TRANSLATIONS

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I decide to add:

... The overturn of the sun 'king' (cfr Gb4-9) seems to be an event connected with every 100th day.

 

A curious 8-feathered creature (haú) bends over in the first glyph on side b, and from his 'beak' a new one is rising:

98 98 98
Ga1-30 (31) Ga5-19 Ga5-20 Ga8-26 Gb1-1 Gb4-9 (330)
100 100 100

5 * 20 (in Ga5-20) = 100 is a sign of confirmation that we have counted right - 100 days have elapsed. The time is the ominous 19th period:

19
Ga5-17 Ga5-18 Ga5-19 Ga5-20 Ga5-21

A spear, vero, (Ga5-17) threatens to kill the king. Maybe henua here - both at Ga5-18 and Ga5-20 - alludes to the wooden staff of the spear:

"A vestige of the practice of putting the king to death at the end of a year's reign appears to have survived in the festival called Macahity, which used to be celebrated in Hawaii during the last month of the year.

About a hundred years ago a Russian voyager described the custom as follows: 'The taboo Macahity is not unlike to our festival of Christmas. It continues a whole month, during which the people amuse themselves with dances, plays, and sham-fights of every kind. The king must open this festival wherever he is.

On this occasion his majesty dresses himself in his richest cloak and helmet, and is paddled in a canoe along the shore, followed sometimes by many of his subjects. He embarks early, and must finish his excursion at sunrise.

The strongest and most expert of the warriors is chosen to receive him on his landing. The warrior watches the canoe along the beach; and as soon as the king lands, and has thrown off his cloak, he darts his spear at him, from a distance of about thirty paces, and the king must either catch the spear in his hand, or suffer from it: there is no jesting in the business.

Having caught it, he carries it under his arm, with the sharp end downwards, into the temple or heavoo. On his entrance, the assembled multitude begin their sham-fights, and immediately the air is obscured by clouds of spears, made for the occasion with blunted ends.

Hamamea (the king) has been frequently advised to abolish this ridiculous ceremony, in which he risks his life every year; but to no effect. His answer always is, that he is as able to catch a spear as any one on the island is to throw it at him.

During the Macahity, all punishments are remitted throughout the country; and no person can leave the place in which he commences these holidays, let the affair be ever so important.'" (The Golden Bough)

 

The logic is not strict: Even if we allow the 'spear' (Ga5-20) by reason of 5* 20 = 100 to have this position (instead of 101) - and thereby being in harmony with Gb1-1 (at a true position of 201) - the last overturning (Gb4-9) is in reality at position 300 (not at 301).

Maybe this indicates that Ga5-20 (the spear caught by the king in midair) is the new season to be ruled by the king, not a death sign at all but a sign of rebirth. And similarly at right in Gb1-1 a new season is rising. Only at 300 is sun's rule definitely over. He is reborn twice, but not thrice.

The 8th 'feather' in Gb4-10 is converted into a very straight vertical arm with a fist at the top, the bud of next generation - not yet to be born. It is dark, this time mauga has no eye at right:

Gb4-6 Gb4-7 Gb4-8 Gb4-9 Gb4-10 Gb4-11
Gb4-12 Gb4-13 Gb4-14 Gb4-15 Gb4-16 Gb4-17

Next pages:

 

140 days (equal to the number of glyphs before Ga1-29 and beyond Gb5-5) is a number which appears to be significant also in the Tahua text:

Ab4-29 Ab4-30 Ab4-31 Ab4-32
Ab4-33 Ab4-34 Ab4-35 Ab4-36 (280)

24 * 28 = 672 glyphs beyond Ab4-36 there is a pair of rima aueue glyphs:

670
Aa4-36 Aa4-37
672 = 24 * 28

 

 

A key to our understanding is delivered by hanau in Aa4-55, 18 glyphs ahead:

16
Aa4-36 Aa4-37 Aa4-54 Aa4-55
Aa4-56 Aa4-57 Aa4-58 Aa4-59 Aa4-60 Aa4-61

The big 'baby' who is being born at Aa4-55 is the 'season of straw', and to be more precise Aa4-59 (4 glyphs later) stands at the end of the 'season of grass'. 4 * 59 = 8 * 29.5 and, to be sure, a new (white) 'eye' has been added in the curious glyph to the right (Aa4-60).

The 'multiplying' (growing) season - indicated by hau tea drawn as if spreading out in Aa4-54 - has gone away, is only a 'ghost' now as illustrated in Aa4-58. The sign of 'straw' (non-growing) is in the future (at right) in Aa4-55 but in Aa4-61 (when the new birth is in the past) both hands are showing Y.

Beyond Aa4-55 there are 364 glyphs (182 days) to the end of side a:

side b side a
279 384 305 364
Ab4-36 Aa4-55

Counting from Aa4-60 the number of days are 180. The number of glyphs beyond Ab4-36 to the end of side b is 384 (equal to 192 days). If we wish to have 384 glyphs also at the end of side a we have to change Aa4-55 into Aa4-35:

Aa4-34 Aa4-35 Aa4-36 Aa4-37

The eating (kai) season - i.e. growing ('multiplying', 'spreading out') season, the 'season of leaf' - ends with Aa4-35. Life runs (flows) away (rima aueue in Aa4-36--37).

 

4 * 35 (in Aa4-35) = 140, but it is not a 'statement' equal to 140 days. It can only mean 70 days, I think. Or it is irrelevant. (More or less so, of course, because every sign must be 'in order'.)

The very broad henua in Aa4-34 has a rising tendency (higher at right), and it surely means the season of growth. Aa4-35 is only an additional confirmation.

305 - 20 = 285, and Aa4-35 is glyph number 286 counted from the beginning of side a. The beginning of side a is located 144 days before rima aueue. 12 * 12 = 144 days for spring could be just a convention, without referring to the true number of days.

Aa4-36 and Ab4-36 - both referring to 4 * 36 = 144 - strengthens my assumption. And then we should remember from earlier (hanau in the glyph dictionary):

Kb3-1 Kb3-2 Kb3-3 Kb3-4 Kb3-5 Kb3-6
Kb3-7 (144) Kb3-8

144 is a square and by adding another square, 36, we will reach 180. 144 and 36 are 'reflections' of each other in 180 (like 192 and 168 in 360). But in K there are (or rather presumably once were) 192 glyphs. Therefore we should not add 36.

Instead, by adding the distance between Ka3-14 and Kb3-7 to 144 we will reach 228, i.e. 36 days beyond the end of the text of K:

82 35 ... 11 35 -
Ka3-14 (60) Ka3-15 Kb3-7 (144) Kb5-8 (180) Kb5-20 228
84 36 12 36
84
168 = 6 * 28

228 = 60 + 168 = 8 * 28½ (the first measure of Te Pei in G):

Ga8-24 (228) Ga8-25 Ga8-26 Gb1-1
Gb1-2 (232) Gb1-3 Gb1-4 Gb1-5
Gb1-6 (236) Gb1-7 Gb1-8 Gb1-9

The key numbers 192 (equal to 8 * 24 as in Ga8-24) and 228 will lead us to the 'land of 8' (Te Varu Kainga), which is literally unseen in K, but possible to find in G:

191

Ga2-3 (34)

Ga8-24 (226)

192 = 8 * 24

Manu rere in Kb3-3 (at day 140) is flapping his front wing. In Aa4-56 (where 4 * 56 = 8 * 28) manu rere flaps both his wings (likewise - presumably - in Gb1-4 and Gb1-12).

Flapping both wings indicates the same condition both at left and at right, probably a sign of solstice. Manu rere with both wings flapping is a strong sign, because it is not a frequent sign. It does not occur anywhere else in G (and never in K).

In Tahua only Aa4-56 has a 'true' manu rere double 'flapper':

Aa3-55 Aa4-56 Aa5-28

Aa5-28 is a composite bird, but both it and manu rere in Aa4-56 has a joke at right - it is not a flapping wing but a toki sign.

I have included Aa3-55 because of its very clear front flapper. Maybe it corresponds to Kb3-3, I thought:

Aa3-48 Aa3-49 Aa3-50 Aa3-51
112 = 4 * 28 113
Aa3-52 Aa3-53 Aa3-54 Aa3-55 (230)
114 115

Let us return to Aa4-34--35 with surrounding glyphs:

Aa4-31 Aa4-32 Aa4-33 Aa4-34 Aa4-35
ki te tagata amo hia i te henua ko te tagata kua ui i tona henua kua moe ia kua huru ia
Aa4-36 Aa4-37 Aa4-38 Aa4-39 Aa4-40
i tona henua - kua oho te vae - ku totohu - i tona henua - e mai tae kake hia - ki te henua - ki uta ki te pito o te henua ko te henua - ma to rima

At Te Pei, we remember, it is possible that they went downhill (pei-âmo):

Amo, âmo

Amo. To carry on one's shoulders: O Yetú i-amo-ai te tatauró ki ruga ki-te maúga Kalvario. Jesus carried his cross up to the Calvary. Amoga, bundle; to tie in a bundle: he-amoga i te hukahuka, to tie a bundle of wood. Vanaga.

1. A yoke, to carry; amoga, burden, load.  2. To bend, to beat a path. Churchill.

Âmo. 1. To clean, to clean oneself: he-âmo i te umu, to clean the earth oven; ka-âmo te hare, ka haka-maitaki, clean the house, make it good; he-âmo i te ariga, to clean one's face wetting it with one's hand. 2. Clear; ku-âmo-á te ragi, the sky is clear. 3. To slip, to slide, to glide (see pei-âmo). Ámoámo, to lick up, to lap up, to dry; to slap one's body dry (after swimming or bathing): he-âmoâmo i te vaihai rima. Vanaga.

Amoamo. 1. To feed, to graze. 2. To spread, to stretch (used of keete). Churchill.

But midsummer could also be a time for cleaning out the oven, and the event of cleaning out the fires was probably connected with 'binding' the old year:

... Behold what was done when the years were bound - when was reached the time when they were to draw the new fire, when now its count was accomplished. First they put out fires everywhere in the country round. And the statues, hewn in either wood or stone, kept in each man's home and regarded as gods, were all cast into the water. Also (were) these (cast away) - the pestles and the (three) hearth stones (upon which the cooking pots rested); and everywhere there was much sweeping - there was sweeping very clear. Rubbish was thrown out; none lay in any of the houses ...

They bound Hercules at midsummer.

A bundle of wood is like a pack of 'sticks' (henua), the bunch of periods ('limbs') constituting the tagata of the past season. What is left after the fluids have left the body.

And Homer made clear signs:

... He bore a grievous weight of dry wood, which he cast down with a din inside the cave, so that in fear all fled to hide. Lifting a huge doorstone, such as two and twenty good four-wheeled wains could not have raised from the ground, he set this against the mouth of the cave, sat down, milked his ewes and goats, and beneath each placed her young, after which he kindled a fire and spied his guests ...

22 probably indicates half a cycle (i.e. one eye). The grievous weight of dry wood is a confirming sign - the growing season is over, now it all has turned into 'straw'. The giant threw it down, an abrupt movement resulting in everybody hiding - none out in the light anymore. The abrupt downward crash is what happens to spring sun at midsummer.

As to huru, which has no obvious corresponding sign in Aa4-35, it makes me remember the golden fleece:

Huru

Custom, tradition, behaviour, manners, situation, circumstances; poki huru hare, child who stays inside (to keep a fair complexion); te huru o te tagata rivariva, a fine person's behaviour; pehé te huru o Hiva? what is the situation on the mainland? Huruhuru, plumage, feathers (the short feathers, not the tail feathers), fleece of sheep. Vanaga.

Samoa: sulu, a torch; to light by a torch; sulusulu, to carry a torch; susulu, to shine (used of the heavenly bodies and of fire). Futuna: susulu, the brightness of the moon. Tonga: huluaki, huluia, huluhulu, to light, to enlighten; fakahuhulu, to shine; iuhulu, a torch or flambeau, to light with a torch. Niuē: hulu, a torch; huhulu, to shine (as the moon). Maori: huru, the glow of the sun before rising, the glow of fire. Churchill 2.

The moe glyph type, we found, could be indicating the glow before rising.