 (500) Qb3-17 Qb3-18
313 314 315
Qb3-19 Qb3-20 Qb3-21 (505) Qb3-22 Qb3-23 Qb3-24
316 317 318

The importance of this ariga erua is underlined by the fact that it is also located in day number 313, the last day before a cycle is finished (because 314 refers to π).

Also, glyph number 500 - meaning '5' (rima, 'fire') has reached its end - is located in day number 314. Double mauga glyphs reinforce this interpretation.

In position 17 in the glyph line a new season is announced by vaha mea, and it is not spring. It is the time of ua (Qb3-21) - in day 317. The 'head is gone' Qb3-22 says.

The numbers in the glyph line echoes the numbers of the days, but the numbers coincide only at ariga erua in Qb3-13.

 

The second (and last) page:

 

In H there are two ua glyphs which need our attention at this point:

*Ha9-41 *Ha9-42 *Ha9-43 (492) *Ha9-44 *Ha9-45 *Ha9-46
(492 - 3) / 3 + 64 = 163 + 64 = 227 228
Ha10-31 Ha10-32 Ha10-33 (1158) Ha10-34 Ha10-35 Ha10-36
(1158 - 3) / 3 + 64 = 385 + 64 = 449 450

Obviously they are drawn to be the same. And obviously they occur at dark times. The very special ariga erua in *Ha9-42 has been discussed earlier.

492 (at the first ua) is related to 1158 (at the second ua). First we should notice that 1158 is the number of glyphs in P. Then we should notice that 4 * 92 = 368 is the number of days in the calendar of Q. Furthermore, 492 is equal to 392 (the number of glyphs on side a of C) + 100 and also equal to 192 (the number of glyphs in K) + 300.

And then we should subtract: 1158 - 492 = 666 (the number of the beast). This is hardly a coincidence, because Aa6-66 also describes how rain is coming:

Aa6-66 Aa6-67

The arrival of 'ruanuku' is in H apparently described with the help of two (erua) rua glyphs.

The exact structural buildups of the different texts and their interconnections are still uncertain, but the general meaning is possible to discern. The season of water comes after the season of sun ('fire'). The 'head' disappears with the arrival of rain.

 

And at last the summary page:

 

The nuku sign indicates the season when sun is absent, when he has gone north to his 'wintermaid'. This can be concluded by studying the text of Q.

Presumably the absent arms in the glyph type is meant to convey the meaning absence of 'fire' (i.e. sun):

nuku


Arms are (like hands and fingers) called rima and rima is also used for number 5, the number of fingers on a hand. In the myth about Maui stealing fire from Mahuika the fire is lodging in the finger nails of Mahuika.

Maui is mischievous as always and soon the whole world is on fire:

... Looking round, he saw that the whole land would soon be aflame. So he changed himself into a karearea, a hawk, and tried to soar above the flames. But the fire pursued him there and scorched his feathers, which accounts for the colour of that bird. Seeing a lake, he plunged down into it, but found that it was almost boiling. All the forests then caught fire, the land everywhere was alight, and Maui came very near to death. 

Then he called on his ancestor Tawhiri matea and all his offspring, to send down rain. 'Let water be given to quench this fire!' he cried, and spoke the appropriate chants. Great clouds appeared, and Tawhiri sent down first the small rain, and then the lasting rain, and everything was drenched, and the flames went out.  

Even Mahuika herself almost perished before she could reach her place of shelter, and her shrieks were as loud as those of Maui when he was scorched. The waters rose all around her, and in this way Mahuika was deprived of her former power ...

From one extreme to the other our world is wobbling along.