The parallel text in Keiti seems to continue:

Ga5-30 Ga6-1 Ga6-2 Ga6-3 Ga6-4
-
Kb2-103 Kb2-104 Kb2-105 Kb2-106
-
Eb4-13 Eb4-14 Eb4-15 Eb4-16 Eb4-17 Eb4-18 Eb4-19 Eb4-20 Eb4-21

While also in Mamari a somewhat similar theme evidently is documented in the glyphs which follow suit, at least those at the end (Cb1-3--10) :

Ca14-218 Ca14-219 Ca14-220 Ca14-221 Ca14-222 Ca14-223 Cb1-1 Cb1-2 Cb1-3
Cb1-4 Cb1-5 Cb1-6 Cb1-7 Cb1-8 Cb1-9 Cb1-10

And having accepted this possibility, it becomes fairly clear that also Small Vienna has a similar theme, in the sequence of glyphs which follow the proposed parallel on last page:

Na3-111 Na3-112 Na3-113 Na3-114 Na3-115 Na3-116
Na3-117 Na3-118 Na3-119 Na3-120 Na3-121 Na3-122