TRANSLATIONS
Although double maitaki
glyphs occur beyond the point where sun moves northwards, we cannot draw
any immediate conclusions from this, because the whole glyph line (Aa7)
obviously has as its subject a special calendar devoted to - it seems -
a set of such double maitaki.
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Aa7-30 |
Aa7-31 |
Aa7-32 |
Aa7-33 |
Aa7-34 |
What should be noted,
instead, is the curious foot at left in Aa7-30 together with the
strange hand held high in Aa7-32. This type of sign occurs in
several places in line a7, e.g.:
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Aa7-14 |
Aa7-15 |
Aa7-16 |
Aa7-17 |
Aa7-18 |
Aa7-19 |
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Aa7-20 |
Aa7-21 |
Aa7-22 |
Aa7-23 |
Aa7-24 |
Aa7-25 |
Aa7-26 |
Aa7-27 |
The right
'eye' in Aa7-15 is formed like a half-circle (a maitaki sign
which presumably is referring to the high summer cloudless sky dome). In
Aa7-20 the sky moon crescent at left has vanished. In Aa7-24 there
is a complete absence of left side, and 7 * 24 = 168.
Pei (grooves in the
rock surface) can be a memory from those seen on the back of the
great Sphinx in Egypt. Once there must have been an enormous amount
of water - a true Flood - which caused these grooves.
The lion symbolizes the
hot midsummer, and the water grooves on its back how the 'fire' is
suddenly put out.
The connection between
fire and water by being antagonistic is obvious. But surely they
from very ancient times must have observed the phenomenon of
condensation, how water droplets were created as a result of the
fire below the cooking pot. Fire and water are complementary, fire
has the capacity to create water. Even a child must have understood
it. Next page:
In Ga5-5 the maitaki sign is
at left, and 4 * 66 can possibly be interpreted as a 'quarter with sun
shine', 4 means a 'quarter' and 6 refers to the sun and 5 * 5 = 25.
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148 |
115 |
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Gb4-3 (324) |
Ga5-5 (116) |
208 = 4 * 52 |
264 = 4 * 66 |
The season
(4
* 29.5 = 118) which is 'kicked into action' by the
following Rei, we have
earlier identified as Te Poko Uri:
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Ga5-4 |
Ga5-5 |
Ga5-6 |
Ga5-7 (118) |
Ga5-8 |
Ga5-9 |
Ga5-5 informs us that a
'square' ('earth') is completed, and
that the square in question is related
to 'fire' (5).
Presumably focus will now be shifting
to another 'habit' of the sun.
Tagata with high neck is at left
in Ga5-7 and we could then suppose
vai at right lies in the future.
However, the distribution of vai
glyphs in G suggests that also vai
belongs in the past:
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Gb2-27
(283) |
Gb3-5 |
Gb3-25 |
Gb4-2 |
Gb4-23 |
Gb8-11
(453) |
Ga5-7 |
171 = 9 * 19 |
Vai is beginning at Hua
Reva (the first kuhane
station without Te). Sun is
at Hua Reva changing from his
'red summer coat' to a 'raincoat'.
But at Ga5-7 the 'raincoat' has been
put aside. The glyph is presumably
saying Manavai (the name of
one of the kuhane stations):
Manavai
Hollow
where rainwater
accumulates; anciently,
small, round gardens,
preferably situated in
low shady spots, where
the mahute tree
was grown. Vanaga.
1.
Brain. 2. Valley,
ravine, river, torrent,
brook; manavai miro,
orchard, Mq.: manavai,
valley, brook. Ta.:
anavai, river,
brook. It scarcely
appears that these are
fully coordinate. In
Tahiti anavai has
a clear etymology,
ana meaning the bed
of a stream. In Rapanui
and in the Marquesas
mana most readily
associates with maga,
as water in a forked
bed. Churchill. |
The vai season (when sun
is far north) appears to be
ending at Gb8-11, because the
empty uplifted hand evidently
says so. Therefore the vai
sign in Ga5-7 should be
referring to a name rather than
directly to the vai
season.
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The (empty) bedstreams (manavai)
- grooves - are calmly (magaro) waiting for the return of the sun, thirsty for his
sweet rain (vai magaro).
Maga
Branch (of tree). Magahaiga, part of
the arm near the armpit, armpit. Magamaga: 1. Finger
(rima matu'a neanea, thumb; tuhi henua, index
finger; roaroa tahaga, middle finger; tuhia háûa,
ring finger; komaniri-komanara, little finger). 2.
Seaweed (shaped like small fingers). Vanaga.
1. (mama 2) A mouthful; maga
nuinui, to gobble. 2. Garbage. 3. Index finger. 4. A
branch; magamiro, a branch, a limb; magamaga,
fork, finger, claw, rod; magamaga miro, a
branch, a limb; magamaga rima, finger; magamaga
vae, toe; magamaga tumu, great toe; hakamaga,
a roof; magaga, fork; magatuhi, index finger;
hakamagaturu, slope of a roof. Churchill. |
Magai
Fishhook (made of stone or of bone, much more
curved inward than the type of hook called rou).
Vanaga. |
Magaro
Calm, sweet, docile, tame, affable, gracious,
indulgent, suave; to pacify, to reconcile; ariga magaro,
amiable; tae magaro, ungracious; tagata magaro,
popular; vai magaro, sweet water; magaro ki kokoma,
undisturbed; hakamagaro, to soothe, to pacify, to
quiet, to appease. P Pau.: magaro, salty, briny.
Mgv.: magaro, courteous, pleasant, peaceful, quiet;
ahamagaro, to soothe, to tame, to quiet. Mq.:
manaonao, insipid, tasteless. Ta.: maaro, fresh,
sweet, not salted. Churchill. |
171 (= 9 * 19), the doubly
'black' sun number, should be associated with 261 (= 9 * 29), I
think. 261 +
171 = 432 = 12 * 36. If we consider sun should have 10 * 30 = 300
days, we can add the days when he is absent (171) to reach 471 (the
number of glyphs in G). But then we have counted 6 glyphs twice:
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Gb8-6 |
Gb8-7 |
Gb8-8 |
Gb8-9 |
Gb8-10 |
Gb8-11 |
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Gb8-12 |
Gb8-13 |
Gb8-14 |
Gb8-15 |
Gb8-16 |
Gb8-17 |
Which in turn opens
up a 6 glyph long gap, possibly
immediately before Gb2-27:
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Gb2-19 |
Gb2-20 |
Gb2-21 |
Gb2-22 |
Gb2-23 |
Gb2-24 |
Gb2-25 |
Gb2-26 |
Possibly
they come immediately beyond glyph number 261:
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Gb1-5 |
Gb1-6 |
Gb1-7
(261) |
Gb1-8 |
Gb1-9 |
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Gb1-10 |
Gb1-11 |
Gb1-12 |
Gb1-13 |
Gb1-14 |
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Gb1-15 |
Gb1-16 |
Gb1-17 |
Gb1-18 |
Gb1-19 |
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