TRANSLATIONS

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The hyperlink 'the halfway station' leads to this:

 

 

Our symbol for eight (8) is designed as if to inform the reader that eight consists of two equal parts, each of which has four units.

Anciently, they saw 'earth' as a 'square', i.e. a time measure consisting of four units. The problem of 'squaring the circle' could have meant to find the 4 points which divides the circumference of the time cycle into 4 equal parts, for instance by counting 360 days as 4 times 90.

With two 'years' in a year, a similar structure would be to count 4 times 90 twice: 2 * 4 * 90 = 720. But in order to get it right, each half of the year must then be counted against half days:

4 * 90 * ½ = 180

Similarly, to reach 180 days by counting to 8 could have meant to count twice 4 times by using quarter days (6 hours):

4 * 90 * 6  +  4 * 90 * 6  =  4320 hours = 180 days

Once it was important to use units of the same kind as that which was going to be counted. They must be in harmony with each other.

In G the kuhane stations clearly are tuned in to number 8. The journey of the sun on side a goes to Te Pei, a station which seems to be located at high summer.

Eight is called varu in Polynesian:

Varu

1. To cut one's hair (te puoko). 2. To shave. 3. To paint, to put on make-up: he varu te kiea. Varu a-roto, to have diarrhoea. Vanaga.

1. Eight. 2. To shave, to remove the beard, to shear, to clip, to rasp, a plane. Varuvaru, to peel, to remove the bark, to plane, to scrape, to shear. Churchill.

The same word (varu) is used for a plane, i.e. a flat surface. At the solstices, where the sun is taking a rest before returning, the terrain is level. It is natural to count to 8 (varu) in order to reach such a place. Number and terrain are in harmony.

 

It is in a way thought to be an introduction to the following dictionary page:

 

 

In Tahua the 8th kuhane station can be counted as being located at glyph number 8 * 29.5 * 2 = 472. Because it is such a long text 2 glyphs apparently correspond to two half-days.

Aa6-55--56 (236) Aa6-57--58 Aa6-59--60 (238)
Aa6-61--62 Aa6-63--64 (240) Aa6-65--66
Aa6-67--68 (242) Aa6-69--70 Aa6-71--72 (244)

At Aa6-56 we can count 6 * 56 = 168, and 12 glyphs (6 days) later comes a maitaki glyph, a glyph which can be characterized as being very 'imbalanced'. In G day number 472 / 2 = 236 is Gb1-6, with Gb1-12 corresponding to Aa6-67--68:

Gb1-6 (236) Gb1-7 Gb1-8 Gb1-9 Gb1-10 Gb1-11
Gb1-12 (242) Gb1-13 Gb1-14 Gb1-15 Gb1-16 Gb1-17
Gb1-18 Gb1-19 Gb1-20 (250) Gb1-21 Gb1-22

I am going to make a bold suggestion, which if true can explain the imbalance in Aa6-68. But it necessitates a few pages, which should be read following this link.

 

We immediately notice the twin birds in Aa6-57 (with 6 * 57 = 342 = 18 * 19), the very first glyph beyond day 236. I have identified these 6 glyphs as possibly relevant:

 

Aa2-84 Aa4-10 Aa6-45 Aa6-57 Aa8-77 Ab2-64

5 out of 6 are on side a. Ab2-64 seems to be a relative of Aa6-57, and counting the distance between them we receive confirmation:

 

342
Aa6-57 (473) Ab2-64 (816)

Counting 342 / 2 = 171 = 9 * 19 glyphs in G, we reach to 237 + 171 = 408 at Gb6-25:

Gb6-17 Gb6-18 Gb6-19 Gb6-20 Gb6-21 Gb6-22 Gb6-23 Gb6-24
Gb6-25 Gb6-26 Gb6-27 Gb6-28 Gb7-1 Gb7-2 Gb7-3 Gb7-4

The resemblance between the right part of Gb6-27 and the right part of Ab2-64 is noteworthy:

Ab2-56 Ab2-57 Ab2-58 Ab2-59 Ab2-60 Ab2-61
Ab2-62 Ab2-63 Ab2-64 Ab2-65 Ab2-66 Ab2-67