TRANSLATIONS

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In Q the same type of twin bent fishes, one with a 'cut mark' across its throat, are found in the parallel passage. However, they come in the opposite order:

*Ha11-52 (*621) *Ha11-53 *Ha11-54 *Ha11-56 *Ha11-57 *Ha11-58 *Ha11-59 (*627)
Qb2-36 Qb2-37 Qb2-38 Qb2-39 Qb2-40 Qb2-41 Qb2-42
Ha12-1 (*628) Ha12-2 Ha12-3 Ha12-4 Ha12-5 (*632)
-
Qb2-43 Qb2-44 Qb2-45 Qb2-46

Q is out of phase with H. Many signs say so. Glyph number 624 (= 24 * 26) at Ha11-56 is a tara, a sign which probably stands for winter solstice if there are no extra signs added. But here one obvious sign is how the 'gap' is oriented upwards, a sign which we can read as full moon time. In Q the orientation is in harmony with the preceding bent fish, which we can guess refers to waning moon. 2 * 39 = 6 * 13, which suggest half the way to 12 * 13 (= 624 / 4).

The maitaki sign in Ha11-59 is more powerful at left, the one in Qb2-42 at right. 11 * 59 seems to indicate the birth of a new double-month, a single baby maitaki riding in a canoe.

eleven ... ONE + *lif- (appearing also in TWELVE), quasi 'one left (over ten)' ... (English Etymology)

In Qb2-42 a single maitaki sign is raised up like a sail in a boat at left (in the past), and instead mea ke (maximum of darkness) is in front. The sail identifies the single maitaki sign as the sun (Raá), and at Qb2-42 he has gone away, while in Ha11-59 he is arriving as a newborn child.

A solution to the dilemma of 'out of phase' can be suggested, viz. that Q tells about a bent sun fish (turning around at winter solstice). Instead of 4 + 4 maro strings Q has a single string with 3 feathers. And we should recognize the curious sign at the top in Qb2-46 from the sign at summer solstice in A:

Aa6-64 Aa6-65 Aa6-66 Aa6-67 Aa6-68 Aa6-69 Aa6-70

The season which arrives at Aa6-67 is over in Qb2-46.

In Ha11-59 there are two separate entities, mother (bottom) and child (top). Moon respectively sun. In Qb2-42 there is a more complex situation, with what looks like a fist pushing upwards as if to be free.

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In A there are 7 manu kake glyphs, and only 2 of them on side a:

internal parallel 1
Aa3-10 Ab2-37
internal parallel 2
Ab3-8 Ab5-17
Aa3-50 Ab4-43 Ab4-71

There are two pairs, in sequences of glyphs which I have named 'internal parallels', i.e. where one sequence is quite similar to another sequence found in the same text.

Then there are 3 manu kake (last line in the table above) which are not in any internal parallel. Two of them we have met before, Ab4-43 and Ab4-71.