TRANSLATIONS

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The first simple maitaki glyph in G comes in the 4th period of spring:

4
Ga3-17 Ga3-18 Ga3-19

The two united birds in Ga3-18 can be compared with the united twins in Thursday:

Hb9-42 Ga3-18

If in high summer united twins are described as two faces (ariga erua) looking at each other, then in the opposite winter sky twin birds could be looking at each other. Sun is far out over the sea in the north, where there is no land. But birds may fly there.

In H we can find exactly the same type of twin birds, which ought to indicate that also their meaning should be the same):

Ha7-47 Ga3-18

This assumption is strengthened by a resemblance between two manu kake glyphs (Ha8-5 respectively Ga3-1) not far away. Neither the twin birds nor manu kake are frequent glyph types.

 

 

I have at an earlier stage in this work tried to reconstruct the original number of glyphs in H, and the asterisk (*) refers to this fact. Neither the ordinal numbers from Ha1-1 nor from the beginning of line a7 are absolutely certain:

*Ha7-35 (379) *Ha7-36 *Ha7-37 *Ha7-38 *Ha7-39
*Ha7-40 *Ha7-41 *Ha7-42 (386) *Ha7-43 *Ha7-44
*Ha7-45 *Ha7-46 *Ha7-47 (391) *Ha7-48 *Ha7-49
 
*Ha7-50 *Ha7-51
Ha8-1 Ha8-2 Ha8-3 Ha8-4 Ha8-5 (400)

Manu kake in Ha8-5 (probably not by coincidence located at 400, we can for instance count 8 * 5 = 40) is much the same as manu kake in Ga3-1:

Ha8-5 (400) Ga3-1 (61)

The longer part towards right in the two manu kake glyphs could mean a higher sky roof in front. In Ga4-21 we can see a later development:

14
Ga4-20 Ga4-21 (106) Ga4-22

Manu kake is 'wilting', the drought has made it so. But the longer part is in the past (left), meaning the sky is becoming lower. Earlier I could not understand it, because midsummer is in front. But now I can interpret it to mean that the rain clouds are coming, they make the distance upwards shorter.

The 14th period has a prominent dot at right in Ga4-22, and the mouth of kiore is going to change shape. Does it mean that the mouth of kiore represents the sky roof? There are 84 glyphs (counted from Gb8-30) up to tagata at Ga4-1, equal to 3 * 28 days

Ga4-1 (85) Ga4-2 Ga4-3 Ga4-4

The parallel period in K also has a tagata, here with a kai gesture:

Ka4-16 (83) Ka5-1

Ka5-1 is needed to reach 3 * 28 days. The leg at right in Ga4-1 is markedly thinner - maybe suggesting that the new season arriving with rain clouds not only is shortening the space upwards but also making the sun rays weaker. But Ka5-1 has still a rising henua.

I think it is fairly clear that 'raising the sky roof' (= letting more sun light in) takes place during 3 months at the beginning of the year, and that after this quarter focus is shifted towards the rain.

If we can rely on our 'twin map', glyph line a4 in G should then be interpreted to tell about the 'war' (shifting winds and hurrying clouds) between the old sky-lifting season and the new rainy spring season:

148 115 207
Ga5-5 (116) Gb4-3 (324)
264 = 4 * 66 208 = 4 * 52

The shape-shifting mouth of kiore is evidence. Also the hau tea in the early half of line a4 indicate sun light:

7
Ga4-1 (85) Ga4-2 Ga4-3 Ga4-4
8
Ga4-5 Ga4-6 (90)
9
Ga4-7 Ga4-8
10
Ga4-9 Ga4-10
11
Ga4-11 (95) Ga4-12 Ga4-13
12
Ga4-14 Ga4-15
13
Ga4-16 (100) Ga4-17 Ga4-18 Ga4-19
14
Ga4-20 (104) Ga4-21 Ga4-22
15
Ga4-23 (107) Ga4-24 Ga4-25 Ga4-26 Ga4-27
16
Ga5-1 (112) Ga5-2 Ga5-3
17
Ga5-4 Ga5-5 Ga5-6 Ga5-7 Ga5-8 Ga5-9 (120)

In Ga4-9 (where 4 * 9 = 36) there is a complete elbow ornament at left which says the sky-lifting is done. 4 + 6 = 10 glyphs at the beginning of line a4 and period number 10 says the early spring sun season is over. Next period (11) shows a newborn season (tamaiti) as its first glyph (Ga4-11). 95 = 5 * 19 means the 'fire' is in the past.

The 12th period has a long-necked tagata with 3 'feathers' at left and 3 at right. It is the same 'person' as in Ga4-9, i.e. the old skylifting figure.

Here he has his fist at left and at right a now empty hand uplifted. In Ga4-14 (where 4 * 14 = 2 * 28) the balanced elbow ornaments indicate a point of equilibrium in time. Maybe we should add these two months to the first 3 (in lines a1-a3), i.e. find that time has reached 5 months from the beginning of the year. 5 * 28 = 140 could refer to period 14.

With period 13 a new sun season is beginning, the firm fist is at right and the mouth of kiore shows the sky is cleared from clouds. A new start comes with Rei at Ga4-17 (with ordinal number 100 + 1).

Manu kake at Ga4-21 has ordinal number 100 + 5. Both the number and the wilting shape says it is time for rain. 4 * 21 = 84 = 3 * 28 or perhaps this time 6 * 14.

Ga4-20 is very interesting. From the arguments above we can guess the bottom part (presumably the earliest part) is referring to 3 months of kai (when sun is 'eating' and growing, but still 'absent'). The top part would then be the next sun season, evidently only a third as long, and the whole shape will stand for 4 months, the first tertial of the year. 104 = 4 * 26.

Counting with 30 days in a month, we can identify the 8th period as the end of the first quarter. The empty uplifted hand is evidence which supports the numbers (8, 90, 4 * 5 = 20, 4 * 6 = 24).

Ga4-20 must be related to Ga7-18 and probably also to Gb8-17:

83 270 13
Ga4-20 (104) Ga7-18 (188) Gb8-17 (459)

Ga7-18 comes 3 months later, counted as 3 * 28 glyphs. And then 9 * 30 days further on comes Gb8-17.

84 + 270 = 354 = 12 * 29.5, i.e. Hatinga Te Kohe, which explains the release at the top of a dark 'offspring'.

In other words, Ga4-20 in period 14 identifies the end of a first tertial of skylifting, and beyond that a 'sun is present' time is counted from zero (at Ga4-16, with 4 * 16 = twice 32). This season will reach its end at Hatinga Te Kohe (Gb8-17, with 8 * 17 = 136).

At Ga7-18 the sun symbols have disappeared. 3 * 29.5 = 88.5 and a quarter added to the first terial means 7 months. We have reached high summer where sun goes down:

Ga7-5 Ga7-6 Ga7-7 (177) Ga7-8 Ga7-9 Ga7-10 (180)
Ga7-11 Ga7-12 Ga7-13 Ga7-14
Ga7-15 Ga7-16 Ga7-17 Ga7-18 Ga7-19
Ga7-20 Ga7-21 Ga7-22 (192)

Maybe the bottom third in maitaki (Ga7-8) says that the high sky is far in the past. If we think maitaki refers to 6 months of sky, then the central part could be drawn more or less balanced because it is referring to glyph line a4. The top part  could refer to the season described in lines a5-a6, a slightly larger 'ball'

If this is a correct reading, we can say that the size of the 'balls' refer to length of time:

 

top = new large = long time high sky
central = medium small = short time balanced
bottom = old very large = very long time very high sky

The parts of the central string which are 'bare' (between the 'balls') surely also are signs.