TRANSLATIONS
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The birds face-to-face appear to have pointed beaks, and if so they are not of the typical manu rere type. Manu tara birds have pointed beaks. As to the typical manu rere I guess it is the albatross, the most majestic of the birds cruising above the sea. I also guess its white colour made it a natural choice, because south of the equator it should be a white bird - in the far north they had Raven. Maitaki in Ga3-17 could allude to Nga Kope Ririva, of course:
Thinking in terms of the sky roof and its evolution over time, the top 'stone' has a greater expanse at left than at right. Sky is coming closer. Or rather sky is now not far away. The Carnival canoe has landed with all its goodies. The distribution is coming close. Or was it the retribution? The Ark of Noah is the moon crescent. The moon type of Rei is first fully loaded, then empty:
Ga4-26 is a strange glyph, but surely it is expressing 4 * 26 = 104, the end of Death (the 6 + 6 = 12 half-months on board the canoes). Ga4-20 presumably is expressing the same thing by using sun currency instead, 4 * 20 = 80. Which seems to be divided into 3 * 20 = 60 plus a separate unit with 20 glyphs more close in time. 60 days before the canoe lands (kiore - henua begins), then 20 days of fasting. Ga4-21 has the mark of Death in form of the same sign as those 12 on board the canoes. 4 * 21 = 84 could be the measure of a 'quarter' of winter. 2 * 84 = 168. In Ga4-27 (where 4 * 27 = 9 * 12) henua is cut of obliquely at the top, the head of Death has been struck off. The number of maro signs is 4, a 'square' (on the 'chessboard') is finished. In Ga4-22 a full stop to the right of 6-feathered maro indicates it with 'sun currency'. 22 (as in 22 / 7) has worked 4 times - 4 * 20 = 80. The same type of glyph as in Ga4-20 (but without the two 'eyes') is used also at Ga7-18:
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