TRANSLATIONS

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Once again:

'winter' end of old year
Ca5-32 Ca5-33 Ca5-34 Ca5-35
beginning of new year
Ca6-1 Ca6-2 Ca6-3 Ca6-4
'summer'
Ca6-5 Ca6-6 Ca6-7 Ca6-8 Ca6-9 Ca6-10
Ca6-11 Ca6-12 Ca6-13 Ca6-14 Ca6-15 Ca6-16

These 20 glyphs can be amounting to 360 days if each glyph stands for 18 days. It would then be a system which is like a mirror image of the Mayan with 18 months à 20 days (+ 5). South of the equator things are 'upside down'.

The reversed 'empty hand' gesture in Ca6-3 ought to mean a 'full hand', i.e. 'fire' (rima) is returning. The preceding hau tea illustrates the situation at hand because it has no mata. Then follows a low hau tea with 6 'feathers' on top and double mata. The twin mata eyes in Ca6-1 could refer to winter solstice and the twin mata in Ca6-4 to the change from the 'season of Moon' to the 'season of Sun'.

In Ca6-5 (where 6 * 5 = 30) the 3 'persons' could refer to the 3 major season which lie ahead, first the return of Spring Sun, with a triplet of 'feathers' on top of his head and with 7 at bottom. If we should include Ca6-4 then each of the 7 bottom 'feathers' will correspond to a glyph:

Ca6-4 Ca6-5 Ca6-6 Ca6-7 Ca6-8 Ca6-9 Ca6-10

Next major season has 6 bottom 'feathers' (in Ca6-5) and also 6 glyphs:

Ca6-11 Ca6-12 Ca6-13 Ca6-14 Ca6-15 Ca6-16

7 + 6 = 13 and we can interpret these 13 glyphs as months with 28 days in each: 13 * 28 = 364. But it would mean we have to isolate these 13 glyphs from the rest of the 20, which can be used as an argument for creating another separated calendar for the Moon:

Sun 13 28 364 + 1 365
Moon 7 59 413 + 1 414

The last of the 3 major seasons (in Ca6-5) has no 'feather' signs at all and a single mata in front. I guess we should read 'winter':

Ca5-32 Ca5-33 Ca5-34 Ca5-35 Ca6-1 Ca6-2 Ca6-3

7 months of winter will precede the return of Sun in Ca6-4.

The 3 'feathers' at the top of the first (and tallest) of the 'persons' in Ca6-5 could refer to events in the sky rather than to their reflections down on earth. With 6 * 5 = 30 we could multiply by 18 and reach 540, which could be symbolized by 3 'feathers' at the top - the Chinese seem to have used a system with 1½ years (= 3 halfyears).

Light and life returns to earth in spring by way of a path leading down from the sky. The earth will become warmer and warmer until it is much too hot and dry. Relief will then come with water from the sky. Winter, spring, water.

 

 

16 * 18 = 288 days, we have seen, could describe the path of Sun:

Ca6-1 Ca6-2 Ca6-3
Ca6-4 Ca6-5 Ca6-6 (108)
Ca6-7 Ca6-8 Ca6-9 Ca6-10 (180)
Ca6-11 Ca6-12 Ca6-13 Ca6-14 Ca6-15 Ca6-16

'Etoru kiori' would then be located between day 108 and day 180 (= 360 / 2) counted from winter solstice. Another possibility is to count 20 times 20 in order to measure out a calendar with 400 days for a year. In that case Ca6-10 will be at day 200 instead of day 180 and Ca6-16 at day 300 instead of 288.

Either way Ca6-7--9 will be in the last part of the path leading up to high summer, with niu in Ca6-11 symblizing the turnover 'ahead'. In Ca6-12 (day 216 or day 240) water (vai) is indicated, and the hole in Ca6-13 seems to show where the 'eye' of Sun once was. Maybe 6 * 12 = 72 = 360 / 5 at the doubly rimmed vai in Ca6-12 depicts a 'canoe' seen from above - 'en face' - with the 'eye of Sun' inside. Instead of 2 mata on each side of the 'head' in such glyphs as Ca6-1 and Ca6-4 the Moon version of a 'turnover point' could have 2 crescents oppositely oriented in the vertical dimension as in the vai glyph type.

180 - 108 = 72 (= 360 / 5), and 200 - 120 = 80 = 400 / 5. I.e. the 'etoru kiori' season represents, it seems, 1 / 5 of the cycle. I guess the best number at Ca6-10 is 200, because henua is of the 'midnight' type (indicating 'Moon' rather than 'Sun').

The 'feathers' at the back should mean 'fire in the past' or 'not-fire'. We can compare with how in Tahua there are 3 (etoru) reversed tapa mea glyphs at crucial points in the path of daytime Sun (cfr at toa):

Aa1-17 Aa1-23 Aa1-27 Aa1-29 Aa1-34
Aa1-19 Aa1-21 Aa1-25 Aa1-31 Aa1-36
i uhi tapamea e uhi tapamea e uhi tapamea e uhi tapamea e uhi tapamea
a.m. noon p.m.

The rays from Sun are arrow straight, and in order to reach a curved path they must be added one after the other with flexible 'knees' in between them.

If a new Sun has to be ignited after 400 days (counted from midsummer), then the 'feathers' at the back of 'etoru kiori' could represent the dark season during which a new 'fire' in the sky has to be prepared. The old one has reached earth and will soon be drenched in water.

The change from the normal kiore to kiori could be due to a twist in meaning:

Ri

1. Mgv.: ri, a string, a girdle, to tie together. Sa.: li, the sennit lashing of canoe outriggers. Mgv.: rino, to twist a thread between the forefinger and thumb. Ta.: nino, to twist, to spin. Mq.: nino, id. Ma.: rina, a twist of two or three strands. 2. Ta.: ri, to hang. Ha.: li, to hang by the neck. Hakariga, to subdue. Churchill.

In Aa1-24 an elbow is used instead of a knee, but we can - with help from Metoro - understand that at 'noon' a new fire is ignited (cfr at ihe tau):

Aa1-24
ko te nuahine -  i mamau i te ahi

... se selia nombrar Ko te Nuahine káumu à rangi kote kote que significa: La vieja que enciende el curanto en el cielo kotekote. Puedo haber sido una personificación de la luna porque las viejos decían, comentando este nombre, que no es una montaña que seve en la luna, sino una mujer anciana que está suntada [sentada?] al lado un gran curanto umu pae (de piedras en circulo) ...

 

 

My idea of haú ke as a sign of a 'luminary rising' has now been 'proven' false. Instead both haú and haú ke are evidently referring to 'light at the back' (in the past):

Ca6-7 Ca6-8 Ca6-9 (149)
Cb10-9 Cb10-10 Cb10-11 (266)

In Ca6-7--9 this 'fire at the back' may have more than one designation. Consistent with the triplet of eating persons for spring is an interpretaion of the 'feathers' at the back as signifying how the season of 'fire in the sky' now is in the past. Befor spring arrives there is a time when the 'sky roof' is being separated from 'earth' (in the sky) and in between the spring light enters. This 'fire' is brought down to earth by some divine intervention:

... During his descent the ancestor still possessed the quality of a water spirit, and his body, though preserving its human appearance, owing to its being that of a regenerated man, was equipped with four flexible limbs like serpents after the pattern of the arms of the Great Nummo.

The ground was rapidly approaching. The ancestor was still standing, his arms in front of him and the hammer and anvil hanging across his limbs. The shock of his final impact on the earth when he came to the end of the rainbow, scattered in a cloud of dust the animals, vegetables and men disposed on the steps ...

Sun is reborn at winter solstice and Moon - being his opposite - will therefore begin her cycle at midsummer. Maybe Sun is allotted 9 * 40 = 360 days, but Moon is not being 'decapitated' (instead rejuvenated each month) and her cycle can be 10 * 40 = 400 days long. Counting by her cycle we should begin at summer solstice, and accordingly Sun appears to have reached his limit at etoru kiori:

Ca6-1 Ca6-2 (240) Ca6-3
Ca6-4 Ca6-5 (300) Ca6-6
Ca6-7 Ca6-8 (360) Ca6-9 Ca6-10
Ca6-11 Ca6-12 Ca6-13 (60) Ca6-14 Ca6-15 Ca6-16